Author: admin

  • ‘Tenchu’ Studio ACQUIRE And Red Dunes Games Unveil Global Co-Dev Deal

    ‘Tenchu’ Studio ACQUIRE And Red Dunes Games Unveil Global Co-Dev Deal

    In a rare move, ACQUIRE Corp has entered a multi-year partnership with UAE-based Red Dunes Games to co-develop a range of original IPs, in one of the first-of-its-kind collaborations between a major Japanese developer and a Middle Eastern publisher in the industry.

    ACQUIRE, based in Tokyo, is best known for titles like Tenchu, Way of the Samurai, and Akiba’s Trip, and in recent years has played a massive part in creating Octopath Traveler and Nintendo’s 2024 RPG Mario & Luigi: Brothership.

    Red Dunes, led by friends Sultan Darmaki and Mohamed Jneibi, was 15 years in the making. The pair had always wanted to work in the video game industry, but their careers never lined up until they finally put pen to paper to create their company in 2022.

    The Abu Dhabi-based company has, until now, focused on indie games. However, it has actively sought an established partner with a proven background, holding a particular focus on original storytelling and cross-cultural production, to expand its global footprint — which is why it approached ACQUIRE.

    Play Puzzles & Games on Forbes

    “ACQUIRE is a legendary studio with a deep creative legacy, and we are honored to work with them to build the next wave of original games,” said Sultan Darmaki, CEO and creative director. “This partnership is a reflection of our belief that the future of gaming lies in global collaboration, where stories cross borders, and innovation knows no region.”

    Takuma Endo, ACQUIRE’s CEO, added: “As ACQUIRE, a studio that has long valued originality from Japan in game development, we are thrilled to have found a wonderful partner in Red Dunes Games and embark on a bold new global challenge together.

    “We’ve always believed in the power of originality. Now, with Red Dunes, we’re building something truly international.”

    Acquire and Red Dunes also revealed three early projects under development, under the codenames Project Tremor (featuring “city-shaking kaiju battles), Project Umbra (with its “dark fantasy hunts”), and Project Shadowcar (“a shadowy espionage thriller”). All three will be released on PC and major consoles, with multilingual support; initial reveals are planned for upcoming international events, namely the Tokyo Game Show in late September 2025.

    Continue Reading

  • Blockchain and NFTs Shape the Landscape

    Blockchain and NFTs Shape the Landscape

    Company Logo

    Move-to-earn fitness apps capitalize on blockchain, gamification, and financial incentives to encourage physical activity, attracting users seeking rewards for exercise. Technological innovations like NFTs and AR enhance user engagement, while growing interest in digital fitness and DeFi offers expansion opportunities.

    Move To Earn Fitness Apps Market

    Move To Earn Fitness Apps Market
    Move To Earn Fitness Apps Market

    Dublin, July 14, 2025 (GLOBE NEWSWIRE) — The “Move To Earn Fitness Apps – Global Strategic Business Report” has been added to ResearchAndMarkets.com’s offering.

    The global market for Move To Earn Fitness Apps was valued at US$649.9 Million in 2024 and is projected to reach US$1.7 Billion by 2030, growing at a CAGR of 17.3% from 2024 to 2030. This comprehensive report provides an in-depth analysis of market trends, drivers, and forecasts, helping you make informed business decisions. The report includes the most recent global tariff developments and how they impact the Move To Earn Fitness Apps market.

    The growth in the move-to-earn fitness app market is driven by several factors, including the rising popularity of blockchain technology, the increasing demand for digital fitness solutions, and the gamification of health and wellness. The expansion of Web3 and DeFi ecosystems has provided a strong foundation for M2E apps, attracting a diverse user base that includes both fitness enthusiasts and crypto investors. The integration of NFTs and in-app marketplaces has further boosted user engagement, as players can earn, buy, and trade digital assets.

    The global focus on health and wellness, particularly after the COVID-19 pandemic, has driven more people to seek innovative fitness solutions that align with their digital lifestyles. Additionally, corporate wellness programs and fitness partnerships are incorporating M2E apps into employee engagement initiatives, increasing market penetration. As blockchain adoption grows and fitness gamification evolves, the move-to-earn fitness app market is expected to witness sustained expansion, revolutionizing the way people stay active and earn rewards.

    Key Insights:

    • Market Growth: Understand the significant growth trajectory of the iOS Platform segment, which is expected to reach US$1.0 Billion by 2030 with a CAGR of a 19.2%. The Android Platform segment is also set to grow at 14.4% CAGR over the analysis period.

