Category: 5. Entertainment

The 20-year-old musician continued his breakout year with a medley featuring “Back to Friends” and “12 to 12”

James Vanderbilt’s courtroom drama “Nuremberg” may be rooted in history, but it’s also quite possibly one of the season’s most timely and awards-worthy films. Centered on the first international tribunal that put Nazi leaders on trial, the film is a riveting psychological thriller that could be a formidable player across multiple Oscar categories.

What makes “Nuremberg” particularly compelling in today’s political landscape is how it interrogates the very foundations of justice itself. At a time when democratic institutions face unprecedented challenges globally, Vanderbilt’s film recounts historical events and forces audiences to confront uncomfortable questions about how societies reckon with evil and whether justice can truly be impartial when confronting the unthinkable.

At the heart of “Nuremberg” is Russell Crowe‘s towering turn as Hermann Göring, Hitler’s second-in-command. The Oscar winner hasn’t delivered work this commanding since Ron Howard’s “Cinderella Man” (2005). Here, Crowe captures the paradox of Göring’s charisma and monstrosity, portraying a man capable of seducing the room even as his crimes repulse the world. Crowe’s German dialogue, which he learned specifically for the role, adds a layer of authenticity, with his cat-and-mouse exchanges with Rami Malek’s Army psychiatrist Douglas Kelley crackling with intensity. It’s the kind of transformative, fully inhabited performance that could catapult him back into the thick of a very competitive best actor race.

The genius of Crowe’s portrayal lies in how he doesn’t take any shortcuts in portraying Göring entirely. A risky and morally complex character like this serves a crucial purpose: it reminds us that evil often wears a human face, speaks eloquently, and can even be charming. That’s also a credit to Vanderbilt’s complex script, which is based on “The Nazi and the Psychiatrist” by Jack El-Hai.

But Crowe isn’t the only standout. Rising star Leo Woodall, best known for “The White Lotus,” and who is currently starring in another TIFF film “Tuner,” cements himself as a force with his emotional turn as a translator caught in the tribunal’s web. Though he entered the project without speaking German, Woodall committed himself to mastering the language for the role, delivering a performance brimming with resonance and restraint. One scene he has late in the film reduces the audiences to tears, marking him as a dark horse worthy of serious supporting actor attention.

Beyond the acting showcases, “Nuremberg” has the goods to compete in several craft categories. Crisp production design meticulously recreates the claustrophobic cells and tribunal courtroom, while Dariusz Wolski’s camera work transports audiences back in time.

Adapted screenplay is another opportunity with Vanderbilt, best known for scripting “Zodiac” and “Truth,” finding a unique entry point into a well-documented chapter of history by focusing on the psychological duels between Kelley and Göring.

With Academy voters traditionally having shown an appetite in recent years for historical works that double as cautionary tales — such as “Oppenheimer” and “The Trial of the Chicago 7” — “Nuremberg” could also emerge as a sleeper candidate for best picture. But that will require a strong push from Sony Pictures Classics, no stranger to awards races.

The film’s timing is particularly prescient. As democracies face internal threats and international law struggles to contend with new forms of warfare and authoritarian manipulation, “Nuremberg” could be what the Oscars need at this moment.

It’s a film about the past that also has the fierce urgency of now.

SPOILER ALERT: This interview contains spoilers for the series premiere finale of “Task,” now streaming in HBO Max.

“Task,” Brad Ingelsby’s follow-up to “Mare of Easttown,” starts out like a slice-of-life drama before erupting in explosive violence in the last half of its first episode.

Viewers are introduced to Tom Brandis, a former priest-turned-FBI agent, played by a paunchy Mark Ruffalo. He’s struggling — drinking too much, and sleeping too little — clearly haunted by a tragedy that the show has yet to fully reveal (though it’s known his son is in prison). Tom doesn’t seem too interested in his job. He’s on career fair duty, until he grudgingly gets assigned to run a task force to look into a string of robberies targeting the drug houses of a motorcycle gang called the Dark Hearts. And your ears don’t deceive you — the characters in “Task” speak with the same regional Pennsylvania honk as the characters in “Mare of Easttown.” Both shows are set in the blue collar communities around Delaware County.

Unlike “Mare of Easttown,” which was a whodunit, “Task” doesn’t disguise who is behind the crime spree. That would be a garbageman named Robbie Prendergast (Tom Pelphrey), who uses his route to scope out potential targets. He may be a criminal, but he seems like a decent guy: He’s a single dad who is raising his kids with his niece, Maeve (Emilia Jones). Even when her uncle messes up her date, interrupting Maeve while she making out with the guy and getting in a shoving match with him, it’s hard to root against Robbie. Well, at least until Robbie and his fellow bandits Cliff (Raúl Castillo) and Peaches (Owen Teague) sneak into a drug house and fail to get the upper hand on the dealers, leading to a savage confrontation. (Peaches, we hardly knew ya!).

But there’s one more surprise in store. A young boy is in the house too, leaving Robbie and Cliff with no choice other than kidnapping him since he’s seen them without their masks. Having crossed that moral rubicon, can a confrontation between Robbie and Tom be far off?

Ahead of “Task’s” debut, Ingelsby, Pelphrey and Jones unpack the explosive first episode of the seven-part HBO limited series.

Brad, when you wrote this show, why did you decide to have it unfold in Delaware County, the same place where “Mare of Easttown” was set?

Brad Ingelsby: It’s just laziness. It’s the people I know. It’s the blood in my veins. If I can write stories about this area for the rest of my life, I’d be satisfied. If I write a story about a group of people in Wisconsin or in Minnesota, I’ve got to do some research. I’ve got to spend time there to get a sense for the rhythms of their life. So for me, it’s about wanting to tell a story about the people that I grew up with. Even though I don’t know an FBI agent or a cop, my uncle was a priest who left the priesthood. So there are connected pieces of my own life. I also felt like I had more stories to tell there. It wasn’t as if “Mare” exhausted that in me. “Mare” was very much about a mother and a son. In “Task,” with Tom especially, it’s about guy who has seen the pillars of his life and everything he held as true come crumbling down. He’s trying to make sense of his suffering.

Is this story part of the same of universe as “Mare of Easttown”?

Ingelsby: Absolutely. We wanted to embrace that. We never said, “Let’s try to make it not like ‘Mare.’” In fact, a lot of the same crew from “Mare” worked on this show, because we wanted there to be a consistency, and we wanted the audience to watch the show and think, “This is ‘Mare’s’ world, but the story is different.”

What were you hoping to set up with this first episode?

Ingelsby: The first episode is trying to establish the collision course of the show. It was important to establish the two leads and their home lives and their jobs. I wanted to have an audience leaning in to the emotional arcs of the characters. They know something’s going on with Mark’s character and something’s going on with Tom’s character, but we don’t know too much. Then we also have to have the plot get on the tracks, and by the end of the first episode, establish that Mark’s character is going to be investigating a string of robberies led by Tom’s character. We needed to establish the dual tracks of the story, which are the dual tracks of the entire series — the emotional lives of these characters and then the procedural element of the show.

We get a real sense of Robbie and Maeve’s domestic life in the episode, and the warmth and chaos of their house. What do you remember about filming those scenes?

Tom Pelphrey: It was beautiful. It was out there in a place called Downingtown. It was a bit of a drive from where we were normally filming stuff. But it was amazing, because it was the actual house, there was no recreation on a stage somewhere. Our set decorators did such an incredible job. It felt so lived-in, down to the messiness of how the toys weren’t put away. That made our jobs easier.

Emilia Jones: I loved filming there because no one had any phone connection. There was no distraction. We could all really muck in. We were entertaining the kids in between scenes and takes. We were all just hanging out constantly. That helped us bond. That was important because we’re supposed to be a close family.

That comes through in the scene where Maeve has made dinner using Ree Drummond’s recipe and no one wants to eat her food.

Jones: Maeve spends a lot of time cooking and cleaning and trying to create structure for these kids. And then Robbie comes in and messes with it. Maeve is tired. She’s really, really tired. But those scenes were a lot more fun to shoot than I thought they were going to be. I had to constantly remind myself, “I’m tired, I don’t like it.” I was having a good time, you know? I mean, Oliver [Eisenson], who plays Wyatt, says “chicken butt” a lot in the show, and he said it a lot off camera as well. Our director, Jeremiah Zagar, did a lot of handheld stuff and followed us around, which helped make it seem more chaotic.

Maeve’s frustration with her life comes out in the scene where she goes on a date for the first time in forever and brings a guy home. What’s she hoping for when her evening begins?

Jones: Maeve has been feeling stuck and is kind of losing her sense of identity. She’s very excited to hang out with someone new outside her family and not talk about farts and things. She’s sick of always picking up after the people in her family — first her dad, and now Robbie as he spirals into criminal activity. When Robbie doesn’t let her go out and have some fun on her date, she just snaps. Maeve is trying to be patient because she does love family.

What does it say about Robbie that by scrounging around his niece’s room, he messes up her evening?

Pelphrey: Well, there you go. That pretty much sums up Robbie. He’s just going for a stroll around the house, checking that all the chickens are laid to rest. He gets a little nostalgic, and then he’s in a bad situation.

Are there parallels between what Mark Ruffalo’s character is going through and the struggles that Tom’s character is experiencing?

Ingelsby: There are parallels. As the story builds, you’ll find even more parallels up to the point where the two characters collide. It’s a story about two fathers, whereas “Mare” was a story about mothers. It’s also about two guys who are processing loss in different ways. With Robbie, it’s the loss of his brother and the absence of his wife and the real uncertainty as to whether she’s ever going to come home. With Tom, it’s understanding a profound loss in his life. They both love their families and are trying to take care of their families. They feel like maybe they let their families down. The deeper the show goes, the more you start to see how close these characters are. When they ultimately have scenes together, they see that as well and discover these pieces that connect them.

What was it like to shoot the invasion of the drug house scene, which goes spectacularly off-the-rails?

Pelphrey: That was our first week. Jeremiah had mapped out exactly what we were going to do. He knew how he wanted the frame to be filled, when the camera moved, where and why. We rehearsed the physical action of it so the timing was in sync with the cameraman. Wearing the mask was cool. It’s a powerful thing to to not have your face to express anything. You have to think about how you use your body; how turning your head a certain way helps communicate something to the audience that you’re not doing with your voice and you can’t do with your eyes.

The violence is really brutal.

Ingelsby: The idea was to lull the audience into loving Rob. But then the audience needs to understand the stakes at play. The structure of the first episode is a bit of a build. It doesn’t start with the crime, and then we’re in the immediate aftermath. We actually live with the characters quite a bit, and we get into their lives. And then only at the end of the episode is it punctuated with this violence that is startling. Then it’s like, “Oh, wow.” These are the consequences of what they’ve done. Because at that point in the story, we really like Robbie and Clinton. We’re kind of like, “These guys are cool. I can hang out with Peaches.” And now one of our crew is dead, and now they have this little boy they have to take care of. We wanted it to be really violent. In fact, I talked to Jeremiah and we went over the pistol whipping moment. Every time we talked about that, I said it needed to be really shocking. We did a similar thing in “Mare” where the body doesn’t turn up until the very end of the first episode. In “Task,” it’s kind of a character piece, and at the very end, the plot takes hold.

Can you talk about that last image of Robbie returning home with the kid in his arms?

Ingelsby: We wanted to end with that haunting shot where you think, “What’s going on in that house right now?” We wanted to leave the audience with the door closing and have them going, “Oh my God.” We need them to have an unsettled quality when the credits roll.

This interview has been edited and condensed.

Lady Gaga’s anticipated performance at the 2025 MTV Video Music Awards was tonight. In a pre-taped segment recorded at her Madison Square Garden concert last night (September 6), the pop star sang “Abracadabra” from her new album Mayhem and “The Dead Dance,” her new single for Netflix’s Wednesday. “The category is dance or die,” Gaga declared from atop the massive red ballgown that has become a staple of her Mayhem Ball tour. For “The Dead Dance,” she busted out some disco moves while dressed as a decrepit Little Bo-Peep. Watch a replay below.

Mariah Carey graced the MTV VMAs stage on Sunday to accept the Video Vanguard Award from Ariana Grande, delivering a speech and giving a career-spanning performance of songs including “Honey,” “We Belong Together” and “Fantasy (Remix).”

