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  • Beyerdynamic unveils trio of mid-range headphones and earphones: Aventho 200, Amiron 200, and Amiron Zero

    Beyerdynamic unveils trio of mid-range headphones and earphones: Aventho 200, Amiron 200, and Amiron Zero

    Beyerdynamic has unveiled three new mid-range headphones and earphones. (Image source: Beyerdynamic)

    Beyerdynamic has announced three mid-range audio devices—the Aventho 200, Amiron 200, and Amiron Zero—each tailored for distinct listening needs from audiophile-grade playback to sporty and lightweight designs. All models feature Bluetooth connectivity, noise-cancelling mics, and Q4 2025 availability.

    Beyerdynamic has unveiled a trio of mid-range headphones and earphones—the €249 (~$290) Aventho 200 over-ear headphones, the €179 (~$209) Amiron 200 open-ear earphones, and the €149 (~$174) Amiron Zero clip-on earbuds.

    The Aventho 200 is the best of the three models for music enthusiasts, with 45 mm drivers that have a frequency range of 10 Hz to 22 kHz. It supports the aptX Lossless codec for high-resolution music playback over Bluetooth 5.4 wireless connections. It can also be connected to audio sources using the wired 3.5 mm cable. The unit leverages two feed-forward and two feedback microphones for background noise cancelling during calls. The headphones can run up to 40 hours with ANC on and recharge in 1.5 hours, according to the company.

    The Amiron 200 is designed for runners and sports players, with a secure design that hooks around the ears. It uses 18 x 11 x 4.85 mm (0.71 x 0.43 x 0.19 in.) drivers that have a frequency range of 20 Hz to 20 kHz. It only supports the standard SBC and AAC audio codecs over Bluetooth 5.3 wireless connections. The unit only uses two microphones for noise cancelling during calls. The earphones can run up to 11 hours per charge and recharge in two hours, according to the company.

    The Amiron Zero is designed for high wear comfort due to its weight of 6 g (0.21 oz.) per earbud. It uses 18 x 11 x 4.85 mm (0.71 x 0.43 x 0.19 in.) drivers that have a frequency range of 20 Hz to 20 kHz. It only supports the standard SBC and AAC audio codecs over Bluetooth 5.4 wireless connections. The unit only uses two microphones for noise cancelling during calls. The earphones can run up to six hours per charge and recharge in two hours, according to the company.

    The Aventho comes in black or white colorways, while the other two come in black, white, or sport colorways. The latter are IP54 dust and water resistant. All are scheduled for release in the fourth quarter of 2025. Readers can look for them in the Beyerdynamic store on Amazon.

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  • Afghan earthquake survivors refuse to return to villages, fearing landslides

    Afghan earthquake survivors refuse to return to villages, fearing landslides

    Afghan children sit with their belongings in a field, after a deadly magnitude-6 earthquake that struck Afghanistan, in Kunar province, Afghanistan, September 2, 2025. — Reuters
    • Survivors camp outdoors fearing aftershocks, lack tents.
    • More than 2,200 dead, helicopters delivered aid.
    • Children face trauma, disease risks.

    Haunted by the fear that aftershocks could bring rocks crashing down from the mountains, the survivors of Afghan earthquakes vowed not to return to destroyed villages but camp in fields and on riverbanks instead, even without tents to keep off the rain.

    “We have no shelter, not even a tent,” said 67-year-old farmer Adam Khan, leaning on a stick outside his ruined home in the village of Masud in Afghanistan’s eastern province of Kunar, devastated last week by earthquakes and subsequent aftershocks.

    “It rained last night, we had no place to take cover,” he added. “Our biggest fear is the big rocks that could come down at any moment.”

    Two earthquakes on September 1 killed more than 2,200 people and injured over 3,600 across the region, flattening thousands of homes, while aftershocks brought fresh landslides, leaving families trapped between unstable mountains and swollen rivers.

    Aid groups sped in food and supplies by helicopter, but survivors say help is patchy and slow.

    Afghanistan’s poverty and inadequate infrastructure maroon many villages hours from the nearest road, while most homes, built of mud and stone, crumbled instantly in the tremors.

    Families cluster in makeshift camps dotting the area. In the village of Shaheedan, farmer Shams-ur-Rahman, 40, said he lost six relatives and fled with his family of nine. Now they sit in the open beside a road, flanked by their few possessions.

    “The tents they gave us cannot even accommodate our children,” he said. “On the way down from the mountain, I had no shoes for my son, so I shared mine with him in turns as we walked down.”

    For some, the displacement looks set to be permanent. In the harsh glare of the sun, Gul Ahmad, 51, stood beside his relatives, the women of his family crouched in the shade of a wall as their pop-up tents flapped in the dust nearby.

    “Even if there is no earthquake, a simple rainfall could bring rocks crashing down on us,” he said. “We will not go back. The government must provide us with a place.”

    Without sufficient shelter, sanitation and food, the trauma will spread disease and poverty in one of the world’s poorest and most quake-prone nations, international aid agencies say.

    Some of the worst affected are children. Twelve-year-old Sadiq was pulled out alive after being trapped for 11 hours under rubble, in which his grandmother and a cousin were killed beside him.

    “I thought I would die,” he said, sitting quietly on a rope bed as cousins and uncles milled around the family’s shelter. “It felt like doomsday.”


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  • See the Complete Winners List!

    See the Complete Winners List!

    NEED TO KNOW

    • Lady Gaga led the pack with 12 nominations and took home four
    • Sabrina Carpenter and Ariana Grande took home three each
    • The awards show aired live from the UBS Arena in Elmont, New York

    Who’s taking home a Moon Person at the 2025 MTV VMAs?

    The 2025 MTV Video Music Awards, hosted by LL Cool J, is going down at UBS Arena in New York on Sunday, Sept. 7, and some of the biggest artists in music are receiving honors for their work.

    Lady Gaga led this year’s nominations with 12 in total, including Artist of the Year, Video of the Year and Song of the Year.

    Other top nominees included Bruno Mars, Kendrick Lamar, ROSÉ, Sabrina Carpenter, Ariana Grande, The Weeknd, Billie Eilish and Charli xcx.