    • Regional Analysis: Gain insights into the U.S. market, estimated at $177.1 Million in 2024, and China, forecasted to grow at an impressive 23.1% CAGR to reach $379.6 Million by 2030. Discover growth trends in other key regions, including Japan, Canada, Germany, and the Asia-Pacific.

    Continue Reading

  • First Crew-Driven Vehicle on the Moon in Half a Century Gets Two New Instruments – autoevolution

    1. First Crew-Driven Vehicle on the Moon in Half a Century Gets Two New Instruments  autoevolution
    2. NASA’s Moon Rover Will Hunt for Ice, Map Minerals, and Reveal What Lies Beneath  SciTechDaily
    3. NASA’s new toys for upcoming Artemis mission to map moon’s subsurface, lunar minerals  Interesting Engineering
    4. NASA Names Instruments for Integration Into Artemis Lunar Terrain Vehicle  ExecutiveGov

    Continue Reading

  • Rise in Plus-Size Teen and Youth Demographics Strengthens Need for Age-Appropriate, Trend-Focused Apparel

    Rise in Plus-Size Teen and Youth Demographics Strengthens Need for Age-Appropriate, Trend-Focused Apparel

    Company Logo

    The plus-size clothing market is buoyed by consumer demand for fashionable, size-inclusive options, body positivity movements, and sustainable practices. Growth is driven by brands expanding size ranges, leveraging e-commerce and influencer marketing, and embracing customization. The industry is diversifying across retail channels, aiming for inclusivity and innovation.

    Plus-Size Clothing Market

    Plus-Size Clothing Market
    Plus-Size Clothing Market

    Dublin, July 14, 2025 (GLOBE NEWSWIRE) — The “Plus-Size Clothing – Global Strategic Business Report” has been added to ResearchAndMarkets.com’s offering.

    The global market for Plus-Size Clothing was valued at US$314.5 billion in 2024 and is projected to reach US$375.7 billion by 2030, growing at a CAGR of 3% from 2024 to 2030. This comprehensive report provides an in-depth analysis of market trends, drivers, and forecasts, helping you make informed business decisions. The report includes the most recent global tariff developments and how they impact the Plus-Size Clothing market.

    The growth in the plus-size clothing market is driven by several factors, including rising consumer demand for size inclusivity, increased brand participation, and advancements in fashion technology. One of the primary drivers is the shift in societal attitudes toward body diversity and self-acceptance. As more consumers embrace their natural body shapes, brands are under increasing pressure to provide stylish and high-quality clothing that caters to all sizes.

    Another key factor is the economic potential of the plus-size market. Studies indicate that plus-size consumers represent a significant portion of the global fashion industry’s revenue, yet many brands have historically overlooked this segment. Recognizing this untapped opportunity, both established and emerging brands are launching size-inclusive collections, expanding their size ranges, and investing in marketing strategies tailored to plus-size consumers.

    Additionally, technological advancements in fashion retail are enhancing the plus-size shopping experience. AI-driven sizing algorithms, 3D body scanning, and augmented reality (AR) fitting rooms are reducing the challenges associated with inconsistent sizing and fit issues. The integration of these technologies is improving customer satisfaction and reducing return rates, making the shopping experience more seamless and efficient.

    The plus-size fashion industry is also benefiting from increasing representation in media and entertainment. More plus-size models, celebrities, and influencers are being featured in advertising campaigns, movies, and runway shows, normalizing diverse body types in the mainstream fashion industry. This heightened visibility is encouraging consumers to explore and invest in plus-size fashion without the stigma traditionally associated with extended sizing.

    As brands continue to prioritize inclusivity, innovation, and accessibility, the plus-size clothing market is poised for substantial growth. With ongoing shifts in fashion trends, sustainability efforts, and digital retail innovations, the industry is set to redefine the future of size-inclusive fashion, ensuring that all consumers have access to stylish, well-fitting apparel.

    Key Insights:

    • Market Growth: Understand the significant growth trajectory of the Casual segment, which is expected to reach US$112.7 Billion by 2030 with a CAGR of a 3.9%. The Sportswear segment is also set to grow at 3.5% CAGR over the analysis period.

    • Regional Analysis: Gain insights into the U.S. market, estimated at $85.7 Billion in 2024, and China, forecasted to grow at an impressive 5.8% CAGR to reach $74.2 Billion by 2030. Discover growth trends in other key regions, including Japan, Canada, Germany, and the Asia-Pacific.

    Key Questions Answered:

    • How is the Global Plus-Size Clothing Market expected to evolve by 2030?