Grande introduced Carey’s performance, describing her many talents and the impact she’s left on music. “As a vocalist, there’s only one queen and that’s Mariah,” said Grande. “She knows no limits with her iconic five-octave range and has left an irrevocable impact on music history with her tone, technique and sound. Her music videos have become the pop playbook, giving us everything from alter egos to male drag to hundreds of iconic looks. Mariah Carey is a singular talent and artist.”

Carey then took the stage to perform songs from her extensive catalog, revisiting the treatments and looks from her music videos. She began in the bedroom with her slinky new single “Sugar Sweet,” clad in pajamas and flanked by two backup dancers. She kicked up the mood with her iconic “Fantasy” remix before segueing into a mashup of “Honey” and “Heartbreaker” — that is, before her alter ego Bianca showed up and Carey cut her down to size. Then came “Obsessed,” “It’s Like That” and “We Belong Together,” which capped off the performance.

Grande then presented her with the award, leading into Carey’s speech. “This moment is very heavy,” she said. “I can’t believe I’m getting my first VMA tonight. I just have one question: What in the Sam Hill were you waiting for? I’m kidding, I love you MTV, this is amazing.”

“Music videos are my way of life, of bringing music to my own life,” she continued. “Many movies, visiualizing the sheer fantasy of it all. And let’s be honest. Sometimes there’s just an excuse to bring the drama and do things I wouldn’t do in real life, like going in drag for ‘Obsessed,’ playing my alter ego Bianca in ‘Heartbreaker,’ escaping the mob in ‘Honey’ with a hot guy to a remote island — well that one really wasn’t much of a stretch, but it happened. Anyway, after all this time, I learned music evolves, music evolves, but fun? That is eternal.”

Earlier in the evening, Carey took home the VMA award for “Type Dangerous,” which won for best R&B. The timing of the Video Vanguard Award couldn’t be better for Carey, who is currently gearing up for the release of her new album “Here For It All” on September 26. So far, she released a pair of singles — “Type Dangerous” and “Sugar Sweet” featuring Kehlani and Shenseea — and revealed the tracklist for the album, touting additional features from Anderson .Paak and the Clark Sisters. Songs slated for the set include “Confetti Champagne,” “In Your Feelings” and “Mi,” which opens the record.

“Type Dangerous” initially dropped in early June and was co-written and co-produced by .Paak, who is rumored to serve as executive producer on the project. It’s been seven years since Carey dropped 2018’s “Caution,” which featured an assortment of collaborators including Mustard, Skrillex, No I.D. and Timbaland.

Carey has since signed with Gamma, the independent label launched in 2023 by music executive Larry Jackson. Forbes reported that L.A. Reid will executive produce “Here For It All” under his new company Mega.

“It is a game-changing moment because it’s one of our premier stars who has made a decision to join forces with an independent, self-contained company that is not associated with any of the major labels,” said Reid. “It’s a game changer for both Gamma and Mariah.”

Mariah Carey was honored with the Video Vanguard Award at tonight’s MTV Video Music Awards, where she also performed a career-spanning medley. She began with a new song, “Sugar Sweet,” before diving into classics like “Fantasy,” “Heartbreaker,” and “Obsessed.” She continued with “It’s Like That” and “We Belong Together” (with a string ensemble). Watch the performance below.

Carey was presented with the award by Ariana Grande. “I can’t believe I’m getting my first VMA tonight,” Carey—tonight’s winner of Best R&B for “Type Dangerous”—said in her speech. “I just have one question: What in the Sam Hill were you waiting for?” She continued with a reflection on her career and history with the VMAs. See the speech below.

Though she’d never taken home a trophy before tonight, Carey has been a VMAs fixture for decades. She first performed on the show in 1991, then again in 2005 off the back of The Emancipation of Mimi, which saw a 20th anniversary reissue earlier this year. Carey’s new album, Here for It All, is out September 26; the 11-track project includes the singles “Type Dangerous” and “Sugar Sweet.”

Follow along with all of Pitchfork’s coverage of the 2025 MTV Video Music Awards.

NEW YORK – American pop singer Lady Gaga was named Artist of the Year at MTV’s Video Music Awards (VMAs) on Sept 7, prevailing over heavyweights Taylor Swift and Beyonce at the fan-voted honours in New York.

Gaga, currently on tour with her album Mayhem (2025), took the stage in a black ruffled dress with giant sleeves and purple accents. The 39-year-old thanked her fans as she held the VMAs Moon Person trophy.

“I cannot begin to tell you what this means to be rewarded for being an artist, being rewarded for something that is already so rewarding,” Gaga said before leaving the venue to perform a concert at Madison Square Garden.

Gaga’s win prevented Beyonce or Swift from emerging as the most-honoured artist in VMA history. The pair

remain tied at 30 VMAs each

.

Host LL Cool J kicked off the ceremony at the UBS Arena in New York with a promise of show-stopping performances from legends such as Puerto Rican singer Ricky Martin and American singer Mariah Carey and a tribute to the late British rocker Ozzy Osbourne.

“Music is the force that brings us together,” LL Cool J said. “Tonight we are leaving everything else at the door.”

Gaga went into the ceremony with the most nominations – 12 – for songs including Die With A Smile, her duet with American singer Bruno Mars.

Die With A Smile was in the running for the night’s top honour, Video of the Year. Competitors included Birds Of A Feather by American singer Billie Eilish, American rapper Kendrick Lamar’s Not Like Us and American singer Sabrina Carpenter’s Manchild.

Meanwhile, Rose of K-pop girl group Blackpink won Song of the Year with Apt., her breakout hit from 2024.

The 28-year-old collected the prize at the New York ceremony in a buttery yellow strapless sequined dress and was decked out in diamonds.

She began her acceptance speech by thanking Mars, her “absolute idol and incredible teacher” who collaborated with her on the track.

“Thank you so much for believing in me and helping me build this world together,” Rose said. “I’m really, really forever grateful for you, and our friendship, and everything.”

The New Zealand-born singer also dedicated the award to her “16-year-old self, who dreamed, and to those who have watched me grow”.

This was Rose’s first VMA win as a solo performer. She was nominated in eight categories, including Video of the Year, Best Pop and Best Collaboration.

In 2020, Blackpink picked up their first VMA for Song of Summer for How You Like That (2020) and were named Group of the Year in 2023.

New categories were added in 2025 for Best Country Video and Best Pop Artist.

American singer Megan Moroney’s Am I Okay? was the winner for Best Country Video, with nominees including Think I’m In Love With You by American singer Chris Stapleton, Liar by American singer Jelly Roll and Morgan Wallen’s Smile. REUTERS, THE KOREA HERALD/ASIA NEWS NETWORK

MusicCelebritiesAwards and prizes

Recently, actress Chiang Tsu Ping made headlines after reporting that she was informed about a rape committed by a TV program’s staff.

The actress claimed that another actress messaged her about the alleged assault, asking for her assistance. Days later, Chiang Tsu Ping shared and deleted photos of the alleged rapist, leading to his identification as Sanlih Taiwan (Sanlih E-Television) Vice President Gong Meifu‘s son, Gong Yiting.

Actress Reveals More Details Of Shocking Sexual Assault, Including Alleged Rapist’s Photo

As outrage rose, Gong Yiting made a shocking admission, stating that he and Chiang Tsu Ping were actually in a relationship for around a year. He claimed that the break-up occurred on August 31, due to their differences caused by the 20 year age difference.

Chiang Tsu Ping admitted to the relationship, and that the alleged rape actually happened to her. She revealed other details about their relationship, including that Gong Yiting was physically and emotionally abusive, and shared images of his violence with a local news outlet.

He reportedly yelled at her while drunk and previously broke her phone, leading her to fear reporting him.

On September 7, Chiang Tsu Ping made an update on Instagram, where she stated she would be letting her lawyer handle things from now on, as it was difficult for her and her family to endure.

Thank you all for your care and support… it truly gave me great strength 
After taking a few days to reflect, although I’m still feeling very emotional, I don’t want the incident to be overly extended or misinterpreted, causing the focus to be lost.
The current situation has left me mentally and physically exhausted, and seeing my mother worried and heartbroken is something I never wanted.
Therefore, I’ve decided to calm myself and follow my family’s advice by handing over the matter to my lawyer. I will trust the legal process moving forward.
I also sincerely thank every friend who has reached out to me both publicly and privately. I truly hope that through this incident, no other woman will have to go through the same experience.
Of course, the encouragement and support from you and my family have been my greatest source of strength to keep going.
As mentioned, from now on, I will entrust everything to my lawyer and will wait for further advice before making any decisions. Thank you all.

— Chiang Tsu Ping

There have been no legal updates as of writing.

Live from Los Angeles, It’s the Creative Arts Emmys — where NBC’s “SNL50: The Anniversary Special” dominated with seven awards — the most of any program on the second night of this year’s pre-Primetime awards. And when you count the entire “Saturday Night Live” universe, that number actually rises to eleven.

Also having a good night: Peacock’s “The Traitors,” which landed four Emmys, including one for host Alan Cumming; and Conan O’Brien, who won for hosted nonfiction series or special (HBO Max’s “Conan O’Brien Must Go”) and variety special (pre-recorded) for Netflix’s “Conan O’Brien: The Kennedy Center Mark Twain Prize For American Humor.” And Netflix’s “Love on the Spectrum” won for unstructed reality program, as well as casting, while the streamer’s “Queer Eye” won for structured reality program.

HBO Max’s “Pee-wee As Himself” won three, including outstanding documentary or nonfiction series, as well as directing for a documentary/nonfiction program, while HBO Max’s “100 Foot Wave” landed documentary or nonfiction series and cinematography for a nonfiction program.

“The Daily Show” kicked things off with the first win of the night, for short form comedy, drama or variety series via “The Daily Show: Desi Lydic Foxsplains” (a night after Lydic won an Emmy for individual performer in a short form series). The franchise also won an Emmy for writing for a nonfiction program, via “The Daily Show Presents: Jordan Klepper Fingers the Pulse: MAGA: The Next Generation.”

Back to “SNL”: the original recipe series landed the Emmy for production design for a variety or reality series, lighting design and technical direction and camerawork for a series, while “SNL50: The Anniversary Special” won for directing for a variety special, sound mixing for a nonfiction program, writing for a variety special, makeup for a variety, nonfiction or reality program, hairstyling for a variety, nonfiction or reality program, picture editing for variety programming and technical direction and camerawork. Also, “SNL50: The Annniversary Special: Immersive Experience” won for emerging media program.

Besides Cumming, other wins for “The Traitors” included cinematography for a reality program, picture editing for an unstructured reality program and directing for a reality program.

Big individual wins also included “Jeopardy!” with game show; President Barack Obama for outstanding narrator (“Our Oceans”) and Jimmy Kimmel for game show host (via “Who Wants to Be a Millionaire?”).

Asked backstage about whether he had thoughts on retiring or leaving his late night talk show. Kimmel joked, “I’m not prepared to answer their question, but it is something I think about a lot, and things have changed a lot over the last what nine years.” He went on to say, “Each day is a new adventure, and I take them as they come. Is that a good way of dodging the question?”

Kimmel was also asked about what it was like being at the forefront of defending democracy along with shows like “Saturday Night Live” and “South Park.” Kimmel replied, “Those are heavy thoughts, and I have a tendency to reject them. I don’t necessarily feel like I’m defending democracy, but I do feel like I’m giving this guy a little poke, and he deserves it, and I enjoy it.”

Asked whether the host would want to do another “Live in Front of a Studio Audience,” the Emmy-winning event he produced and hosted with Norman Lear, Kimmel said, “It would be too emotional to do it without Norman. Lear, you know, I don’t know if my heart could take it.”

“Pee-wee as Himself” director Matt Wolf talked about how the comedian, whose real name was Paul Reubens, gave access to his full archive. “It was over 1000 hours of footage.” He said, “Paul wanted us to digitize this monumental archive that he had preserved and was committed to me, using that to craft a story that really tracks his full career and creative life.”

Sunday’s Creative Arts ceremony, held at downtown Los Angeles’ Peacock Theatre, focused on unscripted, reality and documentary programs, just as most of Saturday’s event centered on scripted categories.

