Category: 5. Entertainment

  • John Oliver on police gang databases: ‘Get rid of them’ | John Oliver

    John Oliver on police gang databases: ‘Get rid of them’ | John Oliver

    After an extended summer holiday, John Oliver returned to his desk at Last Week Tonight to dissect US law enforcement’s overreliance on faulty and unregulated gang databases. Such databases – as Oliver put it, “basically lists the police keep of people they say are involved in gangs” – have been used to justify numerous deportations under the Trump administration, including the deportation and detention of Kilmar Ábrego García, a Salvadorian immigrant from Maryland whom Immigration and Customs Enforcement (Ice) illegally deported due to what they later admitted was an “administrative error”.

    The deportation stemmed from a wrongful inclusion on a gang database – in 2019, officers apparently observed Ábrego at a Home Depot and filed a report that he belonged to a gang, based on the fact that he wore a Chicago Bulls hat and a hoodie with “rolls of money covering the eyes, ears and mouth of the presidents” and that they “know such clothing to be indicative of the Hispanic gang culture”.

    According to the report, “wearing the Chicago Bulls hat represents [that] they are in good standing with the MS-13.” “Which is already a little bit weird, because it implies that somehow, if you’re not up to date on your monthly MS-13 dues, your Bulls hat privileges get revoked,” Oliver joked.

    The officer who filed that report also cited an anonymous tip that Ábrego was a member of MS-13; the officer was also suspended a week later for unrelated misconduct and ultimately fired. “Nevertheless, that gang allegation meant that Ábrego García was denied bond and spent months locked up in Ice detention,” Oliver explained, an outcome that was “ridiculous. A person’s clothing shouldn’t be criteria for locking them up for eight months. As we all know, the worst consequence of fashion choices should be getting roasted by teens on TikTok.”

    Ábrego’s saga is one of many stories that bring the government’s use of so-called “gang databases” into question. Around the country, many local and state police departments keep these databases, often without disclosing them, despite investigations finding them to be “notoriously inconsistent and opaque”, “riddled with questionable entries and errors” and “rife with unreliable intelligence”, to quote several reports cited by Oliver.

    When it comes to what constitutes a “gang”, there’s “a lot of variability here”, said Oliver. “Not all gang members may even be engaged in crime.” As one researcher put it: “Not all gang members are criminals, and not all criminals are gang members.”

    “Unfortunately, none of that nuance is on display in these databases,” said Oliver, and none of these lists have oversight from any other branch of government or other law enforcement. The criteria for inclusion are police observations and “self-admissions”, which basically means, according to Oliver, “We found something on your social media that we decided constitutes you admitting that you’re in a gang.”

    That could include posts with the word “gang”, such as a post from a teenager with the caption “happy birthday. gang”, added to a database on the grounds of self-admission. “And if the bar is that low, anything is basically a confession,” said Oliver. “A pic of you holding a diploma with the caption ‘killed it?’ Congratulations grad, but now you’re wanted for murder.

    “And while so far I’ve been saying anyone can be added to these lists, those who end up on them are heavily people of color,” he continued. At one point, Washington DC’s database had only one white person on its list. “Do you know how few lists there are with only one white guy on them?” Oliver joked. “It’s basically this database and the cast of Hamilton. That is it.”

    Additions can also be motivated by spite; in 2020, a cop in Phoenix registered 17 Black Lives Matter protesters as “ACAB gang members” in retaliation.

    Most states also do not require states to notify people if they put them on a gang database. “And when it comes to immigrants, the designation of gang member can be truly life-altering,” said Oliver. “It can be the reason that someone is denied various pathways to remain in the US, and it can make someone a higher priority for deportation and the target of a raid.”

    Oliver relayed the story of a Hispanic teen in Long Island named Alex, who was added to a gang database by a school resource officer after he was seen wearing bright blue sneakers, which school security guards told him was associated with the gang MS-13. He had also doodled “504” on his backpack, which is the country code for Honduras, his country of origin. A few months later, Ice agents arrested him, saying they heard he was a gang member, and eventually deported him.

    When a police commissioner in Alex’s county was asked why he felt local law enforcement needed to partner with Ice, he answered: “If we have intelligence that they are a gang member, that’s not necessarily a crime … the intel that we have may not indicate a state crime. The intel may be small on them, but nothing that is going to keep them in jail. So if we perceive someone as a public safety threat, we utilize all of our tools, which again includes immigration tools, so we’ll partner with the Department of Homeland Security to target them for detention.”