    Among the stars performing at the ceremony are Gaga, Carpenter, Sombr, Alex Warren, J Balvin featuring DJ Snake, Post Malone, Doja Cat, Jelly Roll, Conan Gray and Tate McRae.

    The VMAs Extended Play Stage, presented by Doritos, will see Bailey Zimmerman featuring The Kid LAROI, Lola Young and Megan Moroney take the stage to perform during the show.

    Additional performers will include special honorees Mariah Carey, Ricky Martin and Busta Rhymes.

    Click here to see all of PEOPLE’s MTV VMAs coverage.

    Alex Warren; Tate McRae; Sombr.

    Roy Rochlin/Getty; Gilbert Flores/Billboard via Getty; Angelina Katsanis/UPI/Shutterstock


    See the complete list of 2025 MTV VMAs winners below.

    VIDEO OF THE YEAR, presented by Burger King® 

    • Ariana Grande – “brighter days ahead” – Republic Records — WINNER
    • Billie Eilish – “BIRDS OF A FEATHER” – Darkroom/Interscope Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records
    • Lady Gaga & Bruno Mars – “Die With A Smile” – Interscope Records
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records
    • Sabrina Carpenter – “Manchild” – Island
    • The Weeknd, Playboi Carti – “Timeless” – XO/Republic Records

    ARTIST OF THE YEAR

    • Bad Bunny – Rimas Entertainment
    • Beyoncé – Parkwood Entertainment/Columbia Records
    • Kendrick Lamar – pgLang/Interscope Records
    • Lady Gaga – Interscope Records — WINNER
    • Morgan Wallen – Big Loud Records/Mercury Records
    • Taylor Swift – Republic Records
    • The Weeknd – XO/Republic Records

    SONG OF THE YEAR

    • Alex Warren – “Ordinary” – Atlantic Records
    • Billie Eilish – “BIRDS OF A FEATHER” – Darkroom/Interscope Records
    • Doechii – “Anxiety” – Top Dawg Entertainment/Capitol Records
    • Ed Sheeran – “Sapphire” – Gingerbread Man Records/Atlantic Records
    • Gracie Abrams – “I Love You, I’m Sorry” – Interscope Records
    • Lady Gaga & Bruno Mars – “Die with a Smile” – Interscope Records
    • Lorde – “What Was That” – Republic Records
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records — WINNER
    • Tate McRae – “Sports Car” – RCA Records
    • The Weeknd, Playboi Carti – “Timeless” – XO/Republic Records

    BEST NEW ARTIST

    • Alex Warren – Atlantic Records – WINNER
    • Ella Langley – SAWGOD/Columbia Records
    • Gigi Perez – Island
    • Lola Young – Island
    • sombr – SMB Music/Warner Records — FINALIST
    • The Marías – Nice Life/Atlantic Records — FINALIST

    BEST POP ARTIST

    • Ariana Grande – Republic Records
    • Charli xcx – Atlantic Records
    • Justin Bieber – Def Jam Recordings
    • Lorde – Republic Records
    • Miley Cyrus – Columbia Records
    • Sabrina Carpenter – Island — WINNER
    • Tate McRae – RCA Records

    MTV PUSH PERFORMANCE OF THE YEAR, presented by BACARDÍ® Rum

    • Aug 2024 – Shaboozey – “A Bar Song (Tipsy)” – American Dogwood/EMPIRE
    • Sept 2024 – Ayra Starr – “Last Heartbreak Song” – Mavin Records/Republic Records
    • Oct 2024 – Mark Ambor – “Belong Together” – Hundred Days Records/Virgin Music
    • Nov 2024 – Lay Bankz – “Graveyard” – Artist Partner Group Inc.
    • Dec 2024 – Dasha – “Bye Bye Bye” – Warner Records
    • Jan 2025 – KATSEYE – “Touch” – HYBE/Geffen Records — WINNER
    • Feb 2025 – Jordan Adetunji – “KEHLANI” – 300 Entertainment
    • Mar 2025 – Leon Thomas – “YES IT IS” – EZMNY Records/Motown Records
    • Apr 2025 – Livingston – “Shadow” – Republic Records
    • May 2025 – Damiano David – “Next Summer” – Sony Italy/Arista Records
    • June 2025 – Gigi Perez – “Sailor Song” – Island
    • July 2025 – ROLE MODEL – “Sally, When The Wine Runs Out” – Interscope Records

    BEST COLLABORATION, presented by Under Armour

    • Bailey Zimmerman with Luke Combs – “Backup Plan (Stagecoach Official Music Video)” – Atlantic Records/Warner Music Nashville
    • Kendrick Lamar & SZA – “luther” – pgLang/Interscope Records
    • Lady Gaga & Bruno Mars – “Die with a Smile” – Interscope Records — WINNER
    • Post Malone ft. Blake Shelton – “Pour Me A Drink” – Mercury Records
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records
    • Selena Gomez, benny blanco – “Sunset Blvd” – SMG Music/Friends Keep Secrets/Interscope Records

    BEST POP

    • Alex Warren – “Ordinary” – Atlantic Records
    • Ariana Grande – “brighter days ahead” – Republic Record
    • Ed Sheeran – “Sapphire” – Gingerbread Man Records/Atlantic Records
    • Lady Gaga & Bruno Mars – “Die With A Smile” – Interscope Records
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records
    • Sabrina Carpenter – “Manchild” – Island

    BEST HIP-HOP

    • Doechii – “Anxiety” – Top Dawg Entertainment/Capitol Records — WINNER
    • Drake – “NOKIA” – OVO/Santa Anna/Republic
    • Eminem ft. Jelly Roll – “Somebody Save Me” – Shady/Aftermath/Interscope Records
    • GloRilla ft. Sexyy Red – “WHATCHU KNO ABOUT ME” – CMG/Interscope Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records
    • LL COOL J ft. Eminem – “Murdergram Deux” – Def Jam Recordings
    • Travis Scott – “4X4” – Cactus Jack/Epic Records