    • What are the main drivers and restraints affecting the market?

    • Which market segments will grow the most over the forecast period?

    • How will market shares for different regions and segments change by 2030?

    • Who are the leading players in the market, and what are their prospects?

    Report Features:

    • Comprehensive Market Data: Independent analysis of annual sales and market forecasts in US$ Million from 2024 to 2030.

    • In-Depth Regional Analysis: Detailed insights into key markets, including the U.S., China, Japan, Canada, Europe, Asia-Pacific, Latin America, Middle East, and Africa.

    • Company Profiles: Coverage of players such as Adidas AG, Anthropologie, ASOS Curve, Capri Holdings Limited, Eloquii and more.

    • Complimentary Updates: Receive free report updates for one year to keep you informed of the latest market developments.

    Some of the 44 companies featured in this Plus-Size Clothing market report include:

    This edition integrates the latest global trade and economic shifts as of June 2025 into comprehensive market analysis. Key updates include:

    • Tariff and Trade Impact: Insights into global tariff negotiations across 180+ countries, with analysis of supply chain turbulence, sourcing disruptions, and geographic realignment. Special focus on 2025 as a pivotal year for trade tensions, including updated perspectives on the Trump-era tariffs.

    • Adjusted Forecasts and Analytics: Revised global and regional market forecasts through 2030, incorporating tariff effects, economic uncertainty, and structural changes in globalization. Includes segmentation by product, technology, type, material, distribution channel, application, and end-use, with historical analysis since 2015.

    • Strategic Market Dynamics: Evaluation of revised market prospects, regional outlooks, and key economic indicators such as population and urbanization trends.

    • Innovation & Technology Trends: Latest developments in product and process innovation, emerging technologies, and key industry drivers shaping the competitive landscape.

    • Competitive Intelligence: Updated global market share estimates for 2025, competitive positioning of major players (Strong/Active/Niche/Trivial), and refined focus on leading global brands and core players.

    • Expert Insight & Commentary: Strategic analysis from economists, trade experts, and domain specialists to contextualize market shifts and identify emerging opportunities.

    • Complimentary Update: Buyers receive a free July 2025 update with finalized tariff impacts, new trade agreement effects, revised projections, and expanded country-level coverage.

    Key Attributes

    Report Attribute

    Details

    No. of Pages

    74

    Forecast Period

    2024-2030

    Estimated Market Value (USD) in 2024

    $314.5 Billion

    Forecasted Market Value (USD) by 2030

    $375.7 Billion

    Compound Annual Growth Rate

    3%

    Regions Covered

    Global

    MARKET OVERVIEW

    • Influencer Market Insights

    • Tariff Impact on Global Supply Chain Patterns

    • Plus-Size Clothing – Global Key Competitors Percentage Market Share in 2025 (E)

    • Competitive Market Presence – Strong/Active/Niche/Trivial for Players Worldwide in 2025 (E)

    MARKET TRENDS & DRIVERS

    • Rising Body Positivity Movement and Size-Inclusive Campaigns Expand Addressable Market Opportunity for Plus-Size Clothing

    • Mainstream Fashion Embrace of Size Diversity Throws the Spotlight on Inclusive Apparel Design and Marketing

    • Shift Toward Custom-Fit and Adaptive Apparel Strengthens Business Case for Personalized Plus-Size Clothing Lines

    • Surge in E-Commerce and Virtual Fitting Technology Drives Adoption of Plus-Size Fashion in Digital Retail Channels

    • Rising Plus-Size Representation in Media and Influencer Marketing Spurs Demand for Trend-Driven Styles

    • Expansion of Athleisure and Activewear Segments Accelerates Demand for Performance-Ready Plus-Size Apparel

    • Growing Acceptance of Diverse Body Types Across Cultures Propels Global Growth of Plus-Size Fashion Markets

    • Technological Innovations in Fabric Stretch, Breathability, and Support Enhance Appeal of Plus-Size Garments

    • Increasing Focus on Functional Design Features for Larger Bodies Strengthens Consumer Loyalty and Retention

    • Growth of Direct-to-Consumer Brands Specializing in Extended Sizes Creates Competitive Disruption in Traditional Retail

    • Rise in Plus-Size Teen and Youth Demographics Strengthens Need for Age-Appropriate, Trend-Focused Apparel

    • Customization and On-Demand Production Models Improve Inventory Efficiency and Expand Style Variety in Plus-Size Lines

    • Growing Focus on Inclusive In-Store Experiences and Sizing Availability Enhances Retail Footprint Effectiveness

    For more information about this report visit https://www.researchandmarkets.com/r/qihdva

    About ResearchAndMarkets.com
    ResearchAndMarkets.com is the world’s leading source for international market research reports and market data. We provide you with the latest data on international and regional markets, key industries, the top companies, new products and the latest trends.