    Oliver fumed in response: “If someone is on your list of big bad criminals, and you can’t find any big bad crime to arrest them for, that suggests the issue might be your fucking list.

    “It is pretty clear that gang databases are way too easy to get on, way too hard to get off, and can turn people’s lives upside down,” he added. “So what do we do? Well, I’d argue we get rid of them. And if you think, ‘Well hold on, how will police then stop gang violence?’ I’d say, with police work. They could and should do actual police work focusing on where violence is concentrated, instead of fixating on labels.

    “I’m not saying that violence associated with gangs isn’t real or isn’t a problem,” he concluded. “I’m just saying the answer needs to go beyond policing and way beyond these databases.”

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  • ‘Avatar 3’ trailer: ‘Fire and Ash’ introduces the Ash People

    ‘Avatar 3’ trailer: ‘Fire and Ash’ introduces the Ash People

    The “Avatar: Fire and Ash” trailer is finally here.

    The third installment in James Cameron’s “Avatar” series returns to Pandora and introduces a new Na’vi tribe: the Mangkwan Clan, also known as the Ash People, led by the fierce Varang (Oona Chaplin).

    While not much is known about the Mangkwan Clan and its leader, the trailer offers a first look at their ashen home, destroyed by a volcanic eruption. The footage positions Varang, who wears a red headdress and can manipulate fire, as an adversary to Neytiri (Zoe Saldaña) and her family. It’s a stark departure from 2022’s “The Way of Water,” which took viewers underwater into the world of the Metkayina Clan.

    The trailer also shows a tense exchange between Varang and Kiri (Sigourney Weaver): “Your goddess has no dominion here,” the fiery leader, donning a red and black headdress, says.

    “Varang is the leader of a people who have gone through an incredible hardship. She’s hardened by that,” Cameron told Empire in an interview published in January. “She will do anything for them, even things that we would consider to be evil.”

    In addition to the Ash People, the trailer includes a look at the Wind Traders, a nomadic Na’vi clan that travels aboard airborne ships drawn by massive jellyfish-like creatures. It also teases that the film will see Jake Sully (Sam Worthington) being captured by humans.

    Also returning to the ensemble are Kate Winslet (Ronal) and Jack Champion (Spider). In addition to Chaplin, David Thewlis joins the cast as Peylak, the chief of the Wind Traders.

    The trailer was first unveiled at CinemaCon in April and was launched exclusively in theaters ahead of “The Fantastic Four: First Steps,” which opened Thursday.

    “Fire and Ash” comes three years after “Way of Water” and 16 years after the original film. The first two movies were nominated for best picture at the Oscars and “Way of Water” was the highest-grossing film of 2022. But Cameron has hinted that the third installment may be surprising to fans of its predecessors.

    “One thing we wanted to do in this film is not be black-and-white simplistic,” he told Empire. “We’re trying to evolve beyond the ‘all humans are bad, all Na’vi are good’ paradigm.”

    “Fire and Ash” hits theaters Dec. 19. The fourth and fifth installments are expected Dec. 21, 2029, and Dec. 19, 2031, respectively.

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  • Jackie Torrens To Make Narrative Directorial Debut With ‘Baby’

    Jackie Torrens To Make Narrative Directorial Debut With ‘Baby’

    EXCLUSIVE: Veteran Canadian actor and writer Jackie Torrens has begun production in Nova Scotia on her narrative directorial debut, Baby

    The film’s official synopsis reads: Following the untimely death of her parents, Baby Bagnell struggles to find her place in the world–that is, aside from the local roller rink, hell on wheels. 

    Baby is a frequent visitor to a quiet bucolic graveyard where her parents rest, while unrequitedly hungry for love and guidance. Finding herself in a potentially disastrous relationship with an older man, the teenage Baby dreams of finding her way out of her circumstances by any means necessary. After all, living with a drunk step-mom, being bullied at school, and failing all her classes isn’t what it’s cracked up to be. 

    Baby is produced with the participation of Telefilm Canada, with the assistance of the Government of Nova Scotia Film Incentive Fund, the Screen Nova Scotia Content Creator Fund, and the Canadian Film Tax Credit Program.