    BEST R&B

    • Chris Brown – “Residuals” – Chris Brown Entertainment/RCA Records
    • Leon Thomas & Freddie Gibbs – “MUTT (REMIX)” – EZMNY Records/Motown Records
    • Mariah Carey – “Type Dangerous” – gamma. — WINNER
    • PARTYNEXTDOOR – “N o C h i l l” – OVO Sound
    • Summer Walker – “Heart Of A Woman” – LVRN/Interscope Records
    • SZA – “Drive” – Top Dawg Entertainment/RCA Records
    • The Weeknd, Playboi Carti – “Timeless” – XO/Republic Records

    BEST ALTERNATIVE

    • Gigi Perez – “Sailor Song” – Island
    • Imagine Dragons – “Wake Up” – KIDinaKorner/Interscope Records
    • Lola Young – “Messy” – Island
    • mgk & Jelly Roll – “Lonely Road” – EST 19XX/Interscope Records
    • sombr – “back to friends” – SMB Music/Warner Records — WINNER
    • The Marías – “Back To Me” – Nice Life/Atlantic Records

    BEST ROCK

    • Coldplay – “ALL MY LOVE” – Atlantic Records — WINNER
    • Evanescence – “Afterlife (From the Netflix Series “Devil May Cry”)” – Netflix Music
    • Green Day – “One Eyed Bastard” – Reprise Records/Warner Records
    • Lenny Kravitz – “Honey” – ℗© 2024 Roxie Records Inc. under exclusive license to BMG Rights Management GmbH
    • Linkin Park – “The Emptiness Machine” – Warner Records
    • twenty one pilots – “The Contract” – Fueled By Ramen

    BEST LATIN

    • Bad Bunny – “BAILE INoLVIDABLE” – Rimas Entertainment
    • J Balvin – “Rio” – Capitol Records
    • KAROL G – “Si Antes Te Hubiera Conocido” – Bichota Records/Interscope Records
    • Peso Pluma – “LA PATRULLA” – Double P Records
    • Rauw Alejandro & Romeo Santos – “Khé?” – Sony Music US Latin
    • Shakira – “Soltera“ – Sony Music US Latin — WINNER

    BEST K-POP

    • aespa – “Whiplash” – SM Entertainment/Virgin Music Group
    • JENNIE – “like JENNIE” – OA Entertainment/Columbia Records
    • Jimin – “Who” – BIGHIT MUSIC
    • JISOO – “earthquake” – Warner Records
    • LISA ft. Doja Cat & RAYE – “Born Again” – Lloud Co./RCA Records — WINNER
    • Stray Kids – “Chk Chk Boom” – JYP/IMPERIAL/Republic
    • ROSÉ – “toxic till the end” – Atlantic Records

    BEST AFROBEATS

    • Asake & Travis Scott – “Active” – YBNL Nation/EMPIRE
    • Burna Boy ft. Travis Scott – “TaTaTa” – Spaceship/Bad Habit/Atlantic Records
    • MOLIY, Silent Addy, Skillibeng & Shenseea – “Shake It To The Max (FLY) (Remix)” – gamma.
    • Rema – “Baby (Is It A Crime)” – Mavin Global Holdings Ltd / Jonzing World Entertainment / Interscope Records
    • Tems ft. Asake – “Get It Right” – RCA Records/Since ’93
    • Tyla – “PUSH 2 START” – FAX Records/Epic Records — WINNER
    • Wizkid ft. Brent Faiyaz – “Piece Of My Heart” – Starboy/RCA Records

    BEST COUNTRY

    • Chris Stapleton – “Think I’m In Love With You” – Mercury Nashville
    • Cody Johnson with Carrie Underwood – “I’m Gonna Love You” – CoJo Music / Warner Music Nashville
    • Jelly Roll – “Liar” – BBR Music Group/BMG/Republic Records
    • Lainey Wilson – “4x4xU” – Broken Bow Records
    • Megan Moroney – “Am I Okay?” – Columbia Records — WINNER
    • Morgan Wallen – “Smile” – Big Loud Records/Mercury Records

    BEST ALBUM

    • Bad Bunny – DeBÍ TiRAR MáS FOToS – Rimas Entertainment
    • Kendrick Lamar – GNX – pgLang/Interscope Records
    • Lady Gaga – Mayhem – Interscope Records
    • Morgan Wallen – I’m The Problem – Big Loud Records/Mercury Records
    • Sabrina Carpenter – Short n’ Sweet – Island — WINNER
    • The Weeknd – Hurry Up Tomorrow – XO/Republic Records

    BEST LONG FORM VIDEO 

    • Ariana Grande – “brighter days ahead” – Republic Records — WINNER
    • Bad Bunny – “DeBÍ TiRAR MáS FOToS (Short Film)” – Rimas Entertainment
    • Damiano David – “FUNNY little STORIES” – Sony Italy/Arista Records
    • Mac Miller – “Balloonerism” – Warner Records
    • Miley Cyrus – “Something Beautiful” – Columbia Records
    • The Weeknd – “Hurry Up Tomorrow” – XO/Republic Records

    VIDEO FOR GOOD

    • Burna Boy – “Higher” – Spaceship/Bad Habit/Atlantic Records
    • Charli xcx – “Guess featuring Billie Eilish” – Atlantic Records — WINNER
    • Doechii – “Anxiety” – Top Dawg Entertainment/Capitol Records
    • Eminem ft. Jelly Roll – “Somebody Save Me” – Shady/Aftermath/Interscope Records
    • Selena Gomez, benny blanco – “Younger And Hotter Than Me” – SMG Music/Friends Keep Secrets/Interscope Records
    • Zach Hood ft. Sasha Alex Sloan – “Sleepwalking” – Arista Records

    BEST DIRECTION

    • Ariana Grande – “brighter days ahead” – Republic Records
    • Charli xcx – “Guess featuring Billie Eilish” – Atlantic Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records
    • Lady Gaga – “Abracadabra” – Interscope Records — WINNER
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records
    • Sabrina Carpenter – “Manchild” – Island