Sunday’s ceremony opened with comedian Sarah Silverman, who was nominated in the variety special (pre-recorded) race for her standup special “Sarah Silverman: PostMortem.” (There were no hosts for the Creative Arts Emmys.)

“This one is the real Emmys, for the people who make television happen,” she said. “For the artists and the crafts people who build, light, design and dress the stages and the sets. The music makers, the dancing artists, the directors and the assistant directors and the stage managers who keep everything on track, the sound department… but I’m gonna be honest, this is the Emmys for the people, the people who run the Emmys don’t think should be seen on network TV. And I think that’s despicable. You know, you are the backbone of this industry, and they want you kept in the back. It’s bullshit!”

Also during the show, the Corporation for Public Broadcasting was honored with one of the Television Academy‘s top prizes, the 2025 Governors Award. The honor comesa fter Congress passed Trump’s rescission package, eliminating $1.1 billion in funding that had previously been approved for the next two years — effectively closing the doors on the CPB, which is now winding down its operations.

CPB president/CEO Patricia de Stacy Harrison, who has led the organization since 2005, accepted the award with a rallying cry to keep public media vibrant, even as government funding comes to an end. “All of this was accomplished through the efforts of general managers of local public television stations and educators and volunteers and business and community leaders and donors, producers, journalists, the courageous investigative reporters at ‘Frontline’ and also the amazing independent filmmakers,” she said. “And of course, our colleagues at PBS, and most of all, most of all the American people. Our mission has never been more vital, and the American people are going to ensure it’s going to prevail, and it’s going to continue value for future generations.”

Henry Gates Jr., the host of PBS’ “Finding Your Roots,” presented the award to Harrison. “Despair is not the final prose of this institution,” he said. “Even an act of Congress cannot erase the indelible legacy gifted to us by the charter of CPB, and the Public Broadcasting Service, and of course, by viewers like you.”

At Saturday’s night one of the Creative Arts Emmys, Apple TV+’s “The Studio” was tops with nine wins, putting the show on track to potentially break the all-time record for most wins for a comedy series (which currently stands at 11, which “The Bear” accomplished just last year). HBO Max’s “The Penguin” earned eight trophies last night.

“The Studio” wins so far include guest actor in a comedy series for Bryan Cranston. Julianne Nicholson won for guest actress in a comedy for HBO Max’s “Hacks,” while on the drama side Shawn Hatosy won guest actor for “The Pitt” and Merritt Weaver was named guest actress for “Severance.”

Coincidentally, “Severance” and “The Pitt” are the front runners heading into the Primetime Emmys on the drama side, while “The Studio” and “Hacks” are the front runners in the comedy race — so this weekend’s guest categories teed up the competition betweem those shows perfectly. Overall, Apple TV+’s “Severance” dominated this year’s Emmy derby with 27 nods, while Apple’s freshman comedy “The Studio” topped the comedy race with 23. HBO’s “The Penguin” dominated the limited-series field with 24. HBO/HBO Max

Highlights of the two Creative Arts Emmy Awards ceremonies will air on Sept. 13 at 8 p.m. PT on FXX, and will be available to stream on Hulu through Oct. 7. Bob Bain executive produces the Creative Arts Emmys, and his Bob Bain Productions is the production company behind the two-night ceremony.

The primetime 77th Emmy Awards, hosted by comedian Nate Bargatze, will broadcast live on Sunday, Sept. 14 at 8 p.m. ET/5 p.m. PT on CBS. The ceremony will also stream live and on-demand through select Paramount+ packages.

Here are the winners from Night 2 of the Creative Arts Emmys:

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Outstanding Casting For A Reality Program

The Amazing Race • CBS • WorldRace Productions, Inc.
Jesse Tannenbaum, Casting by
Alex Stiner, Casting by
Kayla Kellerbauer, Casting by
Pollyanna Jacobs, Casting by
Pedro Gomez, Casting by

WINNER: Love On The Spectrum • Netflix • Northern Pictures for Netflix
Cian O’Clery, Casting by
Sean Bowman, Casting by
Emma Choate, Casting by

Queer Eye • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix
Danielle Gervais, Casting by
Jessica Jorgensen, Casting by
Natalie Pino, Casting by
Brian Puentes, Casting by

RuPaul’s Drag Race • MTV • World of Wonder
Goloka Bolte, CSA, Casting by
Adam Cook, Casting by
Michelle Redwine, Casting by

Survivor • CBS • MGM Television
Jesse Tannenbaum, Casting by
Caitlin Moore, Casting by
Penni Lane Clifton, Casting by
Daniel Gradias, Casting by
Lisa Visagie, Casting by
Christian Estrada, Casting by

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Outstanding Choreography For Variety Or Reality Programming

The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar • Routines: Humble / Not Like Us • Fox • Roc Nation, DPS, Jesse Collins Entertainment and pgLang
Charm La’Donna, Choreographer

Beyoncé Bowl • Routines: My House / Sweet Honey Buckiin’ / Texas Hold ‘Em • Netflix • Jesse Collins Entertainment and Parkwood Entertainment for Netflix
Tyrik J. Patterson, Choreographer
Charm La’Donna, Choreographer
Christopher Grant, Choreographer
Parris Goebel, Choreographer

WINNER: The 67th Annual Grammy Awards • Routine: Doechii Musical Performance • CBS • A Fulwell Entertainment production in association with The Recording Academy
Robbie Blue, Choreographer

The Lion King At The Hollywood Bowl • Routine: He Lives In You • Disney+ • Disney Concerts, Fulwell 73 Productions, AMP Worldwide and Live Nation-Hewitt Silva, Disney Branded Television
Jamal Sims, Choreographer

The Oscars • Routines: James Bond Tribute Performance / Quincy Jones Tribute Performance • ABC • Academy of Motion Picture Arts and Sciences
Mandy Moore, Choreographer

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Outstanding Cinematography For A Nonfiction Program

Chef’s Table • Jamie Oliver • Netflix • Boardwalk Pictures and David Gelb Planetarium for Netflix
Adam Bricker, ASC, Director of Photography

WINNER: 100 Foot Wave • Chapter III – Cortes Bank • HBO | Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures
Michael Darrigade, Cinematography by
Vincent Kardasik, Cinematography by
Alexandre Lesbats, Cinematography by
Laurent Pujol, Cinematography by
Karl Sandrock, Cinematography by
Chris Smith, Cinematography by

Ren Faire • Daddy’s Dyin’, Who’s Got The Will? • HBO | Max • HBO Documentary Films presents a production of Elara Pictures in association with To Be Formed and Widow’s Peak
Nate Hurtsellers, Director of Photography

Tucci In Italy • Tuscany • National Geographic • BBC Studios Specialist Factual Productions and Salt Productions for National Geographic
Matt Ball, Director of Photography

Will & Harper • Netflix • A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production
Zoë White, ACS, Director of Photography

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Outstanding Cinematography For A Reality Program

The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc.
Joshua Gitersonke, Director of Photography
Bryan T. Adams, Camera
Kathryn Barrows, Camera
Kurt Carpenter, Camera
Petr Cikhart, Camera
Stephen A. Coleman, Camera
Diego J. Contreras, Camera
David D’Angelo, Camera
Matthew Di Girolamo, Camera
Adam Haisinger, Camera
Jamie Holland, Camera
Kevin R. Johnson, Camera
Jay Kaufman, Camera
Ian Kerr, CSC, Camera
Tim Laks, Camera
Regan Letourneau, Camera
Daniel Long, Camera
Lucas Kenna Mertes, Camera
Ryan Shaw, Camera Will Shipp, Camera
Holly Thompson, Camera
Alan Weeks, Camera

Life Below Zero • Series Body Of Work • National Geographic • BBC Studios Michael Cheeseman, Director of Photography
Danny Day, Director of Photography
Jason Hubbell, Director of Photography
Ben Mullin, Director of Photography
Charlie Beck, Director of Photography
Dwayne Fowler, Director of Photography
Jensen Walker, Director of Photography
Brian Bitterfeld, Director of Photography
Jeffrey Alexander, Camera
Tyler Colgan, Camera
Ashton Hurlburt, Camera
Jayce Kolinski, Camera Wayne Shockey, Camera

Love On The Spectrum • Episode 7 • Netflix • Northern Pictures for Netflix
Dave May, Cinematography by
Cian O’Clery, Cinematography by

Survivor • Series Body Of Work • CBS • MGM Television
Scott Duncan, Director of Photography
Peter Wery, Director of Photography
Russ Fill, Director of Photography
Cullum Andrews, Camera
Tim Barker, Camera
Marc Bennett, Camera
James Boon, Camera
Paulo Castillo, Camera
Rodney Chauvin, Camera
Chris Ellison, Camera
Ben Gamble, Camera
Nixon George, Camera
Marcus Hebbelmann, Camera
Derek Hoffmann, Camera
Matthias Hoffmann, Camera
Toby Hogan, Camera
Derek Holt, Camera
Efrain “Mofi” Laguna, Camera
Kyle McAuley, Camera
Ian Miller, Camera
Nico Nyoni, Camera
Paul Peddinghaus, Camera
Louis Powell, Camera
Thomas Pretorius, Camera
Erick Sarmiento, Camera
Dirk Steyn, Camera
John Tattersall, Camera
Holly Thompson, Camera
Paulo Velozo, Camera
Christopher Barker, Director of Aerial Photography
Granger Scholtz, Director of Aerial Photography
Nic Van Der Westhuizen, Aerial Camera Operator
Dwight Winston, Aerial Camera Operator
Kenny Hoffmann, Aerial Camera Operator

WINNER: The Traitors • Series Body Of Work • Peacock • Peacock Original, Studio Lambert
Siggi Rosen-Rawlings, Director of Photography
Matt Wright, Director of Photography
Will Antill, Camera
Jack Booth, Camera
Alex Bruno, Camera
Ned Ellis-Jones, Camera
Ollie Green, Camera
Quin Jessop, Camera
Guy Linton, Camera
Scott McKee, Camera
Joshua Montague, Camera
Steve Peters, Camera
Paul Rudge, Camera
James Spencer, Camera
Matt Thomson, Camera
Alex Took, Camera
Melvin Wright, Camera

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Outstanding Commercial

Batman Vs. Bateman – State Farm
Highdive, Ad Agency
Hungry Man, Production Company

The Boy & The Octopus – The Walt Disney Company
adam&eveDDB, Ad Agency
Hungry Man, Production Company

WINNER: Brian Cox Goes To College – Uber One for Students
Special US, Ad Agency

O Positive, Production Company
Flock – Apple Privacy
TBWAMedia Arts Lab, Ad Agency
Smuggler, Production Company

Heartstrings – Apple AirPods Pro
TBWAMedia Arts Lab, Ad Agency
Smuggler, Production Company

So Win. – Nike Wieden+Kennedy, Ad Agency
Somesuch, Production Company

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Outstanding Costumes For Variety, Nonfiction Or Reality Programming (Juried Category)

WINNER: Beyoncé Bowl • Netflix • Jesse Collins Entertainment and Parkwood Entertainment for Netflix
Beyoncé Knowles-Carter, Costume Designer
Shiona Turini, Costume Designer
Erica Rice, Assistant Costume Designer
Molly Peters, Assistant Costume Designer
Chelsea Staebell, Costume Supervisor
Timothy White, Head of Workroom

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Outstanding Directing For A Documentary/Nonfiction Program

Deaf President Now! • Apple TV+ • Apple / Concordia Studio
Nyle DiMarco, Directed by
Davis Guggenheim, Directed by

Ladies & Gentlemen… 50 Years Of SNL Music • NBC • Two One Five Entertainment, RadicalMedia, Broadway Video
Ahmir “Questlove” Thompson, Directed by
Oz Rodríguez, Directed by

WINNER: Pee-wee As Himself • HBO | Max • HBO Documentary Films presents an Elara & First Love Films production Matt Wolf, Directed by

Super/Man: The Christopher Reeve Story • HBO | Max • DC Studios presents in association with HBO Documentary Films and CNN Films in association with Words+Pictures, a Passion Pictures and Misfits Entertainment production in association with Jenco Films
Ian Bonhôte, Directed by
Peter Ettedgui, Directed by

Will & Harper • Netflix • A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production
Josh Greenbaum, Directed by

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Outstanding Directing For A Reality Program

