Category: 5. Entertainment

  • Cyberpunk: Edgerunners 2 Officially Announced

    Cyberpunk: Edgerunners 2 Officially Announced

    During its panel at this year’s Anime Expo in Los Angeles, CD PROJEKT RED proudly announced that they reunited with studio TRIGGER to create a new standalone anime series set in the world of Cyberpunk 2077 titled Cyberpunk: Edgerunners 2.

    Snapshot:

    • Today’s panel revealed the logo and poster art for Cyberpunk: Edgerunners 2 and confirmed Kai Ikarashi as director.
    • Panelists included Hugo Award-winning writer Bartosz Sztybor, Cyberpunk: Edgerunners director Hiroyuki Imaishi, and voice actors Emi Lo (Lucy Kushinada) and Zach Aguilar (David Martinez) with host Joey “The Anime Man” Bizinger.
    • Cyberpunk: Edgerunners 2 is being created by CD PROJEKT RED alongside the legendary studio TRIGGER and will be released on Netflix.

    At this year’s Anime Expo, taking place between July 2–6, CD PROJEKT RED invited attendees to the livestreamed panel “Cyberpunk: Edgerunners — Behind the Scenes With its Creators” featuring story writer and producer Bartosz Sztybor and voice actors Emi Lo (Lucy Kushinada) and Zach Aguilar (David Martinez) with host Joey “The Anime Man” Bizinger and a special guest appearance by Cyberpunk: Edgerunners director Hiroyuki Imaishi.

    Following a lively discussion about the critically acclaimed anime’s legacy, insights into its creation, and more behind-the-scenes tidbits, Sztybor announced the new collaboration between CD PROJEKT RED and animation studio TRIGGER to create Cyberpunk: Edgerunners 2. Together with Imaishi, he shared an exclusive reveal of the anime’s official logo and its poster art.

    Imaishi also took the opportunity to officially pass the torch to Kai Ikarashi (Cyberpunk: Edgerunners, SSSS.Gridman), who will make his directorial debut with Cyberpunk: Edgerunners 2. Ikarashi joined the panel with a recorded video message and debuted a Director’s Voice video to share more about his motivations for the anime.

    Watch the livestream

    “David’s story might be over, but there’s plenty more to discover in Night City. And to again have the legendary animation studio TRIGGER along for the ride makes us at CD PROJEKT RED so excited to introduce a raw, real chronicle of redemption and revenge, something unlike what we’ve done before,” said Sztybor, Showrunner, Story Writer, and Producer on Cyberpunk: Edgerunners 2. He will be joined by lead character designer Kanno Ichigo (Promare, Cyberpunk: Edgerunners) and Masahiko Otsuka (Gurren Lagann, Promare), who will be responsible for the screenplay adaptation. The panel ended with an invitation to a closed-door viewing of new teaser footage at the Peacock Theater during studio TRIGGER’s panel later in the evening.

    Cyberpunk: Edgerunners 2 is created in collaboration with CD PROJEKT RED and animation studio TRIGGER and is now in production with a planned release on Netflix in the future. More information about the anime can be found on the official website, its newsletter, or X, Facebook, and Instagram.


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  • The Story Behind Patricia Dlamini’s New Book Launch

    The Story Behind Patricia Dlamini’s New Book Launch

    From office flirtation to bestselling romance novel, the journey of author Patricia Dlamini captures the imagination of readers and aspiring writers alike. Her latest book, ‘The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?,’ takes inspiration from her own experiences in the corporate world, intertwining personal anecdotes with imaginative storytelling to create a captivating narrative that resonates with many.

    CAPE TOWN, ZA / ACCESS Newswire / July 4, 2025 / The story follows two colleagues who develop a romantic relationship amidst the challenges of office politics and career aspirations. As the protagonists navigate their feelings and professional lives, readers are treated to an engaging exploration of love, ambition, and the complexities of workplace dynamics. Dlamini’s ability to blend humor with heartfelt moments allows the narrative to stand out in a crowded genre.

    Amazon.com: The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?
    Checkout Book Availability On Amazon.com

    Dlamini’s background in marketing and her experiences in various corporate environments provided a rich foundation for her writing. The author draws on real-life scenarios to craft relatable characters and situations, making the themes of her book accessible to a wide audience. Readers will find themselves immersed in the ups and downs of office romance, reflecting on their own experiences as they turn the pages.

    Prior to the release of ‘The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?,’ Dlamini self-published several short stories online, gaining a dedicated following through her relatable writing style and authentic voice. The success of these stories paved the way for her transition to a full-length novel, showcasing her growth as an author and her commitment to storytelling. Her journey from a corporate employee to a bestselling author serves as an inspiration for many who dream of writing and publishing their own work.

    The launch of ‘The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?’ marks a significant milestone in Dlamini’s career, with pre-orders already exceeding expectations. The book has garnered interest from both readers and publishers, leading to discussions about potential adaptations for visual media. Dlamini aims to reach an even broader audience, sharing her insights on love and relationships in the modern workplace.