    BEST ART DIRECTION

    • Charli xcx – “Guess featuring Billie Eilish” – Atlantic Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records
    • Lady Gaga – “Abracadabra” – Interscope Records — WINNER
    • Lorde – “Man Of The Year” – Republic Records
    • Miley Cyrus – “End of the World” – Columbia Records
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records

    BEST CINEMATOGRAPHY

    • Ariana Grande – “brighter days ahead” – Republic Records
    • Ed Sheeran – “Sapphire” – Gingerbread Man Records/Atlantic Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records — WINNER
    • Lady Gaga – “Abracadabra” – Interscope Records
    • Miley Cyrus – “Easy Lover” – Columbia Records
    • Sabrina Carpenter – “Manchild” – Island

    BEST EDITING

    • Charli xcx – “Guess featuring Billie Eilish” – Atlantic Records
    • Ed Sheeran – “Sapphire” – Gingerbread Man Records/Atlantic Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records
    • Lady Gaga – “Abracadabra” – Interscope Records
    • Sabrina Carpenter – “Manchild” – Island
    • Tate McRae – “Just Keep Watching (from F1® The Movie)” – Atlantic Records — WINNER

    BEST CHOREOGRAPHY

    • Doechii – “Anxiety” – Top Dawg Entertainment/Capitol Records — WINNER
    • FKA twigs – “Eusexua” – Atlantic Records
    • Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records
    • Lady Gaga – “Abracadabra” – Interscope Records
    • Tyla – “PUSH 2 START” – FAX Records/Epic Records
    • Zara Larsson – “Pretty Ugly” – Epic Records

    BEST VISUAL EFFECTS

    • Ariana Grande – “brighter days ahead” – Republic Records
    • Lady Gaga – “Abracadabra” – Interscope Records
    • ROSÉ & Bruno Mars – “APT.” – Atlantic Records
    • Sabrina Carpenter – “Manchild” – Island — WINNER
    • Tate McRae – “Just Keep Watching (From F1® The Movie) “ – Atlantic Records
    • The Weeknd – “Hurry Up Tomorrow” – XO/Republic Records

    BEST GROUP

    • aespa
    • All Time Low
    • Backstreet Boys
    • BLACKPINK — WINNER
    • Coldplay
    • Evanescence
    • Fuerza Regida**
    • Grupo Frontera
    • Imagine Dragons
    • Jonas Brothers
    • KATSEYE
    • My Chemical Romance
    • SEVENTEEN
    • Stray Kids
    • The Marías
    • twenty one pilots

    SONG OF THE SUMMER

    • Addison Rae** – “Headphones On” – Columbia Records
    • Alex Warren – “Ordinary” – Atlantic Records
    • Benson Boone – “Mystical Magical” – Night Street Records/Warner Records
    • BigXthaPlug** ft. Bailey Zimmerman – “All The Way” – UnitedMasters
    • Chappell Roan – “The Subway” – Island
    • Demi Lovato – “Fast” – Island
    • Doja Cat – “Jealous Type” – Kemosabe/RCA Records
    • HUNTR/X: EJAE, Audrey Nuna & REI AMI** – “Golden” – Republic Records/Visva Records
    • Jessie Murph – “Blue Strips” – Columbia Records
    • Justin Bieber – “Daisies” – Def Jam Recordings
    • MOLIY, Silent Addy, Skillibeng & Shenseea – “Shake It To The Max (FLY) (Remix)” – gamma.
    • Morgan Wallen ft. Tate McRae – “What I Want” – Big Loud Records/Mercury Records
    • Ravyn Lenae** ft. Rex Orange County** – “Love Me Not” – Atlantic Records
    • Sabrina Carpenter – “Manchild” – Island
    • sombr – “12 to 12” – SMB Music/Warner Records
    • Tate McRae – “Just Keep Watching (From F1® The Movie)” – Atlantic Records — WINNER

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  • Sabrina Carpenter’s ‘Man’s Best Friend’ Opens at No. 1

    Sabrina Carpenter’s ‘Man’s Best Friend’ Opens at No. 1

    Sabrina Carpenter is back at No. 1 on the Billboard 200 with her latest, “Man’s Best Friend.” The 12-song set debuts as her second consecutive chart-topper in a little over a year following 2024’s “Short n’ Sweet,” which spent four weeks at No. 1 (currently at No. 7) and won a Grammy for best pop vocal album.

    “Man’s Best Friend” opens with 366,000 album units, per Luminate, as the highest-charting effort of her career. By comparison, “Short n’ Sweet” opened with 362,000 equivalent album units and became a top-seller in the United States again in February following the release of its deluxe edition.

    “Man’s Best Friend” earned the biggest opening week for any female album in 2025, surpassing the 219,000-unit debut of Lady Gaga’s “Mayhem.” Carpenter also broke the record for the most-streamed debut for an album by a woman this year, totaling 184 million streams. On Spotify, she broke the record for most-streamed album in a single day by a female artist this year.

    Her seventh studio effort, “Man’s Best Friend,” was preceded by singles “Manchild” and “Tears,” with the former becoming her first single to debut at No. 1 on the Hot 100. On Sep. 4, she treated fans with surprise bonus track, “Such a Funny Way,” which is available to download from her website.

    Carpenter is expected to perform songs from “Man’s Best Friend” during her appearance at the MTV VMAs on Sunday night. She’s up for eight awards this year, including the top prize of video of the year for “Manchild.”

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  • Live updates as stars arrive on the red carpet ahead of the anticipated performances and awards hosted by LL Cool J

    Live updates as stars arrive on the red carpet ahead of the anticipated performances and awards hosted by LL Cool J

    It’s that time of year again: The 2025 MTV Video Music Awards are officially here.

    Nominees, performers and other stars are starting to arrive at the UBS Arena in New York, where the annual awards show will take place tonight, airing live at 8 p.m. ET on CBS. It will also be simulcast on MTV and available to stream on Paramount+ Premium. Ahead of the actual ceremony, MTV’s pre-show is documenting red carpet arrivals and early awards, including Best New Artist and Best R&B.