The Amazing Race • It Smells Like The Desert • CBS • WorldRace Productions, Inc.
Bertram van Munster, Directed by

Love On The Spectrum • Episode 7 • Netflix • Northern Pictures for Netflix
Cian O’Clery, Directed by

RuPaul’s Drag Race • Squirrel Games • MTV • World of Wonder
Nick Murray, Directed by

Top Chef • Foraged In Fire • Bravo • Magical Elves
Ariel Boles, Directed by

WINNER: The Traitors • Let Battle Commence • Peacock • Peacock Original, Studio Lambert
Ben Archard, Directed by

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Outstanding Directing For A Variety Series

The Daily Show • Jon Stewart Delivers A Mug-Smashing Take On Musk’s DOGE • Comedy Central • Hello Doggie, Inc.
David Paul Meyer, Directed by

Jimmy Kimmel Live! • Anthony Mackie, Lizzy Caplan, And Musical Guest Bartees Strange • ABC • 20th Television in association with Kimmelot
Andy Fisher, Directed by

Last Week Tonight With John Oliver • India Elections • HBO | Max • HBO in association with Peyance Productions and Avalon Television
Paul Pennolino, Directed by

WINNER: The Late Show With Stephen Colbert • David Oyelowo, Finn Wolfhard, Special Appearance By Alan Cumming, Performance By Ok Go • CBS • CBS Studios
Jim Hoskinson, Directed by

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Outstanding Directing For A Variety Special

The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar • FOX • Roc Nation, DPS, Jesse Collins Entertainment and pgLang
Hamish Hamilton, Directed by

Beyoncé Bowl • Netflix • Jesse Collins Entertainment and Parkwood Entertainment for Netflix
Beyoncé Knowles-Carter, Directed by
Alex Rudzinski, Directed by

The Oscars • ABC • Academy of Motion Picture Arts and Sciences
Hamish Hamilton, Directed by

WINNER: SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Liz Patrick, Directed by

SNL50: The Homecoming Concert • Peacock • SNL Studios in association with Universal Television and Broadway Video
Beth McCarthy Miller, Directed by

77th Annual Tony Awards • CBS • White Cherry Entertainment
Glenn Weiss, Directed by

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Outstanding Documentary Or Nonfiction Series

Chef’s Table • Netflix • Boardwalk Pictures and David Gelb Planetarium for Netflix
Andrew Lloyd Bank, Producer
Michael Hilliard, Producer
Drew Palombi, Producer
Talin P. Middleton, Producer
David Gelb, Executive Producer
Andrew Fried, Executive Producer
Brian McGinn, Executive Producer
Danny O’Malley, Executive Producer
Dane Lillegard, Co-Executive Producer

WINNER: 100 Foot Wave • HBO | Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures
Vincent Kardasik, Producer
Ryan Heller, Executive Producer
Michael Bloom, Executive Producer
Maria Zuckerman, Executive Producer
Zach Rothfeld, Executive Producer
Joe Lewis, Executive Producer
Chris Smith, Executive Producer
Nancy Abraham, Executive Producer
Lisa Heller, Executive Producer
Bentley Weiner, Executive Producer

Simone Biles Rising • Netflix • Religion of Sports in association with the Olympic Channel for Netflix
Jemele Hill, Producer
Gotham Chopra, Executive Producer
Giselle Parets, Executive Producer
Ameeth Sankaran, Executive Producer
Janey Miller, Executive Producer
Yiannis Exarchos, Executive Producer
JT Taylor, Executive Producer
Katie Walsh, Executive Producer
Jérôme Parmentier, Executive Producer
David Herren, Executive Producer

SNL50: Beyond Saturday Night • Peacock • Peacock Original, Tremolo Productions
Jonathan Formica, Producer
Allison Klein, Producer
Morgan Neville, Executive Producer
Caitrin Rogers, Executive Producer
Juaquin Cambron, Executive Producer
Nora Chute, Supervising Producer
Darling Higgins, Line Producer
Zach Greenspan, Line Producer

Social Studies • FX on Hulu • Institute and FX Productions
Lauren Greenfield, Produced by/Executive Producer
Frank Evers, Produced by/Executive Producer
Wallis Annenberg, Executive Producer
Regina K. Scully, Executive Producer
Andrea Van Beuren, Executive Producer
Caryn Capotosto, Executive Producer
Julie Frankel, Supervising Producer
Jennifer Kobzik, Line Producer

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Outstanding Documentary Or Nonfiction Special

Deaf President Now! • Apple TV+ • Apple / Concordia Studio
Amanda Rohlke, Produced by
Davis Guggenheim, Produced by
Jonathan King, Produced by
Nyle DiMarco, Produced by
Michael Harte, Produced by
Wayne Betts Jr., Producer
Laurene Powell Jobs, Executive Producer

Martha • Netflix • A Netflix Documentary / A This Machine Production
R.J. Cutler, Produced by
Trevor Smith, Produced by
Jane Cha Cutler, Produced by
Alina Cho, Produced by
Austin Wilkin, Produced by
Elise Pearlstein, Executive Producer
Mark Blatty, Executive Producer

WINNER: Pee-wee As Himself • HBO | Max • HBO Documentary Films presents an Elara & First Love Films production
Emma Tillinger Koskoff, Producer/Executive Producer
Matt Wolf, Executive Producer
Ronald Bronstein, Executive Producer
Benny Safdie, Executive Producer
Josh Safdie, Executive Producer
Paul Reubens, Executive Producer
Candace Tomarken, Executive Producer

Sly Lives! (Aka The Burden Of Black Genius) • Hulu • MRC, Network Entertainment Inc., Two One Five Entertainment Inc., RadicalMedia, Stardust Films LLC, ID8 Multimedia Inc., and Sony Music Entertainment
Joseph Patel, Produced by
Derik Murray, Produced by
Amit Dey, Executive Producer
Ahmir “Questlove” Thompson, Executive Producer
Zarah Zohlman, Executive Producer
Shawn Gee, Executive Producer

Will & Harper • Netflix • A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production
Rafael Marmor, Produced by
Christopher Leggett, Produced by
Will Ferrell, Produced by
Jessica Elbaum, Produced by
Josh Greenbaum, Produced by

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Outstanding Emerging Media Program

Impulse: Playing With Reality • META • Anagram, Floréal, France Télévisions, META, Agog, CNC
Anagram
Floréal
META
France Télévisions
Agog

Shawn Mendes: Red Rocks Live In VR • META Quest • META, Dorsey Pictures, Light Sail VR, 7 Cinematics META
Dorsey Pictures
Light Sail VR
7 Cinematics

WINNER: SNL 50th The Anniversary Special: Immersive Experience • META Quest • SNL Studios in association with Universal Television and Broadway Video, NBC, META, Light Sail VR
Lorne Michaels, Executive Producer
Michael DeProspo, Producer
Michael Scogin, Producer
Rick Rey, Producer
Matthew Celia, Director

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Exceptional Merit In Documentary Filmmaking

I Am: Celine Dion • Prime Video • Amazon MGM Studios, Sony Music Entertainment, Vermilion Films
Tom Mackay, Produced by
Julie Begey Seureau, Produced by
Irene Taylor, Produced by
Dave Platel, Executive Producer
Denis Savage, Executive Producer
Shane Carter, Executive Producer
Krista Wegener, Executive Producer

WINNER: Patrice: The Movie • Hulu • All Ages Productions, ABC News Studios, ESS Projects, Cedar Road
Ted Passon, Director & Executive Producer
Kyla Harris, Producer
Innbo Shim, Producer
Emily Spivack, Producer
David Sloan, Senior Executive Producer
Claire Weinraub, Executive Producer
Poh Si Teng, Executive Producer

The Remarkable Life Of Ibelin • Netflix • Medieoperatørene and VGTV for Netflix
Benjamin Ree, Director
Ingvil Giske, Producer

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Outstanding Game Show

Celebrity Family Feud • ABC • Fremantle
Myeshia Mizuno, Executive Producer
Steve Harvey, Executive Producer
Jim Roush, Executive Producer
Sara Dansby, Executive Producer
Brian Hawley, Executive Producer
Melissa Watkins Trueblood, Co-Executive Producer
Stephanie Yoshimura, Supervising Producer
Mary Lou Browne, Producer
Maxim Caradonna, Producer
Sydney Smith, Producer
Stephen Dukes, Senior Producer
Bryce Keigley, Senior Producer
Michele Roth, Senior Producer

WINNER: Jeopardy! • ABC/Syndicated • Quadra Productions in association with Sony Pictures Television
Michael Davies, Executive Producer
Bari Jean Dorman, Co-Executive Producer/Producer
Sarah Whitcomb Foss, Producer
Billy Wisse, Co-Head Writer & Editorial Producer
Michele Loud, Co-Head Writer & Editorial Producer
Marcus Brown, Writer
John Duarte, Writer
Mark Gaberman, Writer
Debbie Griffin, Writer
Robert McClenaghan, Writer
Jim Rhine, Writer
Steve Tamerius, Writer

The Price Is Right • CBS • Fremantle
Evelyn Warfel, Executive Producer
Taline Kevoian, Co-Executive Producer
Gina Sprehe, Supervising Producer
Chris Donnan, Senior Producer
Brandi Bryce, Senior Producer
Jill Salama, Senior Producer

Wheel Of Fortune • ABC/Syndicated • Quadra Productions and Sony Pictures Studios
Bellamie Blackstone, Executive Producer
Genna Gintzig, Co-Executive Producer
Amanda Stern, Supervising Producer
Randy Berke, Producer
Brooke Eaton, Producer
Rob Roman, Producer
Andrew Schotz, Producer

Who Wants To Be A Millionaire • ABC • Sony Pictures Television, Embassy Row, and Kimmelot
Michael Davies, Executive Producer
Jimmy Kimmel, Executive Producer
Bobby Patton, Co-Executive Producer and Head Writer
Bari Jean Dorman, Co-Executive Producer
Colleen Bulger, Supervising Producer
Derek Miller, Producer
Kyle Beakley, Writer
Amy Ozols, Writer
Ellen Teitel, Writer
David Levinson Wilk, Writer
Josh Halloway, Writer
Jesse Joyce, Writer
Kevin Kimmel, Writer

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Outstanding Hairstyling For A Variety, Nonfiction Or Reality Program

American Idol • Finale • ABC • Fremantle and 19 Entertainment
Dean Banowetz, Department Head Hairstylist
Amber Maher, Key Hairstylist
Cory Rotenberg, Additional Hairstylist
Ryan Randall, Additional Hairstylist
Kathleen Leonard, Additional Hairstylist
Theresa K. Casillas, Additional Hairstylist
Lorenzo Martin, Personal Hairstylist
Jayson Stacy, Personal Hairstylist

The Boulet Brothers’ Dragula • Welcome To Hell • Shudder • A Boulet Brothers production in association with Shudder
Marco Gabellini, Hairstylist

Dancing With The Stars • Halloween Nightmares • ABC • BBC Studios Los Angeles Productions
Kimi Messina, Department Head Hairstylist
Joe Matke, Key Hairstylist
Marion Rogers, Hairstylist
Amber Maher, Hairstylist
Florence Witherspoon, Hairstylist
Brittany Spaulding, Hairstylist
Melanie Ervin, Hairstylist

Fantasmas • The Void • HBO | Max • HBO in association with Irony Point, Fruit Tree, 3 Arts Entertainment, and Space Prince Inc.
Amber Jasmin Morrow, Department Head Hairstylist
Allison Imoto-Suh, Key Hairstylist
Naomi Indira, Barber

WINNER: SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Jodi Mancuso, Department Head Hairstylist
Cara Hannah, Key Hairstylist
Inga Thrasher, Hairstylist
Amanda Duffy Evans, Hairstylist
Chad Harlow, Hairstylist
Gina Ferrucci, Hairstylist
Brittany Hartman, Hairstylist
Katie Beatty, Hairstylist

The Voice • Live Semi-Final Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc.
Jerilynn Stephens, Department Head Hairstylist
Darbie Wieczorek, Key Hairstylist
Marion Rogers, Hairstylist
Kathleen Leonard, Hairstylist
Dominique Diaz, Personal Hairstylist
Conrad Hilton, Barber

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Outstanding Host For A Game Show