    The cast features Lauren Hammersley (Virgin River, Sullivan’s Crossing), Allistar MacDonald (Monica’s News), Andrew Shaver (Sharp Corner), Billy MacLellan (Diggstown), and first-timer Lucy Spence Pinks as Baby Bagnell.

    “The experience of being groomed by adult men is a common occurrence in the lives of teenage girls; it’s just one that’s not often talked about or seen from the vantage point of the adolescent themselves,” Torrens said in a statement.

    “There are a lot of Baby’s out there. I wanted to showcase this experience and examine the circumstances that make a young person vulnerable to these kinds of situations. Ultimately, Baby is a story about grief, the will to keep going, and resilience on roller skates.”

    Torrens is a writer, actor, and documentary filmmaker. They and producer Jessica Brown own and operate Peep Media, a female and non-binary owned production company. Their films for CBC, the Documentary channel, and Bravefactual include Edge of EastMy Week on WelfareSmall Town Show Biz and Bernie Langille Wants to Know Who Killed Bernie Langille. Torrens is also a regular contributor and guest host on CBC Radio.

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  • First Look At Jesse Garcia & Jess Weixler In Thriller Tender Unveiled

    First Look At Jesse Garcia & Jess Weixler In Thriller Tender Unveiled

    EXCLUSIVE: Just off the set of Christopher Nolan’s The Odyssey, and recently seen in Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip opposite Eva Longoria, Jesse Garcia’s star continues to rise.

    Deadline can reveal a first image of the U.S. actor with co-star Jess Weixler (Monsters: The Lyle and Erik Menendez Story) in upcoming crime drama Tender.

    The film which completed principal photograph in L.A. is the feature directorial debut of Adam Hoelzel who also wrote the screenplay. He previously took writing credits on drug-smuggling thriller (Beast of Burden), starring Daniel Radcliffe.

    Tender follows a couple trapped in a failing marriage and drowning in debt who discover a hidden stash of gold buried within the walls of their home. What begins as a lifeline quickly spirals into danger, as the pair devise a high stakes plan to offload the fortune and escape their financial ruin.

    Shakira Barrera (Marvel’s Ironheart), David Koechner (Anchorman) and Emmy-nominee Sonja O’Hara (Doomsday) also feature in the cast.

    Key crew include cinematographer Antonio Cisneros, who shot the film on vintage Soviet Lomo lenses, also used recently on films such as Anora and Poor Things.

    “Antonio is a maverick. I knew that I wanted this film to live in the shadowy grit of Gordon Willis’ atmospheric 70s thrillers and I was thrilled to capture Tender on lenses that have been a favorite of directors from Tarkovsky to Lanthimos,” said Hoelzel.

    Further cast members include stars Robert Longstreet (The Fall of the House of Usher), Mark St. Cyr (The Menu), Keli Price (Murder at Hollow Creek), Stephen Ellis (Abbott Elementary), Robert Peters (Lincoln), and Alexander Cubis (Tyler Perry’s Ruthless).

    O’Hara, Sofia Rovaletti (Mid-Century), Farrell Ingle, Theo Bucksey, Roy Hsu (Cheap AF), and Grayson Hay are producing, alongside Corey Moosa (Margin Call), David Hopwood (Power), Michael K. Dwyer’s A Group of Ferrets, and Juan Pablo Reinoso’s Firebook Entertainment.

    Hoelzel is represented by UTA, Range Media Partners, and Lichter, Grossman, Nichols, Garcia by Independent Artist Group, Mosaic, and attorney Mark Wetzstein; Wexler by Gersh and Mosaic; Longstreet by Clear Talent Group and Authentic.

    Barrera is represented by Innovative Artists, Brillstein Entertainment Partners, and Goodman, Genow, Schenkman; O’Hara by Verve, Gotham Group, and Fox Rothschild, St. Cyr by Authentic; Price by Established Artists and Yorn, Levine, Barnes; Ellis by Master Talent Agency, Collier Talent, DiSante Frank & Company, and Yorn, Levine, Barnes; and Cubis by Singular Talent and Symmetry.

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  • Singer’s Ceremony Pics With George Daniel

    Singer’s Ceremony Pics With George Daniel

    The singer married the 1975 drummer in an intimate private ceremony last week

    Charli XCX fell in love again and again during her private wedding ceremony. The singer married the 1975 drummer and producer George Daniel last week, but gave fans a glimpse into the event in a recent photo carousel on Instagram.