    Attachment

    CONTACT: CONTACT: ResearchAndMarkets.com Laura Wood,Senior Press Manager press@researchandmarkets.com For E.S.T Office Hours Call 1-917-300-0470 For U.S./ CAN Toll Free Call 1-800-526-8630 For GMT Office Hours Call +353-1-416-8900

    Continue Reading

  • ‘That’s where I found my family’: dancefloor devotees on hedonistic moves and healing grooves | Dance

    ‘That’s where I found my family’: dancefloor devotees on hedonistic moves and healing grooves | Dance

    ‘A whole-body experience’

    Emma Warren, author of Dance Your Way Home and co-curator of the festival: I remember someone asking me, ‘Where’s your happy place?’ I said it’s in the middle of the dancefloor. They thought that was funny, as most people would think of somewhere solitary, in nature, under a tree, but I was like, no, my happy place is in the squash, surrounded by a lot of people, where your movement is connected to everybody else’s.

    I’ve been on so many dancefloors. I remember a very intense drum’n’bass night in Manchester in 1996, Phenomenon One. It was tropical hot, extremely loud, and I had this whole-body experience. It’s the state you reach when you’ve been dancing for a long time, for hours on the spot. Some people might call it trance, but I would just call it really connected, really grounded and really “in” yourself in a collective way.

    Dancing is universal, and even when it’s legislated against – with the Public Dance Halls Act in Ireland in the 1930s or the Criminal Justice and Public Order Act in the 1990s – people find a way. Because it’s about friendship, it’s about internal strength, collaboration, all those things that are as much to do with the village green as they are to do with a rave or club. It’s just a really normal human thing to do. Dancing makes me feel connected to myself and the people I’m with at a time when my attention is always being drawn away by those who are being paid huge amounts of money to grab my attention. It brings me back to myself and allows me to feel what I’m feeling. And I know that after just a very short amount of time of a very simple groove, I’m going to start feeling better.

    ‘It was empowering to be dancing to the sounds of protest’

    Dennis Bovell, producer, DJ and musician: I had a sound system in Battersea, south-west London, between 1969 and 1974. It was around that time the Lovers Rock genre started to blossom and my generation were learning to dance with each other. I remember a song of mine called Smouche, and they did smooch, gladly! There were sound systems all over the UK – London, Manchester, Birmingham, Bristol – meeting each other and having what’s now known as a soundclash. But they were peaceful clashes, displays of who had the danciest records, who could get more people on the dancefloor.

    Anyone who ever ran a sound system came up against the police, because people would complain about the noise levels. The police would come and say “Turn it down”, and you would, and then when they were gone you’d turn it back up. They weren’t used to the volumes that reggae music was being played at. But look at it now. In those days, I think an amplifier would have been at most 2,000 watts, now it’s 22,000 watts.

    My favourite dancefloor memories? As a teenager, when Freedom Street by Ken Boothe came out, it was an empowering moment to be dancing to the sounds of protest. And then Eddy Grant comes out with Black Skin Blue Eyed Boys. His band the Equals had black and white musicians, there was racial integration. I thought it was tremendous that these kind of topics had entered the dance arena and were being celebrated by people dancing.

    With my band Matumbi, our first gig was at the joint US-UK airbase in Alconbury. We were warned we should play soul music because these US airmen were not really into reggae. We thought, “They should be into reggae!” So we played one soul tune to start the show and then started playing reggae. We showed them some dance moves and by the end of the evening the whole airbase was rocking with American servicemen discovering reggae from being stationed in the UK.

    ‘The heavy bass and consistent rhythm is transcendental’

    Saskia Horton, founder of Sensoria: My background in dance is hip-hop, house, waacking and krump. My biggest learning ground were house music dance clubs in London, from around 2014 to 2019. It was like an incubator, it’s really deep for me: it’s where I found myself, where I found my family. What makes house so transcendental is the four to the floor, the heavy bass and consistent rhythm. Once you’ve lost yourself in the music, it’s a journey the DJ takes you on. I’d be dancing three to four hours straight in a cypher [a circle where dancers take turns to share their moves].