Press Your Luck • ABC • Fremantle
Elizabeth Banks, Host

Celebrity Family Feud • ABC • Fremantle
Steve Harvey, Host

Jeopardy! • ABC/Syndicated • Quadra Productions in association with Sony Pictures Television
Ken Jennings, Host

Pop Culture Jeopardy! • Prime Video • Quadra Productions in association with Sony Pictures Television
Colin Jost, Host

WINNER: Who Wants To Be A Millionaire • ABC • Sony Pictures Television, Embassy Row, and Kimmelot
Jimmy Kimmel, Host

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Outstanding Host For A Reality Or Reality Competition Program

RuPaul’s Drag Race • MTV • World of Wonder
RuPaul Charles, Host

Shark Tank • ABC • MGM Television in association with Sony Pictures Television Mark Cuban, Host
Lori Greiner, Host
Kevin O’Leary, Host
Barbara Corcoran, Host
Robert Herjavec, Host
Daymond John, Host
Daniel Lubetzky, Host

WINNER: The Traitors • Peacock • Peacock Original, Studio Lambert
Alan Cumming, Host

Top Chef • Bravo • Magical Elves
Kristen Kish, Host

Survivor • CBS • MGM Television
Jeff Probst, Host

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Outstanding Hosted Nonfiction Series Or Special

WINNER: Conan O’Brien Must Go • HBO | Max • Max in association with Conaco
Conan O’Brien, Executive Producer/Host
Jeff Ross, Executive Producer
José Arroyo, Producer
Jason Chillemi, Producer
Sarah Federowicz, Producer
Jessie Gaskell, Producer
Mike Sweeney, Producer
Aaron Bleyaert, Supervising Producer
Jordan Schlansky, Supervising Producer
Matthew Shaw, Series Producer

The Daily Show Presents: Jordan Klepper Fingers The Pulse: MAGA: The Next Generation • Comedy Central • Hello Doggie, Inc.
Jordan Klepper, Executive Producer/Host
Abby Arora, Producer
Jessie Kanevsky, Producer
Ian Berger, Executive Producer
Jennifer Flanz, Executive Producer
Zhubin Parang, Co-Executive Producer
Sushil Dayal, Supervising Producer
Lisa Cortez, Line Producer

Finding Your Roots With Henry Louis Gates, Jr. • PBS • A production of McGee Media, Inkwell Media and Kunhardt Films, in association with WETA Washington, D.C.
Kevin Burke, Producer
CeCe Moore, Producer
Henry Gates Jr., Executive Producer/Host
Dyllan McGee, Executive Producer
Peter Kunhardt, Executive Producer
Deborah Porfido, Supervising Producer
Sabin Streeter, Senior Producer
Natalia Warchol, Series Producer
Robert Yacyshyn, Line Producer

My Next Guest Needs No Introduction With David Letterman • Netflix • Jax Media and Worldwide Pants, Inc. for Netflix
Tommy Alter, Producer
John Nemeth, Producer
Isabel Richardson, Producer
Tom Keaney, Executive Producer
Mary Barclay, Executive Producer
Michael Steed, Executive Producer
Séamus Murphy-Mitchell, Executive Producer
Justin Wilkes, Executive Producer
Jake Fuller, Executive Producer
Halavah Sofsky, Line Producer

Tucci In Italy • National Geographic • BBC Studios Specialist Factual Productions and Salt Productions for National Geographic
Francesco Ficarra, Producer
Yari Lorenzo, Producer
Stanley Tucci, Executive Producer/Host
Lottie Birmingham, Executive Producer
Amanda Lyon, Executive Producer
Simon Raikes, Executive Producer
Ben Jessop, Co-Executive Producer
Mandy Weller, Line Producer
Stephanie Stoltzfus, Line Producer

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Outstanding Innovation In Emerging Media Programming (Juried Category)

WINNER: White Rabbit • Shibuya.Film • Shibuya
Maciej Kuciara, Director/Writer/Production Designer
Emily Yang, Director/Writer
Shibuya

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Outstanding Lighting Design/Lighting Direction For A Series

American Idol • Songs Of Faith • ABC • Fremantle and 19 Entertainment
Tom Sutherland, Lighting Designer
James Coldicott, Lighting Director
Hunter Selby, Lighting Director
Andrew Law, Lighting Director
Nathan Files, Lighting Director
Chris Roseli, Gaffer
Matt McAdam, Media Server Programmer
Luke Chantrell, Video Controller
Ed Moore, Video Controller

Dancing With The Stars • Semi-Finals • ABC • BBC Studios Los Angeles Productions
Noah Mitz, Lighting Designer
Madigan Stehly, Lighting Director
Patrick Brazil, Lighting Director
Joe Holdman, Lighting Director
Hannah Kerman, Lighting Director
William Gossett, Lighting Director
Matt Benson, Chief Lighting Technician
Matt McAdam, Media Server Programmer
Ed Moore, Video Controller
Kevin Faust, Video Controller

RuPaul’s Drag Race • The Wicked Wiz Of Oz: The Rusical! • MTV • World of Wonder
Gus Dominguez, Lighting Designer
Thomas Schneider, Moving Light Programmer
Darren Barrows, Media Server Programmer
Steve Moreno, Gaffer

WINNER: Saturday Night Live • Host: Lady Gaga • NBC • SNL Studios in association with Universal Television and Broadway Video
Geoffrey Amoral, Lighting Director
Rick McGuinness, Lighting Director
William McGuinness, Chief Lighting Technician
Trevor Brown, Moving Light Programmer
Tim Stasse, Moving Light Programmer
Frank Grisanti, Video Controller
Reginald Campbell, Video Controller

The Voice • Live Finale (Part 1) • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer
Ronald Wirsgalla, Lighting Director
Erin Anderson, Lighting Director
Vanessa Arciga, Lighting Director
Andrew Munie, Media Server Programmer
Jeff Shood, Media Server Programmer
Terrance Ho, Video Controller

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Outstanding Lighting Design/Lighting Direction For A Special

WINNER: The 67th Annual Grammy Awards • CBS • A Fulwell Entertainment production in association with The Recording Academy
Noah Mitz, Lighting Designer
Andy O’Reilly, Lighting Director
Patrick Boozer, Lighting Director
Ryan Tanker, Lighting Director
Erin Anderson, Lighting Director
Madigan Stehly, Lighting Director
William Gossett, Lighting Director
Bryan Klunder, Lighting Director
Hannah Kerman, Lighting Director
Matt Benson, Lighting Director
Matthew Cotter, Media Server Programmer
Guy Jones, Video Controller
Kevin Faust, Video Controller

2024 Rock & Roll Hall Of Fame Induction Ceremony • ABC • Tenth Planet Productions
Allen Branton, Lighting Designer
Felix Peralta, Lighting Director
Kevin Lawson, Lighting Director
George Gountas, Lighting Director
Bianca Moncada, Media Server Programmer
Alex Flores, Gaffer
Guy Jones, Video Controller
J.C. Castro, Video Controller

SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Geoffrey Amoral, Lighting Director
Rick McGuinness, Lighting Director
William McGuinness, Chief Lighting Technician
Trevor Brown, Moving Light Programmer
Tim Stasse, Moving Light Programmer
Frank Grisanti, Video Controller
Reginald Campbell, Video Controller

SNL50: The Homecoming Concert • Peacock • SNL Studios in association with Universal Television and Broadway Video
Tom Sutherland, Lighting Designer
Harry Forster, Lighting Director
Hunter Selby, Lighting Director
Bobby Grey, Moving Light Programmer
Ryan Tanker, Moving Light Programmer
Chris Roseli, Gaffer
Matt Cotter, Media Server Programmer
JM Hurley, Video Controller
Bob Benedetti, Video Controller

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Outstanding Makeup For A Variety, Nonfiction Or Reality Program

The Boulet Brothers’ Dragula • Welcome To Hell • Shudder • A Boulet Brothers production in association with Shudder
The Boulet Brothers, Makeup Artist

Dancing With The Stars • Halloween Nightmares • ABC • BBC Studios Los Angeles Productions
Zena S. Green, Department Head Makeup Artist
Julie Socash, Key Makeup Artist
Donna Bard, Additional Makeup Artist
Lois Harriman, Additional Makeup Artist
Brian Sipe, Additional Makeup Artist
James MacKinnon, Additional Makeup Artist
Tyson Fountaine, Additional Makeup Artist
Angela Moos, 3rd Makeup

The Lion King At The Hollywood Bowl • Disney+ • Disney Concerts, Fulwell 73 Productions, AMP Worldwide and Live Nation- Hewitt Silva, Disney Branded Television
Bruce Grayson, Department Head Makeup Artist
Jill Cady, Assistant Department Head Makeup Artist
Brielle McKenna, Makeup Artist
James Mackinnon, Makeup Artist
Rochelle Uribe, Makeup Artist
Tyson Fountaine, Makeup Artist
Angela Wells, Makeup Artist

A Nonsense Christmas With Sabrina Carpenter • Netflix • OBB Pictures, At Last Productions for Netflix
Diana Oh, Key Makeup Artist
Vanessa Dionne, Makeup Artist
Alicia Carbajal, Makeup Artist
Ashley Joy Beck, Makeup Artist
Carolina Gonzalez, Personal Makeup Artist

RuPaul’s Drag Race • Bitch, I’m A Drag Queen! • MTV • World of Wonder
Natasha Marcelina, Department Head Makeup Artist
David Petruschin, Department Head Makeup Artist
Jen Fregozo, Makeup Artist
Nicole Faulkner, Makeup Artist

WINNER: SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Louie Zakarian, Department Head Makeup Artist
Jason Milani, Key Makeup Artist
Amy Tagliamonti, Key Makeup Artist
Rachel Pagani, Makeup Artist
Young Bek, Makeup Artist
Stephen Kelley, Makeup Artist
Joanna Pisani, Makeup Artist

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Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score)

The Americas • Andes • NBC • BBC Studios Natural History Unit in association with Universal Television Alternative Studio
Hans Zimmer, Composer
Anže Rozman, Composer
Kara Talve, Composer

WINNER: Chef’s Table • José Andrés • Netflix • Boardwalk Pictures and David Gelb Planetarium for Netflix
Duncan Thum, Composer
David Bertok, Composer

Leonardo Da Vinci • PBS • Florentine Films & WETA
Caroline Shaw, Composer

Planet Earth: Asia • Beneath The Waves • BBC America • A BBC Studios Natural History Unit production co-produced with BBC America and ZDF for BBC
Jacob Shea, Composer
Laurentia Editha, Composer

Super/Man: The Christopher Reeve Story • HBO | Max • DC Studios presents in association with HBO Documentary Films and CNN Films in association with Words+Pictures, a Passion Pictures and Misfits Entertainment production in association with Jenco Films
Ilan Eshkeri, Composer

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Outstanding Music Direction

WINNER: The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar • FOX • Roc Nation, DPS, Jesse Collins Entertainment and pgLang
Kendrick Lamar, Music Director
Tony Russell, Music Director

The Kennedy Center Honors • CBS • Done + Dusted in association with Rok Productions
Rickey Minor, Music Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences
Michael Bearden, Music Director

SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Lenny Pickett, Music Director
Leon Pendarvis, Music Director
Eli Brueggemann, Music Director

SNL50: The Homecoming Concert • Peacock • SNL Studios in association with Universal Television and Broadway Video
James Poyser, Music Director
Ahmir “Questlove” Thompson, Music Director

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Outstanding Narrator

Planet Earth: Asia • The Frozen North • BBC America • A BBC Studios Natural History Unit production co-produced with BBC America and ZDF for BBC
Sir David Attenborough, Narrator

Erased: WW2’s Heroes Of Color • D-Day • National Geographic • October Films, 22 Summers
Idris Elba, Narrator

The Americas • Andes • NBC • BBC Studios Natural History Unit in association with Universal Television Alternative Studio
Tom Hanks, Narrator

WINNER: Our Oceans • Indian Ocean • Netflix • A Netflix Documentary Series / A Wild Space Production in association with Freeborne Media and Higher Ground
Barack Obama, Narrator

Octopus! • Part 1 • Prime Video • Amazon MGM Studios, Jigsaw Productions, Wells Street Films
Phoebe Waller-Bridge, Narrator

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Outstanding Picture Editing For A Nonfiction Program