    “Did something <3,” Charli captioned the post, which featured seven snapshots from the big day. In the first, she balances Brat and bride, holding a clustered bouquet of white flowers while posing in dark-tinted sunglasses and her Vivienne Westwood wedding dress. She followed the image with one of Daniel pulling on a cigarette.

    Charli’s comments section was filled with celebration. “A WHOLE WIFE!!!!!!!” fellow pop girl Dua Lipa wrote, while Lorde added: “Beautiful stuff.” Tinashe and Zara Larsson shared congratulations, and collaborator Shygirl crowned the couple “Mr and Mrs seXCX.” “Wishing you & your man the absolute best happily ever after,” rapper JT commented.

    Daniel was a trusted collaborator on a few Brat tracks. “We want to impress each other, and we think we’re both really good, but I’m actually such a bitch in the studio with George,” Charli told Rolling Stone UK last year. “Because we’re obviously so close, you lose everything in terms of the normal studio boundaries … We flow really well, and he leaves a lot of space for people to breathe and be them and do their process.”

    Trending Stories

    The intimate ceremony was an unexpected surprise for fans who believed Charli would go full party girl for the night. It was also previously reported that the wedding would take place in Italy, with a source telling The Sun, “it’s costing tens of thousands of pounds and visually it will be mesmerizing.” Instead, the couple married at London’s Hackney Town Hall following a 19-month engagement.

    Charli is fine with reeling it in for the moment. Earlier this year, she noted that she doesn’t feel the pressure to follow up Brat with another blockbuster album. “When I was making [Brat], even though I really believed in it and totally knew what I wanted to do with it, I had no idea how it would be received,” she continued. “So yeah, I don’t really feel the pressure because I feel that you can never really do the same thing twice, and my next record will probably be a flop, which I’m down for to be honest.”


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  • Bruce Willis’ wife, Emma Heming, reacts to speculation actor can’t walk, speak

    Bruce Willis’ wife, Emma Heming, reacts to speculation actor can’t walk, speak

    Bruce Willis’ wife, Emma Heming Willis, took to social media over the weekend to clear the air about recent reports of the actor’s declining health.

    “To Whom It May Concern: If you ever come across a story that begins with “sources close to the family say…,” do yourself a favor and stop reading,” Heming Willis posted on her Instagram Stories on Saturday, per Men’s Journal.

    “And to any outlet that runs with those kinds of stories, do better. Giving a platform to anonymous speculation is not only careless, it’s harmful. Onward.”

    The statement comes after reports the “Die Hard” actor is no longer able to speak or walk. The reports had not been confirmed by his family in recent months.

    In 2023, Willis, now 70, was diagnosed with frontotemporal dementia. The condition affects the frontal and temporal lobes of the brain and can affect a person’s personality, behavior and language, as described by the Mayo Clinic.

    Mark Heim is a reporter for The Alabama Media Group. Follow him on Twitter @Mark_Heim. He can be heard on “The Opening Kickoff” on WNSP-FM 105.5 FM in Mobile or on the free Sound of Mobile App from 6 to 9 a.m. daily.

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  • ‘Now You See Me’ star addresses future of franchise after third sequel

    ‘Now You See Me’ star addresses future of franchise after third sequel



    Mark Ruffalo, Morgan Freeman set to reprise their roles in the upcoming installment

    Now You See Me franchise gets an important update from one of the cast members.

    The globally acclaimed film series is returning with a third sequel featuring Jesse Eisenberg, Dave Franco, Isla Fisher, Mark Ruffalo, Morgan Freeman, and Woody Harrelson.

    The crime thriller represents a group of four magicians also knows as “The Four Horseman”, who commit robberies during their shows and redistribute their stolen funds to their audience.

    With the new sequel set for November 2025 release, the group of magicians are retuning to bring down a worldwide criminal network.

    Ahead of the theatrical release of Now You See Me: Now You Don’t, Franco, who plays Jack Wilder, has revealed what the future holds for the renowned franchise.

    In conversation with ScreenRant, the Neighbors star opened, “Now You See Me 3, coming out in November, the gang is back, definitely more magic.”

    He further expressed that he wishes to make many more films from the popular franchise in the future.