    I got sick in 2019 and my life changed for ever. I have a chronic illness. My company Sensoria is all about advocating for disabled and chronically ill folks to have a space in dance and music. It started from the point of me becoming sick and losing access to the spaces that I loved. We’ve created the Sensory Safe Cypher as a place for people with sensory difficulties, neurodiversity and various physical disabilities to get involved in cyphering. Hip-hop has a “go hard or go home” sensibility, but with Sensoria, the values are slowness, sustainability and de-growth. It is also just about the purely logistical barriers that prevent chronically ill, disabled or neurodiverse folks from getting to mainstream dance events, whether that’s access to the building, or the lack of a quiet space, or no seating. Basically, this is me finding my way back to what I held so dear.

    ‘I felt free. No constraints, no right, no wrong’

    Jeremy Nedd, choreographer: I come from a formal dance training but my beginnings, my true connection to dancing, was at family events. I grew up in Brooklyn in a big Caribbean family, we would dance to Soca and a lot of the old soul hits. I felt free, no constraints, no right, no wrong. There’s what the youth are now calling “aura”: when you see someone move and they have a sense of self, a kind of ownership of how they can handle a dance move and they just glow, it creates a certain energy around them.

    I try to carry that same feeling from those family events into what I make now. In my piece From Rock to Rock we use the Milly Rock, among other social and viral dances. It started as a joke with a couple of friends: what happens when you take a dance that is not considered rigorous or virtuosic and really start to mine it and see what else is there?

    The Milly Rock was created by the rapper 2Milly: it’s essentially a gesture where you swipe side to side, and it got caught up in a court case with the video game Fortnite, around copyrighting movement and intellectual property. Who can own a dance movement? There’s a whole history of appropriation where folks aren’t getting their dues from things they created. Especially when they come from black spaces of creativity. The dancefloor is a beautiful space, a space to be in exchange, to share energy and joy. But the dancefloor is very digital now. Milly Rock comes from Brooklyn but I’ve watched people gives tutorials on it in eastern Europe, and they acknowledge where it comes from.

    ‘The power of sonic healing is not to be underestimated’

    Linett Kamala, DJ, academic and interdisciplinary artist: I was the first woman to DJ at Notting Hill carnival – I was actually a girl at the time, 15, in 1985. I was born in Harlesden to Jamaican parents, and grew up around sound system culture. I was the type of girl who was like, “Why can’t I do that?” I remember saying “Make some noise!” on the mic, and they cheered and blew their whistles. And when the bass dropped, that’s when the crowd were like, “OK, she knows.” I just grew in confidence from that very moment.

    ‘There’s a party atmosphere’ … Grief Rave. Photograph: Paul McLachlan

    Even though I’ve been doing it for 40 years, I never take it for granted. I call myself the People’s DJ. I will look at my crowd and be like, “OK, let’s feel the vibe here.” I am there to make sure you have the most incredible time. I have an audience from little ones to people in their 80s. I used to be a headteacher, I was super-strict in a grey suit, turning around these tough schools in London. My students would come to carnival and nearly pass out when they saw me behind the decks.

    Now I’m one of the organisers at Notting Hill, and I run South Kilburn carnival. I’m playing at the Grief Rave at the Southbank. To me, a Grief Rave is not unusual because we have “nine nights” in Jamaican culture, where we celebrate someone’s life, play the music that they loved, and there’s a party atmosphere. If you’re going through a tough moment, a tune can come on that makes you want to cry your heart out, or it can trigger so many interesting, incredible memories. I think the power of sonic healing is not to be underestimated. It goes back to the heartbeat of the mother in the womb, the vibrational element, and that’s why on the dancefloor we all feel so connected.

    Continue Reading

  • IIHF – Australian league turns 25

    IIHF – Australian league turns 25


    The Goodall Cup is the third oldest hockey championship trophy in the world. Only the Stanley Cup (1893) and the Allan Cup (1909) are older than Australia’s national championship trophy, first awarded to New South Wales in 1911.

     

    Since 2000, the trophy has been handed out to the winner of the new Australian Ice Hockey League, which is now celebrating 25 years and thriving as the main national league Down Under. There are ten teams, two in Sydney (Bears and Ice Dogs) and two in Melbourne (Ice and Mustangs) along with the Newcastle Northstars, Perth Thunder, Canberra Brave, Central Coast Rhinos, Adelaide Adrenaline, and Brisbane Lightning. This season, however, the two Sydney teams are inactive because of extensive renovations being done to the Macquarie Ice Rink, which the teams share.

     

    In the AIHL’s first season, there were but three teams—Adelaide Avalanche, Canberra Knights, and Sydney Bears (which is the only original team from 2000 still playing). The top two played a one-game final to determine the league champion. Two years later, the league doubled in size, adding the Melbourne Ice, Newcastle North Stars (which changed its spelling to Northstars in 2002), and West Sydney Ice Dogs.