    Hosted by LL Cool J, the awards celebrate the year’s most popular and visually compelling music videos and will feature a variety of live performances. The 2025 MTV VMAs will honor a select group of iconic artists, including Mariah Carey, who will receive the Video Vanguard Award to celebrate her decades of groundbreaking music videos. Also receiving career honors at the 2025 MTV VMAs are Ricky Martin, who will receive the Latin Icon Award, and Busta Rhymes, who will be honored with the MTV VMA Rock the Bells Visionary Award.

    Fans have an array of great performances to look forward to. Lady Gaga will be bringing her popular tour, the Mayhem Ball, to the main stage. Sabrina Carpenter, fresh off the release of her new album, Man’s Best Friend, will be taking the stage at tonight’s awards show. Also set to perform are Post Malone, Jelly Roll, Tate McRae, Conan Gray, Doja Cat and many more.

    Aerosmith’s Steven Tyler and Joe Perry, YUNGBLUD and Nuno Bettencourt will deliver a performance to honor the recently deceased “Prince of Darkness,” Ozzy Osbourne.

    Follow along with the blog below for Yahoo’s live coverage of the star-studded awards show and the red carpet.

    Live29 updates

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  • OPEC+ to Dominate Singapore’s Glitzy Oil Bash as Surplus Looms

    OPEC+ to Dominate Singapore’s Glitzy Oil Bash as Surplus Looms

    A move by the world’s top oil-producing nations to once again increase output is set to cast a pall over Asia’s biggest gathering of industry executives this week in Singapore, with chatter about an imminent supply glut certain to dominate conversations.

    OPEC+ shocked the market earlier this year by abandoning a long-standing effort to shore up prices, opting instead to recoup dominance with a slew of production increases. On Sunday, the group stuck with that bold strategy despite warnings it would compound a slide in prices, agreeing in principle to raise output again next month — albeit with a modest 137,000 barrels a day.

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  • Sabrina Carpenter’s ‘Man’s Best Friend’ Bows at No. 1 on Billboard 200

    Sabrina Carpenter’s ‘Man’s Best Friend’ Bows at No. 1 on Billboard 200

    Sabrina Carpenter scores her second No. 1 on the Billboard 200 albums chart as Man’s Best Friend debuts atop the list dated Sept. 13. It launches with 366,000 equivalent album units earned in the United States in the week ending Sept. 4, according to Luminate. Of that sum, traditional album sales comprise 224,000. Both figures mark career-high weeks for the singer-songwriter.

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    Man’s Best Friend also collects 2025’s biggest week, by units and by album sales, for an album by a woman. It logs the third-biggest week of the year among all albums, by units and by album sales.

    Further, Man’s Best Friend notches Carpenter’s biggest streaming week for an album, as well as 2025’s biggest streaming debut for an album by a woman.

    Carpenter previously topped the Billboard 200 with Short n’ Sweet, which also debuted at No. 1, in September 2024, and spent four nonconsecutive weeks atop the list.

    The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 13, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 9. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

    Of Man’s Best Friend’s 366,000 first-week equivalent album units, album sales comprise 224,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 141,000 (equaling 184.11 million on-demand official streams of the set’s 12 songs; it also debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.

    In 2025, the three largest weeks for albums, by units, are the opening frames of Morgan Wallen’s I’m the Problem (493,000), The Weeknd’s Hurry Up Tomorrow (490,000)and Man’s Best Friend (366,000). In traditional album sales, the three biggest weeks of 2025 belong to the bows of Hurry Up Tomorrow (359,000), Stray Kids’ KARMA (296,000) and Man’s Best Friend (224,000).

    Man’s Best Friend’s album sales were aided by its availability across 13 vinyl variants (two signed by Carpenter), four CD variants (one signed), two cassette variants, a standard digital download album and a deluxe download edition with a bonus track.

    As Man’s Best Friend’s first-week SEA units total 141,000, that equates to 184.11 million on-demand official streams of the set’s 12 songs in its first week. That’s the largest streaming debut for an album by a woman in 2025, as well as Carpenter’s best streaming week yet.

    Man’s Best Friend was preceded by its first single, “Manchild,” which debuted atop the Billboard Hot 100 (June 21), marking her second leader after Short n’ Sweet’s “Please Please Please” (in June 2024).

    Notably, Man’s Best Friend is the first album by a woman to top the Billboard 200 in five months, since Ariana Grande’s Eternal Sunshine was No. 1 on the April 12 chart. Carpenter ends the longest wait for a No. 1 by a woman in three years. The last longer gap between No. 1 albums by a woman was the seven-month gap between the final week atop the list for Adele’s 30 on the Jan. 8, 2022, chart, and the debut of Beyoncé’s Renaissance on the Aug. 13, 2022 chart.

    Man’s Best Friend is the lone debut in the top 10 on the latest Billboard 200. Holding at No. 2 is the KPop Demon Hunters soundtrack, which logs its seventh nonconsecutive week in the runner-up slot (its peak), with 120,000 equivalent album units earned (down 5%). Morgan Wallen’s chart-topping I’m the Problem is a non-mover at No. 3 (105,000, down 10%), Stray Kids’ KARMA falls 1-4 in its second week (61,000, down 80%) and Alex Warren’s You’ll Be Alright, Kid climbs 8-5 (38,000, down 1%).

    Wallen’s former leader One Thing at a Time jumps 10-6 with 35,000 equivalent album units earned (down 6%), Carpenter’s Short n’ Sweet skips 15-7 (34,000, up 17%), Gunna’s The Last Wun rises 9-8 (34,000, down 11%) and SZA’s chart-topping SOS ascends 12-9 (34,000, down 1%). BigXthaPlug’s I Hope You’re Happy falls 7-10 in its second week to close out the top 10 (30,000, down 37%).

    Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

    It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.