Chimp Crazy • Gone Ape • HBO | Max • HBO Documentary Films presents A Goode Films Production
Evan Wise, ACE, Supervising Editor
Charles Divak, ACE, Editor
Adrienne Gits, ACE, Editor
Doug Abel, ACE, BFE, Editor
Sascha Stanton-Craven, Additional Editor

Ladies & Gentlemen… 50 Years Of SNL Music • NBC • Two One Five Entertainment, RadicalMedia, Broadway Video
James Lester, Editor
Oz Rodríguez, Editor
F. Michael Young, Additional Editor

WINNER: Pee-wee As Himself • HBO | Max • HBO Documentary Films presents an Elara & First Love Films production
Damian Rodriguez, Editor

SNL50: Beyond Saturday Night • More Cowbell • Peacock • Peacock Original, Tremolo Productions
Cori Wapnowska, ACE, Editor

Super/Man: The Christopher Reeve Story • HBO | Max • DC Studios presents in association with HBO Documentary Films and CNN Films in association with Words+Pictures, a Passion Pictures and Misfits Entertainment production in association with Jenco Films
Otto Burnham, Editor

Will & Harper • Netflix • A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production
Monique Zavistovski, ACE, Editor
Lori Lovoy-Goran, Additional Editor

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Outstanding Picture Editing For A Structured Reality Or Competition Program

The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc.
Eric Beetner, Editor
Kevin Blum, Editor
Kellen Cruden, Editor
Christina Fontana, Editor
Jay Gammill, Editor
Eric Goldfarb, Editor
Katherine Griffin, Editor
Jason Groothuis, Editor
Darrick Lazo, Editor
Ryan Leamy, Editor
Josh Lowry, Editor
Steve Mellon, Editor
Michelle Ivan Messina, Editor
Paul Nielsen, Editor
Steven Urrutia, Editor

Queer Eye • She Was A Showgirl • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix
Jennifer Roth, Lead Editor
Mickala Andres, Editor
Carlos J. Gamarra, Editor
Nova Taylor, Editor

RuPaul’s Drag Race • Squirrel Games • MTV • World of Wonder
Jamie Martin, ACE, Lead Editor
Paul Cross, Editor
Ryan Mallick, Editor
Michael Roha, Editor

WINNER: The Traitors • Let Battle Commence • Peacock • Peacock Original, Studio Lambert
Patrick Owen, Lead Editor
James Seddon-Brown, Editor

The Voice • Series Body Of Work • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc.
Sean Basaman, Supervising Editor
John M. Larson, ACE, Supervising Editor
Robert M. Malachowski JR., ACE, Supervising Editor
Matt Antell, Editor
John Baldino, Editor
Matthew Blair, Editor
Melissa Silva Borden, Editor
William Fabian Castro, Editor
Norwood Cheek, Editor
Andrew Ciancia, Editor
A.J. Dickerson, ACE, Editor
Nicholas Don Vito, Editor
Glen Ebesu, Editor
Rick Enrique, Editor
Greg Fitzsimmons, Editor
Stephen Frederick, Editor
Brian Freundlich, Editor
Jason Groothuis, Editor
Noel A. Guerra, ACE, Editor
John Homesley, Editor
Omega Hsu, ACE, Editor
Niki Hunter, Editor
Ryan P. James, Editor
Lise Kearney, Editor
Alyssa Dressman Lehner, Editor
Terri Maloney, Editor
James J. Munoz, Editor
Barry Murphy, Editor
Jonathan Provost, Editor
Rich Remis, Editor
Robby Thompson, Editor
Matt Wafaie, Editor
Eric Wise, Editor

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Outstanding Picture Editing For An Unstructured Reality Program

Deadliest Catch • Series Body Of Work • Discovery Channel • Original Productions, LLC for Discovery Channel
Rob Butler, ACE, Supervising Editor
Isaiah Camp, ACE, Supervising Editor
Josh Stockero, Editor
Alexander Rubinow, ACE, Editor
Hugh Elliott, Editor
Nico Natale, Additional Editor
Brock Carter, Additional Editor
Christopher James Forrest, Additional Editor
Chris Courtner, Additional Editor

Life Below Zero • The Last Snow • National Geographic • BBC Studios Matt Edwards, Editor
Matt Mercer, Editor
Jennifer Nelson, ACE, Editor
Michael Swingler, Editor
Tanner Roth, Editor

Love On The Spectrum • Episode 7 • Netflix • Northern Pictures for Netflix
Leanne Cole, Editor
Rachel Grierson-Johns, Editor
Gretchen Peterson, Editor
John Rosser, Editor

RuPaul’s Drag Race: Untucked • Drag Baby Mamas • MTV • World of Wonder Miguel Siqueiros, Lead Editor
Jimmy Bazan, Editor
Johanna Gavard, Editor

WINNER: Welcome To Wrexham • Down To The Wire • FX on Hulu • More Better Productions, Maximum Effort, 3 Arts Entertainment and Boardwalk Pictures
Sam Fricke, Editor
Jenny Krochmal, Editor
Mohamed el Manasterly, Editor
Michael Oliver, Editor
Tim Roche, Editor
Matt Wafaie, Editor
Steve Welch, ACE, Editor
Tim Wilsbach, ACE, Editor

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Outstanding Picture Editing For Variety Programming

Ali Wong: Single Lady • Netflix • Irwin Entertainment for Netflix
Sean Hubbert, Supervising Editor

Bill Burr: Drop Dead Years • Hulu • All Things Comedy
Kelly Lyon, ACE, Editor

Conan O’Brien: The Kennedy Center Mark Twain Prize For American Humor • Netflix • Done + Dusted and The John F. Kennedy Center for the Performing Arts for Netflix
Bill DeRonde, Editor
Timothy Schultz, Editor

WINNER: Cunk On Life • Netflix • A Broke & Bones production for BBC Two and BBC iPlayer and Netflix
Damon Tai, Lead Editor
Jason Boxall, Additional Editor

Your Friend, Nate Bargatze • Netflix • John Irwin Entertainment and Nateland Entertainment for Netflix
Sean Hubbert, Editor

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Outstanding Picture Editing For Variety Programming (Segment)

The Daily Show • The Dailyshowography Of Kamala Harris: Just Normal (segment) • Comedy Central • Hello Doggie, Inc.
Lauren Beckett Jackson, Editor

The Daily Show • The Dailyshowography Of Stephen Miller: What He Does In The Shadows (segment) • Comedy Central • Hello Doggie, Inc.
Storm Choi, Series Editor

Last Week Tonight With John Oliver • Facebook Content Moderation (segment) • HBO | Max • HBO in association with Peyance Productions and Avalon Television
Anthony Miale, ACE, Senior Editor

Last Week Tonight With John Oliver • That Stuff’s American (segment) • HBO | Max • HBO in association with Peyance Productions and Avalon Television
Ryan Barger, Senior Editor

WINNER: SNL50: The Anniversary Special • Physical Comedy (segment) • NBC • SNL Studios in association with Universal Television and Broadway Video
Ryan Spears, Film Unit Editor
Paul Del Gesso, Film Unit Editor
Christopher Salerno, Film Unit Editor
Daniel Garcia, Editor
Sean McIlraith, Editor
Ryan McIlraith, Editor

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Outstanding Production Design For A Variety Special

Beyoncé Bowl • Netflix • Jesse Collins Entertainment and Parkwood Entertainment for Netflix
Willo Perron, Production Designer
Brian Stonestreet, Production Designer
Gloria Lamb, Art Director
Jonathan Stoller-Schoff, Art Director
Marina Skye, Art Director

The 67th Annual Grammy Awards • CBS • A Fulwell Entertainment production in association with The Recording Academy
Julio Himede, Production Designer
Kristen Merlino, Art Director
Gloria Lamb, Art Director
Ellen Jaworski, Art Director
Margaux Lapresle, Art Director
Kaydee Lavorin, Set Decorator

WINNER: The Oscars • ABC • Academy of Motion Picture Arts and Sciences
Misty Buckley, Production Designer
Alana Billingsley, Production Designer
John Zuiker, Art Director
Margaux Lapresle, Art Director

SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Akira Yoshimura, Production Designer
N. Joseph DeTullio, Production Designer
Patrick Lynch, Art Director
Melissa Shakun, Art Director
Charlotte Hayes Harrison, Art Director
Sabrina Lederer, Set Decorator

SNL50: The Homecoming Concert • Peacock • SNL Studios in association with Universal Television and Broadway Video
Keith Ian Raywood, Production Designer
Anthony Bishop, Supervising Art Director
Aaron Black, Art Director

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Outstanding Production Design For A Variety Or Reality Series

The Daily Show • Jon Stewart & The News Team Live At The Chicago DNC • Comedy Central • Hello Doggie, Inc.
Dave Edwards, Production Designer
Lauren Browning, Art Director

Jimmy Kimmel Live! • The Chanucorn & Hawk Tuah Girl’s Romantic Holiday Movie; Ft. Nikki Glaser, Nicholas Hoult, And Musical Guest Broadway Musical: “The Outsiders” • MAGA Elf On A Shelf; Ft. Josh Brolin, Clarence Maclin, And Musical Guest Raye • Jimmy Kimmel’s Aunt Chippy Meets Oscar The Grouch; Ft. Justin Theroux, Antoni Porowski And Musical Guest Sia • ABC • 20th Television in association with Kimmelot
David Ellis, Production Designer
Hillarie Brigode, Art Director
Heidi Miller, Set Decorator

Last Week Tonight With John Oliver • Mass Deportations • HBO | Max • HBO in association with Peyance Productions and Avalon Television
Eric Morrell, Production Designer
Hugh Zeigler, Production Designer
Amanda Carzoli, Art Director

RuPaul’s Drag Race • RDR Live! • MTV • World of Wonder
Jen Chu, Production Designer
Gavin Smith, Art Director

WINNER: Saturday Night Live • Host: Lady Gaga • NBC • SNL Studios in association with Universal Television and Broadway Video
Akira Yoshimura, Production Designer
Keith Ian Raywood, Production Designer
N. Joseph DeTullio, Production Designer
Andrea Purcigliotti, Production Designer
Patrick Lynch, Art Director
Sara Parks, Set Decorator

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Outstanding Short Form Comedy, Drama Or Variety Series

WINNER: The Daily Show: Desi Lydic Foxsplains • YouTube • Hello Doggie, Inc.
Desi Lydic, Executive Producer/Host
Jennifer Flanz, Executive Producer
Ramin Hedayati, Co-Executive Producer
Jocelyn Conn, Producer
Matt Negrin, Produced by
Jason Gilbert, Produced by

Late Night With Seth Meyers Corrections • NBC • Universal Television LLC, Sethmaker Shoemeyers Productions
Seth Meyers, Executive Producer/Host
Mike Shoemaker, Executive Producer

The Rabbit Hole With Jimmy Kimmel • YouTube • 20th Television in association with Kimmelot
Jimmy Kimmel, Executive Producer/Host
Danny Ricker, Co-Executive Producer
Jesse Joyce, Producer
Jonathan Kimmel, Producer
Sarah Robe, Producer
Jason Bielski, Producer

The Tonight Show: During Commercial Break • YouTube • Universal Television, Broadway Video, Electric Hot Dog
Nick Dyer, Supervising Producer
Sarah Connell, Supervising Producer
Jimmy Fallon, Producer/Host
Chris Miller, Producer
Joseph Ferraro, Produced by
Erin Clewell, Produced by

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Outstanding Short Form Nonfiction Or Reality Series

WINNER: Adolescence: The Making Of Adolescence • Netflix • Once Upon A Time/Netflix
Kelly Caton, Supervising Producer
Jordan Anderson, Producer
Bram De Jonghe, Producer
Kia Milan, Producer
Nyle Washington, Producer
Simon Richards, Producer

Hacks: Bit By Bit • HBO | Max • HBO Marketing AV and HBO | Max
John Wilhelmy, Executive Producer
Jordan Barker, Co-Executive Producer
Christy Castellano, Co-Executive Producer
Aliya Carter, Produced by
Erin Denniston, Senior Producer
Pablo Herrero, Senior Producer