     

    The mid-aughts brought more teams and big names. In 2005, the Avalanche signed former NHLer Steve McKenna, and a year later, the Brisbane Blue Tongues brought in Rob Zamuner, a longtime NHLer who played for Canada at the 1998 Olympics alongside Wayne Gretzky and Eric Lindros. Mel Angelstad, Tyrone Garner, and Gaetan Royer followed, as Australia became a viable option for players whose NHL days had come and gone but who still wanted to play at a decent level.

     

    The year 2012 was another watershed moment for hockey in Australia. For the first time, the AIHL created two conferences, Bauer and Easton, and a Trans-Tasman Champions League tournament took place involving teams from both Australia and New Zealand. Like everywhere around the world, COVID-19 caused a major disruption to the league, which didn’t operate in 2020 or 2021. But when it returned, it did so with purpose. Foer the first time, games were now a regulation 60 minutes (previously they had been 45 minutes (2000-12) and 50 minutes (periods of 15, 15, and 20 minutes)), and the league signed several new broadcasting deals both at home and abroad.




    Teams now play a 28-game schedule that starts in April and runs to the end of August (i.e., the Australian winter). Newcastle has won the championship seven times, the most of all teams, while the 2024 champions were the Canberra Brave. This year, however, the Melbourne Ice are running away with the regular season. They sit in first place with 55 points, far ahead of second place Perth Thunder (34).

     

    Impressively, Japan’s Yu Hikosaka (Thunder) leads the league in scoring alongside Canadian Tanner Hopps (Lightning), both with 49 points so far. But the 4th to 8th place leaders all play for the Ice.

     

    The general health of the league is both cause to celebrate and also of concern, for all the right reasons. Games are sold out to 98 per cent capacity, but that’s because most arenas seat only 2,000-3,000 fans.

     

    “We’ve long since outgrown these facilities, and we’re starting to move into bigger facilities, with new rinks planned across the country, especially Canberra and Adelaide,” explained Steven White, the Head of Communications and Media for the league. “But,” he added, “this is currently a slow process.”

     

    The O’Brien Icehouse in Melbourne is famous for having hosted the L.A. Kings and Arizona Coyotes as a practise facility for the NHL’s Global Series in 2023. As well, there has been a paradox in growth. While the game is seeing greater and greater interest around the country, the number of ice rinks has halved in the last few decades (from about 40 to 20) as land becomes more valuable for other real-estate projects.

     

    White explains that although the league isn’t fully professional (player expenses are covered by private sponsorship), the league still attracts “professional players from leagues all across the world. This year we have ex-NHLer David Booth playing for the Melbourne Ice. Ty Wishart and Scott Timmins, who play for the Melbourne Mustangs, also used to play in the NHL. We generally attract players from European leagues, but in terms of North America, we have many imports from the ECHL, SPHL and collegiate leagues.”

     

    Like any of the top teams that play in the IIHF World Championship, the Mighty Roos, as Australia’s national team is colloquially referred to, also draw on the AIHL for virtually all of their players. Australia played in WM-II-A in Belgrade this past season with a team that included Casey Kubara, Cam Todd, Kieren Webster, and Ethan Hawes, all stars in the AIHL. The team finished fifth and will be back in II-A for 2026.

     

    That being said, some of the country’s truly best players play outside Australia and aren’t available, notably Nathan Walker, the nation’s most famous player who has appeared in more than 200 NHL games since 2017, and Kale Costa, who has played in Czechia for several years.

     

    All in all, the AIHL is celebrating a quarter century of existence in fine style, and with greater fan interest and more player development, those new rinks will need the extra seating for years to come.


    Continue Reading

  • Increased OTC Product Demand, Innovations in Formulations, and the Expansion of Online Retail Presents Investment Opportunities

    Increased OTC Product Demand, Innovations in Formulations, and the Expansion of Online Retail Presents Investment Opportunities

    Company Logo

    Key growth areas include cleansers, emerging markets, and advanced delivery systems

    Medicated Skin Care Products Market

    Medicated Skin Care Products Market
    Medicated Skin Care Products Market

    Dublin, July 14, 2025 (GLOBE NEWSWIRE) — The “Medicated Skin Care Products – Global Strategic Business Report” has been added to ResearchAndMarkets.com’s offering.