    “I’m learning new ways to throw cards. I have the greatest time with that cast. I think our natural love for each other bleeds onto the screen, and I hope to make many more with them”, said Dave.

    For the unversed, Now You See Me 4 has already been confirmed by the makers. 

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  • ‘We were half-drunk’: Patrick Watson on Covid hit and Spotify record-breaker Je Te Laisserai Des Mots | Culture

    ‘We were half-drunk’: Patrick Watson on Covid hit and Spotify record-breaker Je Te Laisserai Des Mots | Culture

    Patrick Watson, singer, songwriter, piano

    I’d been commissioned to do the score for a French film, Mères et Filles [released with the English title The Hidden Diary, 2009], starring Catherine Deneuve. I’ve done quite a few scores and usually you talk to the director, then it’s your job to help the storyline do what it needs to. There’s a scene at the end of the film where the main character leaves a letter under the door, which to me suggested the title Je Te Laisserai des Mots, meaning: “I will leave you some words.”

    In my studio in Montreal, I came up with what I thought was a nice little melody. I’m from Quebec, so although I’m an English-speaking person, I’ve always been surrounded by French. Whenever I have the opportunity to sing or write in French, I do. Although I like singing in French, it’s a very difficult language to sing in because of the vowel structure. There aren’t many words in Je Te Laisserai Des Mots and the first verse is entirely wordless. I didn’t think it needed any more words so I just made vocal sounds. Also I probably imagined the song starting to play at the end of the film while there is still dialogue, so didn’t want words to clash. We were kind of half-drunk when we did the strings arrangement. It was a really fun night – but outside the film, I didn’t think anyone would ever listen to the song.

    It initially appeared as a bonus track on my debut album. Then it suddenly took off in the pandemic. Because I couldn’t tour, I was doing lots of live Instagrams, which prompted someone to send me a video they’d made of Je Te Lasserai Des Mots. It had a million views and once those algorithms get going, you can’t stop them. Sometimes certain emotions hit at a certain time and a song can become the soundtrack of that moment. Before I knew it, people all over the world were making their own lockdown videos featuring Je Te Lasserai Des Mots.

    When I first came into the music business, execs didn’t take me seriously because I didn’t have “radio songs”, but the advent of synchs and then streaming have made a new kind of hit possible. The song’s now had something like 200,000 TikTok videos featuring it, more than 60 billion TikTok plays and it’s the first French language song to hit more than a billion streams on Spotify. I find such huge numbers hard to digest but the song is much more famous than I am. I might be renting skis or something and they’ll see the name and go: “Oh, you have the same name as the singer.” I’m like: “It’s me!” And they don’t believe me.

    Mélanie Vaugeois, violin

    Our string quartet played with Patrick for 15 years and we’re still close. When we started touring with him, our kids were quite young so Patrick named us Mommies on the Run. We were his first experiment with a string quartet but after a while on tour we were wilder than him. We’d shout: “No kids!”

    It was such a great adventure and we all spent a lot of time together. We’d go to Patrick’s place, there would be things everywhere and you’d put your violin case on the ping-pong table. Patrick would play on the piano and we’d improvise around that. One night Patrick said: “I have a French song. What do you think of my accent?” He speaks French very well but had never sung in it and there were a lot of mistakes in the pronunciation, but they were part of the charm so he kept them in.

    It was a fun session and at one point we had some Jameson whiskey. We tried for a long time to find the right notes and got a little drunk. Everything was starting to slide when suddenly it all just fell into place. There’s almost no rhythm to Je Te Laisserai Des Mots, which again is part of the charm. It’s a beautiful song that makes your heart melt, and during the pandemic, when we were all very lonely, it touched a lot of people’s hearts. I first became aware that it was taking off when my kids were on TikTok and I heard the song. I went: “That’s my quartet!” They couldn’t believe it. They told me: “That song’s everywhere.”

    Although Patrick isn’t obliged to give us songwriting royalties, every year he gives us a symbolic amount to show his gratitude, which is really nice and shows that he respects the fact that people pulling together in that moment created something special.

    Patrick Watson’s new album, Uh Oh, is released in the UK on 26 September. He plays the Troxy, London, on 7 November

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  • ‘Family Matters’ bags Uncaged Award for best feature film in New York

    ‘Family Matters’ bags Uncaged Award for best feature film in New York

    Taipei, July 28 (CNA) The drama movie “Family Matters” (我家的事) won the Uncaged Award for Best Feature Film at the 24th New York Asian Film Festival on Sunday, becoming the first Taiwanese film to receive the honor in that category.