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  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut | Music

    Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut | Music

    Last month, the indefatigable Vice magazine published a piece on the “summer of British chaos”, documenting a scene of deranged social media provocateurs existing at the crispiest fringes of our nation’s cooked identity. Writer Clive Martin defined these graven images of the algorithm as being regionally specific, lurid, rowdy, funny and hedonistic. As a former member of Little Mix, a girl band popularised by public vote on The X Factor, Jade Thirlwall might not seem like the likeliest bedfellow of this unhinged movement. But the South Shields pop star’s debut solo single, last year’s Angel of My Dreams, dodged focus-grouped smoothness to present a sublimely whacked-out, thoroughly British pop vision that felt like spinning through someone else’s for you page and realising they exist in a markedly different universe from your own.

    The artwork for That’s Showbiz Baby!

    It started with a wound-up sample of Puppet on a String, exploded into a falsetto-spiked power ballad, then grinding electroclash paired with a withering rap, then sped through each mode again, variously at double and half speed. Its wild energy was fuelled by contradiction: Gucci glamour paired with lines such as “If I don’t win, I’m in the bin”. And while Jade dissed Syco and X Factor boss Simon Cowell (“selling my soul to a psycho”), the song’s vaulting soundclashes defying his bland vision of pop, Angel was also her love letter to the toxic paramour of fame: a status that might be easier to sustain with more conventional fare than whiplashing Sandie Shaw into growling synths. It was crackers and brilliant: no former boy- or girl-bander has come close to making such an arresting reintroduction since – and I mean this as the highest possible praise – Geri Halliwell burned bright through a short-lived fit of dadaist genius.

    Jade: Angel of My Dreams – video

    It set the bar extremely high for Jade’s long-awaited debut album, That’s Showbiz Baby! At least in its first half, ideas brawl for space and kick up thrilling novelty from the dust. The contrast between lavish balladry and techno wub on It Girl recalls Beyoncé’s brazen tapestry-like song constructions; the saucy, stalking Midnight Cowboy, about “givin’ you the Ginuwine”, imagines what it might have been like had her western-inspired Cowboy Carter been as much ribald, clubby fun as its predecessor Renaissance. The rhapsodic Fantasy is Jessy Lanza with budget, its lyrics about egging each other on to get freaky in bed mirrored by the song’s speeding momentum. FUFN (Fuck You For Now) is a dry ice-swathed Eurovision stomper that’s far more poised than Jade’s lyrics about the messiness of a drunken fight with a lover on a night out – but in its all-pistons-firing Gaga maximalism, it honours this particularly British display as a moment of high-diva drama.

    Not all the experiments land so well. Unconditional is a tribute to Jade’s mother, who has lupus. “I thought: how can I write a really sad song that we’re all going to want to shake our tits to?” Jade has said. It’s an admirable aim, but the lovely shift from New Order-style melancholy electronica to Moroder adrenaline would work better without the slamming blasts of electric guitar and the distracting “pew pew” synths. And Headache, about knowing you’re sometimes a massive pain in the arse to your long-suffering partner, proves its point too effectively in its racket of thumping bass and dentist-drill vocals.

    If there’s a theme amid the madness, it’s finding the freedom to be exactly yourself – at work, in relationships, in bed. Jade’s lyrics are spiked with very her, very British moments without overdoing it: Midnight Cowboy has the excellent triptych, “I’m a real wild bitch, yeah I’m mental / I’m the ride of your life, not a rental / I’m the editor, call me Mr Enninful.” And she nails some really lovely specific sentiments. Plastic Box channels Robyn’s pained electropop solitude as Jade struggles with the knowledge that her partner had relationships that came before her – she knows it’s irrational, but still honours those very real anxieties with solemn beauty. “Can I have your heart in a plastic box?” she asks. “Never used, fully clean, untouched / Like I’m the only one you’ve ever loved.” Disingenuousness gets short shrift: Natural at Disaster almost certainly reads former Little Mix bandmate Jesy Nelson her rights, after she burned through several metric tons of goodwill with a racially insensitive solo debut and kept slating her ex-bandmates for headlines. “‘Cos you were all snakes no ladders / You’re happiest when you make me sadder,” Jade sings, the delicate verses and dramatic, gospel-spliced choruses echoing Billie Eilish’s deconstructed classicism.

    The force of Jade’s presence on these songs makes it disappointing when she disappears from view. Self-Saboteur is a bit Robyn, a bit Carly; Lip Service has a nice synaptic tingle but could be by anyone from Normani to Rihanna pre-Anti. Before You Break My Heart is chunky disco based around a Supremes sample that seems like a dated vestige of the sample-pop wave from a few years ago; Silent Disco channels Midnights-era Taylor Swift, its lyrical intimacy amid gauzy synths conveying the sense of a couple shutting out the world in a crowded room.

    It’s in these moments that the album’s title seems like a shrug: hey, them’s the breaks when you need to be playlisted on Capital FM. But in its most bravura moments, That’s Showbiz Baby! sounds Jade holding a pose breathless in the spotlight after a dazzling turn, no idea how she quite pulled it off, letting pretenders know how it’s done.

    This review was amended on 8 September 2025. It previously stated that Little Mix were put together by public vote. They were formed on X Factor and found success by public vote.

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  • BBC leads the way in portrayal of UK stories this autumn

    BBC leads the way in portrayal of UK stories this autumn

    Published: 12:01 am, 8 September 2025

    Watch the video


    The BBC is the largest producer of stories that are ‘made of’ the UK’s people, places and communities. We hope that the Made Of campaign will shine a light on our unique role in bringing the best of these programmes to our screens.

    — Kate Phillips, BBC Chief Content Officer

    From Manchester to Cardiff, Shetland to West Yorkshire and the Home Counties to Blackpool, audiences will see their home towns reflected on the BBC this autumn.

    The BBC has launched a campaign – Made Of Here – to celebrate its commitment to supporting homegrown storytelling. At the heart of the campaign is a compelling new film; the BBC’s love letter to the home towns and cities across the UK that have inspired some of its most iconic TV shows and characters.

    The campaign comes as the BBC’s new season schedule gets underway, packed with homegrown drama, comedy and factual programmes.