    The global market for Medicated Skin Care Products was valued at US$7.6 Billion in 2024 and is projected to reach US$9.2 Billion by 2030, growing at a CAGR of 3.1% from 2024 to 2030. This comprehensive report provides an in-depth analysis of market trends, drivers, and forecasts, helping you make informed business decisions. The report includes the most recent global tariff developments and how they impact the Medicated Skin Care Products market.

    The growth in the medicated skin care products market is driven by several factors. Firstly, the increasing incidence of skin conditions, driven by factors such as pollution, lifestyle changes, and dietary habits, is propelling the demand for effective treatments. Secondly, advancements in dermatological research and pharmaceutical formulations are leading to the development of more targeted and efficient products. Thirdly, the growing consumer preference for self-medication and OTC treatments is increasing the accessibility and usage of medicated skin care products. Lastly, the expansion of online retail and direct-to-consumer channels is making it easier for consumers to access a wide range of specialized skin care solutions. These factors collectively contribute to the robust growth of the medicated skin care products market.

    Key Insights:

    • Market Growth: Understand the significant growth trajectory of the Cleansers segment, which is expected to reach US$2.9 Billion by 2030 with a CAGR of a 2.9%. The Toners segment is also set to grow at 2.6% CAGR over the analysis period.

    • Regional Analysis: Gain insights into the U.S. market, valued at $2.4 Billion in 2024, and China, forecasted to grow at an impressive 4.7% CAGR to reach $1.2 Billion by 2030. Discover growth trends in other key regions, including Japan, Canada, Germany, and the Asia-Pacific.

    Why You Should Buy This Report:

    • Detailed Market Analysis: Access a thorough analysis of the Global Medicated Skin Care Products Market, covering all major geographic regions and market segments.

    • Competitive Insights: Get an overview of the competitive landscape, including the market presence of major players across different geographies.

    • Future Trends and Drivers: Understand the key trends and drivers shaping the future of the Global Medicated Skin Care Products Market.

    • Actionable Insights: Benefit from actionable insights that can help you identify new revenue opportunities and make strategic business decisions.

    Continue Reading

  • Sotheby’s to auction largest Mars rock ever found on Earth in New York; here’s how it came to our planet |

    Sotheby’s to auction largest Mars rock ever found on Earth in New York; here’s how it came to our planet |

    A rare Martian meteorite and a juvenile dinosaur skeleton are among the star attractions at Sotheby’s highly anticipated Geek Week 2025 auction in New York. This extraordinary event features 122 exclusive items from natural history, spanning outer space to prehistoric Earth. The Martian meteorite, weighing 54 pounds (25 kg), is the largest of its kind ever discovered on Earth and is estimated to fetch up to $4 million. Meanwhile, the nearly complete Ceratosaurus skeleton—over 6 feet tall—is expected to sell for as much as $6 million. Both items represent monumental finds in planetary science and paleontology, making them irresistible to collectors, researchers, and science enthusiasts.

    Largest piece of Mars rock ever found heads to auction in New York

    Sotheby’s will auction the Martian meteorite known as NWA 16788, a 54-pound extraterrestrial rock that is 70% larger than any previously discovered Martian sample on Earth. Valued between $2 million and $4 million, the meteorite could become a prized possession in the world of scientific collectibles. A 54.388-pound (24.67 kg) Martian meteorite—believed to be the largest known fragment of Mars on Earth iis on display at Sotheby’s in New York ahead of its auction on July 16, 2025, as part of the Geek Week event. The rare specimen is estimated to fetch between $2 million and $4 million.

    Largest piece of Mars rock ever found heads to auction in New York

    Source: Sotheyby’s

    How did the largest Martian rock arrive on Earth?

    According to Sotheby’s, the meteorite originated from Mars after a powerful asteroid impact ejected it into space. The rock then traveled roughly 140 million miles (225 million kilometers) before crash-landing in the Sahara Desert. It was recovered by a meteorite hunter in Niger in November 2023. Measuring approximately 15 x 11 x 6 inches, it accounts for nearly 7% of all Martian material currently on Earth.To confirm its authenticity, scientists extracted a small portion of the rock for laboratory analysis. The results revealed that it is an olivine-microgabbroic shergottite, a type of Martian volcanic rock that cools slowly. The meteorite contains minerals such as pyroxene and olivine and exhibits surface melting patterns typical of fiery entry into Earth’s atmosphere. Its chemical fingerprint matched that of Martian meteorites first identified by NASA’s Viking missions in 1976.