Making Of The Last Of Us • HBO | Max • HBO in association with Sony Pictures Television, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Badger Denehy, Executive Producer
Eddie Maldonado, Executive Producer
Sarah Mangum, Executive Producer
Montres Henderson, Executive Producer
Lindsay Nowak, Executive Producer
Chris Harnick, Executive Producer

Only Murders In The Building: Unlocking The Mystery • Hulu • Hulu
Shannon Ryan, Executive Producer
Aaron Goldman, Executive Producer
Trisha Choate, Executive Producer
Jillian Novak, Executive Producer
Xavier Salas, Executive Producer
Steve Pollard, Executive Producer

The White Lotus: Unpacking The Episode • HBO | Max • HBO in association with Rip Cord and MC Pictures
Natalia Echeverria, Executive Producer
Jim Weiner, Executive Producer
Stephanie Piotrowski, Producer
Khalid West, Producer
Sarah Khan, Senior Producer
Maggie Glass, Senior Producer

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Outstanding Sound Editing For A Nonfiction Or Reality Program

Beatles ’64 • Disney+ • Apple Corps Ltd.
Philip Stockton, Supervising Sound Editor
Allan Zaleski, Sound Effects Editor
John M. Davis, Music Editor

WINNER: Music By John Williams • Disney+ • Walt Disney Studios Motion Pictures
Dmitri Makarov, Dialogue Editor
Tim Farrell, Sound Effects Editor
Richard Gould, Sound Effects Editor
Ramiro Belgardt, Music Editor

100 Foot Wave • Chapter III – Cortes Bank • HBO | Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures
Kevin Senzaki, MPSE, Sound Designer/Sound Effects Editor
Eric Di Stefano, Sound Designer/Sound Effects Editor
Max Holland, Dialogue Editor
Eli Akselrod, Sound Effects Editor
Mika Anami, Sound Effects Editor

Pee-wee As Himself • HBO | Max • HBO Documentary Films presents an Elara & First Love Films production
Daniel Timmons, Supervising Sound Editor
Ian Cymore, Dialogue Editor
Ryan Billia, Sound Effects Editor
Jeremy S. Bloom, Sound Effects Editor
Kelly Rodriguez, Sound Effects Editor
Eric Caudieux, Music Editor
Jonathan Zalben, Music Editor

SNL50: Beyond Saturday Night • Season 11: The Weird Year • Peacock • Peacock Original, Tremolo Productions
William Harp, Dialogue Editor
Sean Gray, Sound Effects Editor

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Outstanding Sound Mixing For A Nonfiction Program

WINNER: Beatles ’64 • Disney+ • Apple Corps Ltd.
Josh Berger, Re-Recording Mixer
Giles Martin, Re-Recording Music Mixer

Music By John Williams • Disney+ • Walt Disney Studios Motion Pictures
Roy Waldspurger, Re-Recording Mixer
Christopher Barnett, CAS, Re-Recording Mixer
Noah Alexander, Production Mixer

100 Foot Wave • Chapter III – Cortes Bank • HBO | Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures
Keith Hodne, Re-Recording Mixer

Pee-wee As Himself • HBO | Max • HBO Documentary Films presents an Elara & First Love Films production
Johnny Mathie, Production Mixer

Yacht Rock: A Dockumentary (Music Box) • HBO | Max • HBO Documentary Films presents a Ringer Films Production in association with Margot Station
Tony Solis, Re-Recording Mixer
Paul Stula, Production Mixer
Barry London, Production Mixer

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Outstanding Sound Mixing For A Reality Program

The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc.
Jim Ursulak, Lead Production Mixer
Jim Blank, Production Mixer
Allie Boettger, Production Mixer
Paul Bruno, Production Mixer
John Buchanan, Production Mixer
Dean Gaveau, Production Mixer
Ryan P. Kelly, Production Mixer
Marcus Lominy, Production Mixer
Richard Chardy Lopez, Production Mixer
Mickey McMullen, Production Mixer
Sean Milburn, Production Mixer
Paul Orozco, Production Mixer
Simon Paine, Production Mixer
John Pitron, Production Mixer
Jody Stillwater, Production Mixer
Jeff Zipp, Production Mixer
Troy Smith, Re-Recording Mixer
Ryan Gerle, Re-Recording Mixer

American Idol • Grand Finale • ABC • Fremantle and 19 Entertainment
Patrick Smith, Production Mixer
Randy Faustino, Music Mixer
Michael Parker, PA Mixer
Manny Barrajas, Monitor Mixer
Christian Schrader, Supplemental Audio Mixer
Jesse Dunham, Music Playback
Barry Weir Jr., Re-Recording Mixer
Adrian Ordonez, Re-Recording Mixer

Deadliest Catch • My Brothers Keeper • Discovery Channel • Original Productions, LLC for Discovery Channel
Jared Robbins, Re-Recording Mixer

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc.
Michael Abbott, Production Mixer
Randy Faustino, Music Mixer
Tim Hatayama, Re-Recording Mixer
Christian Schrader, Supplemental Mixer
Carlos Torres, Playback Mixer
Andrew Fletcher, FOH Mixer
Shaun Sebastian, Monitor Mixer
Kenyata Westbrook, Reality Supervising Audio Mixer
Colin Bonney, Reality Audio Mixers
Servio Escobedo, Reality Audio Mixers
John Koster, Reality Audio Mixers
Robert P. Matthews Jr., Reality Audio Mixers
Marlon Moore, Reality Audio Mixers
Ryan Young, Re-Recording Mixer

WINNER: Welcome To Wrexham • Down To The Wire • FX on Hulu • More Better Productions, Maximum Effort, 3 Arts Entertainment and Boardwalk Pictures
Mark Jensen, CAS, Re-Recording Mixer

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Outstanding Sound Mixing For A Variety Series Or Special

The Daily Show • Jon Stewart & The News Team Live At The Chicago DNC • Comedy Central • Hello Doggie, Inc.
John Neroulas, Audio Engineer
Patrick Weaver, FOH Mixer

The 67th Annual Grammy Awards • CBS • A Fulwell Entertainment production in association with The Recording Academy
Thomas Holmes, Production Mixer
John Harris, Music Mixer
Eric Schilling, Music Mixer
Jamie Pollock, FOH Music Mixer
Jeffrey Michael Peterson, FOH Production Mixer
Michael Parker, Monitor Mixer
Andres Arango, Monitor Mixer
Juan Pablo Velasco, ProTools Mixer
Aaron Walk, ProTools Mixer
Christian Schrader, Supplemental Audio Mixer
Eric Johnston, Playback Mixer
Doug Wingert, VO Mixer

The Oscars • ABC • Academy of Motion Picture Arts and Sciences
Paul Sandweiss, Production Mixer
Tommy Vicari, Orchestra Mixer
Steve Genewick, Orchestra Mixer
Tom Pesa, Orchestra Monitor Mixer
Biff Dawes, Music Mixer
Pablo Munguia, Pre-Recorded Music Mixer
Kristian Pedregon, Post Audio Mixer
Patrick Baltzell, FOH Mixer
Michael Parker, Monitor Mixer
Christian Schrader, Supplemental Audio Mixer
John Perez, VO Mixer

WINNER: SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Robert Palladino, Production Mixer
Ezra Matychak, Production Mixer
Frank Duca, FOH Production Mixer
Doug Nightwine, FOH Production Mixer
Christopher Costello, Music Monitor Mixer
Caroline Sanchez, FOH Music Mixer
Josiah Gluck, Broadcast Music Mixer
Jay Vicari, Broadcast Music Mixer
Tyler McDiarmid, Playback Mixer
Geoff Countryman, Supplemental SFX Mixer
Devin Emke, Post Audio Mixer
Teng Chen, Supplemental Mixer

SNL50: The Homecoming Concert • Peacock • SNL Studios in association with Universal Television and Broadway Video
Thomas Holmes, Production Mixer
Christian Schrader, Supplemental Audio Mixer
Eric Schilling, Music Mixer
Lawrence Manchester, Music Mixer
Dan Gerhard, FOH Production Mixer
Jason Crystal, FOH Music Mixer
Jamie Pollock, FOH Music Mixer
Juan Pablo Velasco, ProTools Mixer
Anthony Lalumia, ProTools Mixer
Mike Bové, Monitor Mixer
Cesar Benitez, Monitor Mixer
Talia Krause, Monitor Mixer
Al Theurer, Playback Mixer

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Outstanding Structured Reality Program

Antiques Roadshow • PBS • GBH
Marsha Bemko, Executive Producer
Sarah K Elliott, Producer
Sam Farrell, Senior Producer

Diners, Drive-ins And Dives • Food Network • Knuckle Sandwich and Citizen Pictures
Guy Fieri, Executive Producer
Frank Matson, Executive Producer
Jen Darrow, Executive Producer

Love Is Blind • Netflix • Kinetic Content for Netflix
Chris Coelen, Executive Producer
Ally Simpson, Executive Producer
Eric Detwiler, Executive Producer
Brent Gauches, Executive Producer
Brian Smith, Executive Producer
Stefanie Cohen Williams, Co-Executive Producer
Ewa Mularczyk, Co-Executive Producer
Michelle Thomas, Co-Executive Producer

WINNER: Queer Eye • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix
David Collins, Executive Producer
Michael Williams, Executive Producer
Rob Eric, Executive Producer
Jennifer Lane, Executive Producer
Jordana Hochman, Executive Producer
Mark Bracero, Executive Producer
Lyndsey Burr, Executive Producer
Jeremiah Brent, Executive Producer
Karamo Brown, Executive Producer
Tan France, Executive Producer
Antoni Porowski, Executive Producer
Jonathan Van Ness, Executive Producer
Solange Gomez-Smith, Supervising Producer
Jenifer Lerman, Supervising Producer
Alexander Liley-Roth, Producer
Erin McKeon, Producer

Shark Tank • ABC • MGM Television in association with Sony Pictures Television
Clay Newbill, Executive Producer
Yun Lingner, Executive Producer
Max Swedlow, Executive Producer
Mark Cuban, Executive Producer
Lori Greiner, Executive Producer
Kevin O’Leary, Executive Producer
Barbara Corcoran, Executive Producer
Daymond John, Executive Producer
Robert Herjavec, Executive Producer
Brandon Wallace, Executive Producer
Barry Poznick, Executive Producer
Becky Blitz, Supervising Producer
Andrew Kimmel, Supervising Producer
Shaun Polakow, Senior Producer
Shawn Aly, Senior Producer
Christina Reynolds, Senior Producer
Kelly Fazel, Senior Producer

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Outstanding Technical Direction And Camerawork For A Series

After Midnight • Featuring Jonah Ray, Kumail Nanjiani, Emily Gordon • CBS • CBS Studios in association with Spartina Industries and Funny Or Die
Christine Salomon, Technical Director
Lauren Gadd, Camera
Dawn Henry, Camera
Chris Hamilton, Camera
Cory Hunter, Camera
Cary Symmons, Camera
Jani Zandovskis, Camera

The Daily Show • Jon Stewart & The News Team Live At The Chicago DNC • Comedy Central • Hello Doggie, Inc. Michael Williams, Technical Director
John Floresca, Camera
Charlie Foerschner, Camera
Jeff Latonero, Camera
James McEvoy, Camera
Matt Muro, Camera
Tim Quigley, Camera
Phil Salanto, Camera
Michael Schmehl, Camera
Rich York, Camera

Everybody’s Live With John Mulaney • How Tall Are You? • Netflix • Multiple Camera Productions for Netflix
Chris Salomon, Technical Director
Bert Atkinson, Camera
Ed Horton, Camera
Karin Pelloni, Camera
Cole Overholser, Camera
George Prince, Camera
John Perry, Camera
Keyan Safyari, Camera
Damien Tuffereau, Camera
Suzie Weis, Camera
Terrance Ho, Video Control

WINNER: Saturday Night Live • Host: Jack Black • NBC • SNL Studios in association with Universal Television and Broadway Video
Bill DiGiovanni, Technical Director
John Pinto, Camera
Paul Cangialosi, Camera
Anthony Tarantino, Camera
Dave Driscoll, Camera
Brian Phraner, Camera
Daniel Erbeck, Camera