    The family drama, shot by director Pan Ke-yin (潘客印) in his hometown of Changhua County, marks his feature debut and was selected as the winner from a list of eight finalists during the festival’s closing night awards ceremony in New York.

    Linking the award’s name “uncaged” with the courage to break away from the norm, Ke said Monday that although he is someone who does not consider himself brave, making films is the most courageous thing he has ever done.

    “I want to share the love and courage I felt from everyone — the production team, the cast, the film companies and promoters, and my family — with everyone who needs it now,” Pan said in a statement released in Taipei.

    The director also expressed excitement at the film’s upcoming release in Taiwan on Sept. 12, according to the statement issued by the production company Activator Co.

    The statement also quoted the film’s executive producer Cheng Yu-chieh (鄭有傑), who thanked Pan for “taking us this far, for the glorious win for Taiwan and, for fulfilling his dream.”

    “Family Matters” centers on 18-year-old Spring, who discovers that she was adopted and begins to uncover the secrets of her working-class family.

    Taiwanese Alexia Kao (高伊玲), who plays Spring, won the Best Actress prize at the Taipei Film Awards on July 5.

    “The value of family in one’s life and its place in our minds transcend cultures and ethnicity,” Kao said in a statement Monday. “Thank you for noticing how the story moves people.”

    In March, Kao, along with Taiwanese Lan Wei-hua (藍葦華), Tseng Jing-hua (曾敬驊) and Queena Huang (黃珮琪) — the three other main actors in the movie — won the Yakushi Pearl Award for Best Performer as an Ensemble at the Osaka Asian Film Festival.

    “Family Matters” had its North American premiere this month at the New York Asian Film Festival.

    (By Hung Su-chin and Kay Liu)

    Enditem/pc

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  • Radial Entertainment Names Key C-Suite Executives

    Radial Entertainment Names Key C-Suite Executives

    Radial Entertainment, the newly formed entertainment company behind the FilmRise and Shout! Studios brands, has named four key executives to top-level positions.

    CEO Garson Foos has revealed the immediate appointments of David Buoymaster as chief investment officer, Johnny Holden as chief revenue and strategy officer, Dave McIntosh as executive vice president of content and business affairs, and Max Pinigin as chief financial officer. The company is backed by funds managed by Oaktree Capital Management.

    The leadership changes come during what the company describes as a period of transformation and growth within the global entertainment industry. Radial operates a content library of more than 70,000 movies and episodes, making it among the largest independent catalogs in the industry.

    Buoymaster moves up from his role as senior VP of corporate strategy and finance at FilmRise. In his new position, he will handle content strategy, underwriting and investment decisions while leading a new investment committee. He joined FilmRise in 2017 and has helped shape the company’s content buying strategy and deal-making processes.

    Holden previously held dual roles as chief strategy officer and CFO at FilmRise. He will now focus on revenue generation across streaming platforms and strategic planning. During his FilmRise tenure, he developed analytics systems for content acquisition and helped establish the company’s presence on multiple streaming services and hundreds of FAST channels globally.

    McIntosh transitions from his position as executive VP of business and legal affairs at Shout! Studios. He will now manage content acquisition teams from both FilmRise and Shout! Studios. A veteran of Shout! Studios, McIntosh helped guide the company’s shift to multi-platform distribution and oversaw recent acquisitions of content libraries including New Horizons Pictures, Mystery Science Theater 3000, and Golden Princess.

    Pinigin steps up from CFO at Shout! Studios to the same role at the parent company. He will oversee financial planning, corporate development and investor relations. At Shout!, he managed major acquisitions including Gravitas Ventures and content from Golden Princess, Open Road Films and Millennium Media.

    “These key roles have been strategically structured to drive significant growth and unlock new opportunities as we grow Radial into one of the leading distributors in the industry,” Foos said. “I am confident that our outstanding leadership team is poised to guide us toward tremendous growth.”

    Radial distributes content across streaming platforms, video-on-demand services, physical media and theatrical releases. The company’s catalog includes programming in genres ranging from true crime and reality to animation, westerns, classics and horror.

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