    Dinosaur skeleton from the Jurassic period also in auction

    Another highlight of Geek Week 2025 is the auction of a juvenile Ceratosaurus skeleton, standing over 6 feet tall and stretching nearly 11 feet in length. Discovered in 1996 near Laramie, Wyoming, at Bone Cabin Quarry, the specimen was mounted using 140 fossilized bones and sculpted reconstructions. Its estimated value ranges from $4 million to $6 million. The Ceratosaurus was a bipedal predator from the Jurassic era, similar in appearance to the Tyrannosaurus rex but notably smaller. Its distinct features include short arms, sharp teeth, and a prominent nasal horn.

    Dinosaur skeleton from the Jurassic period also in auction

    Source: Sotheyby’s

    Both the meteorite and dinosaur fossil are part of a broader 122-lot auction that includes rare meteorites, fossils, and gem-quality minerals. The Martian rock was previously on display at the Italian Space Agency in Rome, while the dinosaur skeleton was prepared by Fossilogic, a Utah-based fossil restoration firm. Geek Week 2025 offers a unique opportunity for collectors, institutions, and enthusiasts to own a piece of planetary and prehistoric history.

    Largest Martian rock in auction in New York FAQs

    What is the Martian meteorite being auctioned called?It is known as NWA 16788, the largest known Martian meteorite on Earth.How much does the meteorite weigh?The meteorite weighs 54.388 pounds (24.67 kilograms).What is the estimated auction price?It is expected to sell for $2 million to $4 million.Where and when is the auction taking place?The auction will be held at Sotheby’s in New York on July 16, 2025, during Geek Week.How was its Martian origin confirmed?Scientists analyzed its chemical composition, which matches rocks identified during NASA’s Viking mission on Mars.Also Read | Shubhanshu Shukla to return Earth after historic ISS mission; know what he achieved through space experiments


    Continue Reading

  • State-of-the-art laboratory enhances Madagascar’s polio response | WHO

    Antananarivo– A new state-of-the-art laboratory has bolstered Madagascar’s efforts to survey and detect polioviruses and effectively respond to the threat of the disease and protect children from its devastating impacts. 

    The laboratory, which is fully accredited by World Health Organization (WHO), was handed over today to the national authorities. Hosted at the Institut Pasteur de Madagascar in the capital, Antananarivo, the laboratory reinforces the country’s position as a regional pillar in rapid poliovirus detection and outbreak response.

    “This commissioning symbolizes our collective commitment. It brings us closer to a future where no child in Madagascar—or anywhere—is at risk of polio,” said Dr Nely Alphonse José, head of plague, emerging and neglected tropical disease control department at the Ministry of Public Health. 

    Established in 2023, the laboratory has significantly enhanced Madagascar’s ability to rapidly detect poliovirus through both acute flaccid paralysis and environmental surveillance. Between 2022 and 2024, the laboratory detected more than 40 cases of circulating variant poliovirus type 1, enabling immediate and targeted immunization responses. The efforts played a key role in halting an outbreak of circulating variant poliovirus type 1. In May 2025, Madagascar marked two full years without any new detections of the virus, which meant the outbreak was declared closed after a thorough assessment. 

    “This laboratory is not only a national asset—it’s a regional resource,” said Dr Laurent Musango, WHO Representative in Madagascar. “With strengthened capacity and cutting-edge technology, Madagascar is now even better positioned to lead the charge against poliovirus transmission in Eastern and Southern Africa.”

    The handing over of the laboratory to the government marks a major step towards sustainable, country-led polio surveillance and self-sufficiency in managing future outbreaks and ensures strong measures are in place to sustain the country’s polio-free status and contribute to the global goal of ending polio once and for all.

    Thanks to ongoing collaboration between national health authorities, WHO, and with support from the Gates Foundation, the laboratory has also joined pilot projects to deploy innovative tools such as direct detection through Nanopore sequencing – a new technology that boosts the speed and accuracy of viral identification, eliminating previous delays when samples had to be shipped abroad for genomic sequencing.

    WHO and its partners provided technical support, training, IT upgrades and environmental site optimization to strengthen the laboratory’s operations—reinforcing national efforts to meet the objectives of the Global Polio Eradication Initiative.

    Accredited for viral isolation, intratypic differentiation and environmental surveillance, the laboratory is now a cornerstone in Madagascar’s integrated disease surveillance system. It ensures timely data to guide vaccination campaigns and outbreak responses across the country.

    Continue Reading

  • Clinical Outcomes and Patient-Reported Outcomes of Minimally Invasive Glaucoma Surgery Techniques Over the Past Decade

    Clinical Outcomes and Patient-Reported Outcomes of Minimally Invasive Glaucoma Surgery Techniques Over the Past Decade


    Continue Reading