    Film Club, The Guest, Leonard and Hungry Paul, Hamza’s Wild Isles

    New programmes due to be broadcast on the BBC this autumn include:

    • Greater Manchester-set romantic comedy-drama Film Club, co-created by and starring Aimee Lou Wood and Ralph Davis, which was filmed in the city
    • Recently launched thriller The Guest starring Eve Myles and Gabrielle Creevy, filmed in South Wales and set in Cardiff, available now on BBC iPlayer
    • Sally Wainwright’s Riot Women, set and filmed in Hebden Bridge, West Yorkshire
    • Wild Cherry, by BAFTA-winner Nicôle Lecky, set and filmed in the Home Counties
    • Small Prophets, a new comedy created and written by Mackenzie Crook, which is set in and filmed around Manchester
    • Hamza’s Hidden Wild Isles from locations across the UK
    • Titanic Sinks Tonight, a new four part documentary with dramatisations, filmed in Belfast
    • Leonard and Hungry Paul, set in Ireland, will be narrated by actress Julia Roberts, starring Northern Ireland’s Jamie-Lee O’Donnell
    • Farm 999, a 15-part daytime series presented by Steph McGovern, filmed in farms across the UK
    Stills from Mammoth, Freddie Flintoff's Field of Dreams, Shetland and Blue Lights
    Mammoth, Freddie Flintoff’s Field of Dreams: Ultimate Test, Shetland, Blue Lights

    Hit programmes returning to the BBC include:

    • Norfolk’s How Are You? It’s Alan (Partridge)
    • A Christmas special of Glasgow’s Two Doors Down
    • Specials of Mrs Brown’s Boys, which is set in Dublin
    • Second series of Mammoth, the comedy which is shot in Cardiff
    • Second series of Daddy Issues, which is made in Stockport, where it’s set
    • Third series of Freddie Flintoff’s Field of Dreams, featuring Bootle in Liverpool, Blackpool and Manchester, available now on iPlayer
    • Third series of Highland Cops, covering the work of the UK’s biggest beat
    • Series 10 of the drama Shetland
    • Third series of Blue Lights, set and filmed in Belfast
    • Second series of Stacey & Joe, from Pickle Cottage in Essex
    • Hope Street returns with series five and reaches a milestone – its 50th episode, filmed in Donaghadee, Northern Ireland
    • Strictly Come Dancing will make its annual and much-anticipated return to Blackpool in November

    Meanwhile, fans of EastEnders are enjoying the return of Zoe Slater to the East End after 20 years, and Manchester-made and set Waterloo Road will return for series 16.

    BBC Radio 4’s new drama slate highlights storytelling with a strong sense of place, including High Cockalorum, broadcast on 18 September. Starring Mark Gatiss and his League of Gentlemen co-stars, it’s a comedy drama by Bradford writer Jeremy Dyson, set in West Yorkshire and inspired by a real-life meeting between a Hollywood star and a humble lad from Leeds.

    A woman sits on top of a pile of books

    Listeners can catch more Bradford-based drama in Blue Envelopes, plus other upcoming dramas from across the UK including Astronomers, set during a road trip through Wales; Trust, set in Salford; Samhain and Marwick, both set in the haunting landscapes of Scotland, and Downstream, located in the idyllic beauty of the Fens.

    In upcoming episodes of documentaries for BBC Radio 4, Currently explores Scottish Independence, Archive on 4 travels to Chesire, Illuminated sheds light on Bolton and East Anglia and The Patch continues cover the extraordinary unheard stories unfolding across the UK thanks to a randomly generated postcode.

    There are also a range of podcasts reflecting stories and voices from across the UK, including the recently launched Ballad of Big Mags from Scotland and upcoming When a Catfish Kills from Northern Ireland, both part of the Crime Next Door series, as well as In Detail… Sanctuary from Manchester coming later in September.

    The autumn releases are part of the continued commitment from the BBC to produce more programming across the UK. In a year-on-year increase, in 2024/25 the BBC broadcast 581 hours of high-impact programmes set in and portraying specific areas of the UK on our network TV channels and BBC iPlayer. This is 13% higher than our commitment and 16% higher than in 2023/24.

    More comedies and dramas due to return for second series and in production include: the Glasgow-set, award-winning comedy Dinosaur, which is filmed in the city; Ludwig, starring David Mitchell, set in Cambridge; Liverpool drama This City Is Ours; Smoggie Queens, the sitcom from Middlesbrough; and Funboys, the comedy set and filmed in Northern Ireland.

    A collage of cast members from Death Valley, Ludwig, Granite Harbour, Dinosaur, Only Child and Balamory hold clapperboards for the start of shooting
    Death Valley, Ludwig, Granite Harbour, Dinosaur, Only Child and Balamory

    Filming has recently started on a third series of Granite Harbour, which is set in Aberdeen and filmed in Aberdeenshire and Glasgow. Meanwhile, the second series of Only Child, which is set on the Moray coast, is filming in Glasgow and locations in Paisley, Helensburgh and Dunlop. Filming has also started in South Wales on a second series of Death Valley starring Timothy Spall and Gwyneth Keyworth.

    Also in Scotland, a new series of much-loved children’s programme Balamory, which is being reimagined more than two decades after it was last broadcast, is being filmed in studio in Glasgow and on location in Tobermory, the real-life Isle of Mull town that inspired the show’s setting. The first Silent Witness series to be made in and featuring Birmingham will also be coming to screens.

    The new film for the Made Of Here campaign has been shot across the UK, from Shetland to Kimmeridge Bay. We filmed with 96 local cast and worked with 120 local crew across all our filming locations. The film is set to the soundtrack of a bespoke version of Myles Smith’s My Home by Alex Baranowski, showing local landmarks and playing out spine-tingling scenes from some of the BBC’s best-loved shows.

    Scenes from Peaky Blinders, Gavin & Stacey, Blue Lights and Shetland projected on structures in Dudley, Barry, Belfast and Shetland

    Audiences will see Tommy Shelby from Peaky Blinders splashed across the Black Country Living Museum in Dudley, Gavin & Stacey on a trailer in Barry Island Pleasure Park and Blue Lights on a shipping container in front of Titanic Belfast.