The Voice • Live Finale (Part 1) • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc.
Allan Wells, Technical Director
Manny Bonilla, Camera
Mano Bonilla, Camera
Martin J. Brown Jr., Camera
Robert Burnette, Camera
Suzanne Ebner, Camera
Guido Frenzel, Camera
Alex Hernandez, Camera
Scott Hylton, Camera
Scott Kaye, Camera
Jofre Rosero, Camera
Steve Thiel, Camera
Danny Webb, Camera

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Outstanding Technical Direction And Camerawork For A Special

Bono: Stories Of Surrender • Apple TV+ • Apple / Plan B Entertainment / RadicalMedia
Erik Messerschmidt, Camera
Mark Goellnicht, Camera
Brian S. Osmond, Camera
Vince Vennitti, Camera
Charles Libin, Camera
Christine Kapo Ng, Camera
Richard Rutkowski, Camera
Luke McCoubrey, Camera

An Evening With Dua Lipa • CBS • A Fulwell Entertainment and Radical 22 production
Nick Kauffman, Camera
Lincoln Abraham, Camera
Gareth Beeson, Camera
John Clarke, Camera
Alex Dodd, Camera
Curtis Dunne, Camera
Dave Emery, Camera
Dave Evans, Camera
Ben Frewin, Camera
Lisha Gilbert, Camera
Matt Gladstone, Camera
Dom Jackson, Camera
Rob Mansfield, Camera
Ali Miller, Camera
James Neal, Camera
Sophie Penwill, Camera
Mark Sayers, Camera
Alan Wells, Camera
Shaun Willis, Camera

An Evening With Elton John & Brandi Carlile • CBS • A Fulwell Entertainment, Rocket, Phantom, EMI production
Dan Winterburn, Technical Director
Bill Ashworth, Camera
Curtis Dunne, Camera
Alex Dodd, Camera
Ben Frewin, Camera
Sam Keogh, Camera
Marcus Leon Soon, Camera
Lewis Mutongwizo, Camera
Sophie Penwill, Camera
Mark Sayers, Camera
Andre Seraille, Camera
Carl Veckranges, Camera
Shaun Willis, Camera
Alan Wells, Camera

The Lion King At The Hollywood Bowl • Disney+ • Disney Concerts, Fulwell 73 Productions, AMP Worldwide and Live Nation- Hewitt Silva, Disney Branded Television
Brandon Smith, Technical Director
Tim Farmer, Camera
Jofre Rosero, Camera
David Rudd, Camera
George Prince, Camera
Karin Pelloni, Camera
Rob Palmer, Camera
Bobby Delrusso, Camera
Rob Vuona, Camera
Austin Rock, Camera
John Perry, Camera
Adam Margolis, Camera
Danny Bonilla, Camera
Danny Webb, Camera
Gabriel De La Parra, Camera
Loic Maheas, Camera

2024 Rock & Roll Hall Of Fame Induction Ceremony • ABC • Tenth Planet Productions
Eric Becker, Technical Director
Danny Bonilla, Camera
Kary D’Alessandro, Camera
Dave Driscoll, Camera
Curtis Eastwood, Camera
David Eastwood, Camera
Nathanial Havholm, Camera
Jeff Johnson, Camera
Zachariah Jones, Camera
Jay Kulick, Camera
Dave Levisohn, Camera
Adam Margolis, Camera
Rob Palmer, Camera
Tim Quigley, Camera
Jofre Rosero, Camera
David Rudd, Camera
Chad Smith, Camera
Matt Trujillo, Camera
Easter Xua, Camera
Tom Zaleski, Camera
Jeremy Freeman, Camera

WINNER: SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
Bill DiGiovanni, Technical Director
John Pinto, Camera
Paul Cangialosi, Camera
Anthony Tarantino, Camera
Dave Driscoll, Camera
Brian Phraner, Camera
Daniel Erbeck, Camera
Michael Knarre, Camera
Anthony Lenzo, Camera
Ansel Nunez, Camera
Rick Fox, Camera

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Outstanding Unstructured Reality Program

America’s Sweethearts: Dallas Cowboys Cheerleaders • Netflix • One Potato Productions and Boardwalk Pictures in association with Campfire Studios for Netflix
Greg Whiteley, Executive Producer
Andrew Fried, Executive Producer
Dane Lillegard, Executive Producer
Adam Leibowitz, Co-Executive Producer
Chelsea Yarnell, Producer

WINNER: Love On The Spectrum • Netflix • Northern Pictures for Netflix
Cian O’Clery, Executive Producer
Karina Holden, Executive Producer
Diana Gonzales, Supervising Producer

RuPaul’s Drag Race: Untucked • MTV • World of Wonder
Fenton Bailey, Executive Producer
Randy Barbato, Executive Producer
Tom Campbell, Executive Producer
RuPaul Charles, Executive Producer
Andrea Van Metter, Executive Producer
Mandy Salangsang, Executive Producer
Steven Corfe, Executive Producer
Daniel Blau Rogge, Executive Producer
Natalia James, Co-Executive Producer
Thairin Smothers, Co-Executive Producer
Julie Ha, Supervising Producer
Alicia Gargaro-Magana, Producer
America Ruiz, Senior Producer

The Secret Lives Of Mormon Wives • Hulu • Jeff Jenkins Productions in association with 3BMG and Walt Disney Television Alternative
Jeff Jenkins, Executive Producer
Russell Jay-Staglik, Executive Producer
Andrea Metz, Executive Producer
Brandon Beck, Executive Producer
Lisa Filipelli, Executive Producer
Georgia Berger, Executive Producer
Danielle Pistotnik, Executive Producer
Elise Chung, Executive Producer
Melissa Bidwell, Co-Executive Producer
Dan Cerny, Co-Executive Producer

Welcome To Wrexham • FX on Hulu • More Better Productions, Maximum Effort, 3 Arts Entertainment and Boardwalk Pictures
Jeff Luini, Executive Producer
Bryan Rowland, Executive Producer
Josh Drisko, Executive Producer
Andy Thomas, Executive Producer
Andrew Fried, Executive Producer
Sarina Roma, Executive Producer
Dane Lillegard, Executive Producer
Nicholas Frenkel, Executive Producer
George Dewey, Executive Producer
Rob McElhenney, Executive Producer
Ryan Reynolds, Executive Producer
Humphrey Ker, Executive Producer
Charlotte Hobday, Co-Executive Producer
Patrick McGarvey, Co-Executive Producer
Cody Shelton, Co-Executive Producer
Sandy Johnston, Supervising Producer (UK)
Liz Spano, Producer
Aaron Lovell, Producer
Shannon Owen, Producer

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Outstanding Variety Special (Pre-Recorded)

Adam Sandler: Love You • Netflix • A Happy Madison production of a Central Picture for Netflix
Barry Bernardi, Executive Producer
Robert Digby, Executive Producer
John Irwin, Executive Producer
Kathy Welch, Line Producer
Josh Safdie, Produced by
Ronald Bronstein, Produced by
Eli Bush, Produced by
Dan Bulla, Produced by
Carter Hambley, Produced by
Brian Robinson, Produced by
Joseph Vecsey, Produced by
Judit Maull, Produced by
Eli Thomas, Produced by
Perry Sachs, Produced by
Adam Sandler, Produced by/Performer

Ali Wong: Single Lady • Netflix • Irwin Entertainment for Netflix
Ali Wong, Executive Producer/Performer
John Irwin, Executive Producer
Casey Spira, Co-Executive Producer
Ryan Polito, Producer

Bill Burr: Drop Dead Years • Hulu • All Things Comedy
Bill Burr, Executive Producer/Performer
Mike Bertolina, Executive Producer
Dave Becky, Executive Producer
Ben Tishler, Executive Producer
Matt Schuler, Produced by
Cameron Fife, Produced by

WINNER: Conan O’Brien: The Kennedy Center Mark Twain Prize For American Humor • Netflix • Done + Dusted and The John F. Kennedy Center for the Performing Arts for Netflix
David Jammy, Executive Producer
Chris Convy, Executive Producer
Kristen Wong, Executive Producer
Rick Austin, Executive Producer
Matthew Winer, Executive Producer
Monica Holt, Executive Producer
Bill Urban, Co-Executive Producer
Michael B. Matuza, Co-Executive Producer
Samantha Sullivan, Supervising Producer
Marcus Raboy, Producer
Phil Rosenberg, Producer
Robin Burke, Producer
Neha Patel, Producer
Emeline Carlisle, Producer
Andrew Schaff, Line Producer

Sarah Silverman: PostMortem • Netflix • A Netflix Comedy Special / Best Kept Secret Productions / Eleven Eleven O’ Clock Productions
Sarah Silverman, Executive Producer/Performer
Amy Zvi, Executive Producer
John Skidmore, Executive Producer

Your Friend, Nate Bargatze • Netflix • John Irwin Entertainment and Nateland Entertainment for Netflix
Nate Bargatze, Executive Producer/Performer
Alex Murray, Executive Producer
Tim Sarkes, Executive Producer
John Irwin, Executive Producer
Kathy Welch, Producer

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Outstanding Writing For A Nonfiction Program

Chimp Crazy • Head Shot • HBO | Max • HBO Documentary Films presents A Goode Films Production
Eric Goode, Written by
Jeremy McBride, Written by
Timothy Moran, Written by
Evan Wise, Written by
Adrienne Gits, Written by
Charles Divak, Written by
Doug Abel, Written by

Conan O’Brien Must Go • Austria • HBO | Max • Max in association with Conaco
Conan O’Brien, Written by
Mike Sweeney, Written by
Jessie Gaskell, Written by
José Arroyo, Written by

WINNER: The Daily Show Presents: Jordan Klepper Fingers The Pulse: MAGA: The Next Generation • Comedy Central • Hello Doggie, Inc.
Ian Berger, Writer
Jordan Klepper, Writer
Jennifer Flanz, Writer
Devin Delliquanti, Writer
Scott Sherman, Writer

Martha • Netflix • A Netflix Documentary / A This Machine Production
R.J. Cutler, Written by

Super/Man: The Christopher Reeve Story • HBO | Max • DC Studios presents in association with HBO Documentary Films and CNN Films in association with Words+Pictures, a Passion Pictures and Misfits Entertainment production in association with Jenco Films
Peter Ettedgui, Written by
Ian Bonhôte, Written by
Otto Burnham, Written by

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Outstanding Writing For A Variety Special

Conan O’Brien: The Kennedy Center Mark Twain Prize For American Humor • Netflix • Done + Dusted and The John F. Kennedy Center for the Performing Arts for Netflix
Jon Macks, Written by
Chris Convy, Written by
Lauren Greenberg, Written by
Skyler Higley, Written by
Ian Karmel, Written by
Sean O’Connor, Written by

Cunk On Life • Netflix • A Broke & Bones production for BBC Two and BBC iPlayer and Netflix
Charlie Brooker, Written by
Ben Caudell, Written by
Erika Ehler, Written by
Charlie George, Written by
Eli Goldstone, Written by
Jason Hazeley, Written by
Lucia Keskin, Written by
Diane Morgan, Written by
Joel Morris, Written by
Michael Odewale, Written by

Sarah Silverman: PostMortem • Netflix • A Netflix Comedy Special / Best Kept Secret Productions / Eleven Eleven O’ Clock Productions
Sarah Silverman, Written by

WINNER: SNL50: The Anniversary Special • NBC • SNL Studios in association with Universal Television and Broadway Video
James Anderson, Written by
Dan Bulla, Written by
Megan Callahan-Shah, Written by
Michael Che, Written by
Mikey Day, Written by
Mike DiCenzo, Written by
James Downey, Written by
Tina Fey, Written by
Jimmy Fowlie, Written by
Alison Gates, Written by
Sudi Green, Written by
Jack Handey, Written by
Steve Higgins, Written by
Colin Jost, Written by
Erik Kenward, Written by
Dennis McNicholas, Written by
Seth Meyers, Written by
Lorne Michaels, Written by
John Mulaney, Written by
Jake Nordwind, Written by
Ceara O’Sullivan, Written by
Josh Patten, Written by
Paula Pell, Written by
Simon Rich, Written by
Pete Schultz, Written by
Streeter Seidell, Written by
Emily Spivey, Written by
Kent Sublette, Written by
Bryan Tucker, Written by
Auguste White, Written by

Your Friend, Nate Bargatze • Netflix • John Irwin Entertainment and Nateland Entertainment for Netflix
Nate Bargatze, Written by