    The final frame reminds viewers that the BBC is Made Of the places that provide the settings for the programmes – including Glasgow, Belfast, Brentford, Birmingham, Shetland, Preston, Liverpool, Bolton, Barry Island, Dorset and London’s East End and Peckham. It will be shown across the BBC and on social media along with a week of special content on The One Show and Morning Live, focusing on the real-life inspirational stories behind our beloved popular programmes.

    Footage of Sir David Attenborough is projected on cliffs
    Sir David Attenborough

    Alongside the national film, the campaign – which has been produced in house at the BBC by BBC Creative – will be brought to life in marketing activations in towns and cities across the UK, spotlighting the local areas that have inspired the BBC to tell these stories.

    Myles Smith, whose track features in the film, says: “It means a lot to me when my music makes an impact, so it’s very special to hear My Home soundtrack this powerful and important celebration of UK storytelling. My hometown of Luton gave me my roots, shaped me and helps me stay grounded. I hope this connects with people and reminds them of their own hometowns, wherever that may be.”

    Myles Smith, one of the UK’s very own homegrown storytellers, has had an exciting journey with the BBC. He was supported early on by BBC Introducing in the East Midlands and Introducing in Northampton & Three Counties, before achieving national support via BBC Introducing on BBC Radio 1. In 2024, Myles performed on the BBC Introducing Stage at Radio 1’s Big Weekend in his home town of Luton, won the BBC Introducing Artist of the Year award, and was chosen for Radio 1’s Brit List – an initiative launched in 2017 to support and develop the UK’s most exciting emerging artists, which has since helped propel many to wider recognition.

    Kate Phillips, BBC Chief Content Officer, says: “The BBC is incredibly proud of the leading role we play in bringing the best homegrown storytelling to our audiences, whether that’s in landmark dramas, laugh-out-loud comedies or memorable factual programmes. We know that our audiences value this type of content and that it can even positively affect how connected they feel to other people.

    “The BBC is the largest producer of stories that are ‘made of’ the UK’s people, places and communities. We hope that the Made Of campaign will shine a light on our unique role in bringing the best of these programmes to our screens.”

    Watch the Riot Women trailer

    The public will also have the chance to be in the audience for an exclusive screening of Riot Women, the brand-new drama from the multi-BAFTA award-winning writer Sally Wainwright, who created Happy Valley, Last Tango in Halifax and Gentleman Jack. Apply for free tickets for the event in Hebden Bridge here.

    The BBC is the largest single investor in UK-made programming, with 99% of its original content made in the UK. It contributes £4.9 billion to the UK economy each year, with 50% of that impact outside London, compared to 20% for the wider industry.

    For every £1 of the BBC’s direct economic activity, £2.63 is generated in the UK economy as a whole and 58% of its TV commissioning spend is outside London. The BBC also invests in dedicated local services for every part of the UK.

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  • Women in UK with polycystic ovarian syndrome facing widespread failures in treatment, report finds | Women’s health

    Women in UK with polycystic ovarian syndrome facing widespread failures in treatment, report finds | Women’s health

    Women living with polycystic ovarian syndrome (PCOS) face prolonged delays in diagnosis and limited access to treatment, according to a report by a parliamentary group.

    More than a third of women with the condition had to wait longer than four years for a PCOS diagnosis, according to the report, and after diagnosis almost two-fifths (38%) of respondents were not provided with any resources.

    PCOS is a common condition that affects about one in eight women of childbearing age in the UK. The main features of the condition include irregular periods; excess of the hormone androgen, which is linked to excess facial or body hair; and polycystic ovaries, which are when the ovaries are enlarged and contain many fluid-filled sacs.

    Published by the all-party parliamentary group on PCOS, the report consists of oral evidence sessions, a survey of more than 2,000 patients on their experiences, as well as freedom of information requests to all 42 Integrated Care Boards (ICBs) in England.

    The survey also revealed that only 3% of patients with the condition felt supported by healthcare providers, with almost a third (28%) feeling dismissed or not taken seriously.

    “PCOS affects one in eight women and those assigned female at birth, yet for too long it has been sidelined in policy, overlooked in funding, and misunderstood in practice,” said Michelle Welsh, Labour MP for Sherwood Forest and chair of the APPG on PCOS. “This report sets out a clear and urgent case for reform. If we are serious about improving women’s health, we must act now to break the cycle,” she said.

    Stark inequalities were also highlighted by the report, with women from Black and Asian backgrounds being up to 2.5 times more likely to be diagnosed with the condition, and those from ethnic minority backgrounds more likely to present with more severe symptoms such as insulin resistance.

    Dr Itunu Johnson-Sogbetun, GP and founder of the Royal College of GPs’ Women’s Health Special Interest Group, said the report reflected “what many of us with PCOS already know from lived experience: care is fragmented, diagnosis is delayed, and long-term risks are too often ignored.”

    She said: “PCOS is a multisystem condition, yet the NHS frequently treats it narrowly as a fertility or gynaecological issue. The report rightly highlights the postcode lottery of care, the lack of national pathways, and the absence of coordinated support for the metabolic, cardiovascular, and psychological complications that come with PCOS.”

    The study also highlighted that the absence of Nice primary care guidance for PCOS had created a postcode lottery for patients, with variations in care across regions of the UK. And as a result, diagnosis often depends on individual clinician judgment, which can result in inconsistent and uncertain care.

    Rachel Morman, chair of the PCOS charity Verity, said: “While this inquiry is about PCOS, it really is a barometer for how we value and prioritise women’s health across the entire system.

    For a condition affecting millions across the UK, with a significant cost burden to the NHS when not managed proactively in integrated care settings, this level of neglect is unacceptable. We welcome the report and its recommendations, and stand ready to work with the government to deliver the change that is so urgently needed.”

    A Department of Health and Social Care spokesperson said: “Women suffering with gynaecological conditions, including polycystic ovary syndrome (PCOS), have been failed for far too long.

    “That’s why we are turning the commitments in the Women’s Health Strategy into tangible action, already delivering 4.9 million extra appointments, tackling gynaecology waiting lists using the private sector, improving training for doctors on women’s health, and updating guidance to improve the treatment and management of PCOS.”

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