    In conjunction with the book launch, Dlamini will engage with her readers through various platforms, including virtual book signings, social media discussions, and writing workshops. These events aim to foster a sense of community among readers and aspiring writers, providing a space for sharing experiences and insights about writing and love in the workplace.

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  • Ariana Madix’s Glam Team on Her ‘Love Island USA’ Looks (Exclusive)

    Ariana Madix’s Glam Team on Her ‘Love Island USA’ Looks (Exclusive)

    NEED TO KNOW

    • Ariana Madix’s glam team shares what it takes to get her ready to host season 7 of Love Island USA
    • Madix’s hairstylist Carl Bembridge brought 70 pounds of hair to Fiji for shooting
    • The host’s makeup artist and stylist share the inspiration behind her versatile and sexy looks

    Ariana Madix’s fashion and beauty moments on Love Island USA deserve a show of their own.

    On the current seventh season of the popular reality dating show, Madix, 40, seriously stepped up her game for her second round as host. Her looks have been more wide-ranging than ever, shocking fans with jaw-dropping hair color transformations and super-sexy ensembles.

    Hairstylist Carl Bembridge tells PEOPLE that he knew Madix would be a “chameleon” this season.

    “The main goal was to make it completely different from last year. Every episode had to feel fresh,” he says of preparing for filming the series in Fiji.

    “We injected a bit of edge, some ‘90s references, girly vibes, high-fashion moments and sexy looks,” Bembridge explains. “One thing I’ve noticed is that we’ve played with a lot more curly and wavy hairstyles this time around, especially that mermaid texture. I actually told Ariana, ‘This is giving Splash, [the 1984 film] with Daryl Hannah,’ so I nicknamed her Mer-Madix.”

    In order to achieve the roster of looks he’d dreamed up, the hairstylist packed accordingly. “I brought three suitcases and one of them was completely full of hairpieces: wigs, clip-ins, bangs, different lengths, different shades,” he shares. “So in total, around 70 pounds of hair came with me. My girls have to have options!”

    Ariana Madix.

    Carl Bembridge Celebrity Hair/Instagram


    Aside from Madix’s beachy, mermaid-inspired waves, the star has rocked a dramatic brunette wig, a Rapunzel-like braid and piece-y bangs — and the season is not over yet.

    For makeup artist Krystal Dawn, her creations are a collaborative effort between other members of the glam team and Madix herself.

    “Most of it came together on the day,” Dawn tells PEOPLE. “We’d see what [Ariana] was wearing, chat about what vibe she felt like. Sometimes she’d have inspo pics, and then we’d match it up with the hair look, too. If her hair was pulled back, we might do a winged eye; if she had a fringe, we’d keep it fresh and focus more on blush and lips.”

    Ariana Madix.

    Ben Symons/Peacock via Getty


    When it comes to preserving Madix’s makeup in the scorching island heat, Dawn says good skin prep and a solid base are crucial.

    “I’ve been using the Milk Hydro Grip Primer, sometimes the original and sometimes the illuminating one for extra glow. For foundation, NARS and Haus Labs have been real heroes — they hold up way better on Ariana’s skin than what we used last year. Huda Beauty’s new setting spray is a game-changer too.”

    Surprisingly, Dawn doesn’t use a lot of powder to combat sweat and shine.

    “We don’t like her skin to look overly matte or cakey, so I keep powder really minimal,” she explains. “Just a light dusting near the end, and then a final mist of setting spray right before she goes on. There’s no heavy baking. Once she’s out there for hours, you sometimes just have to trust the prep — so far, so good!”

    The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now!

    Ariana Madix.

    Ben Symons/Peacock


    Because stylist Emily Men isn’t on set with Madix in Fiji, she has to be bit more meticulous about her planning (she says she sent the host off with three checked suitcases full of clothes!).

    “We have a big fitting in the week before she leaves to try everything on and decide what we like and don’t like,” she explains. “Then, I accessorize everything and pair each outfit with jewelry, shoes, undergarments — all the things! I try to consider every detail and angle for each outfit, even down to her nails.” The stylist has been loving press-ons for their versatility, and so she can switch Madix’s nails with every look.

    Men adds that she personally tailors all of Madix’s clothes and ensures everything fits perfectly at a second fitting before she leaves for filming. “If any last-minute adjustments need to be made, we are so lucky to have the on-set wardrobe team of Kim Hurwitz, Emily Abbey and Karissa Loveday, who are amazing and able to sort out any last-minute issues! “

    Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

    While she and Madix always prepare mood boards based on what’s inspiring them, Men says that confidence is always an underlying theme.

    “Ariana and I work so well together because she is open to trying anything and everything,” says the stylist. “She is so comfortable in her own skin that she can effortlessly pull off so many different looks, and that confidence really shines through.”

    “Also, you have to give a lot of credit to her amazing glam team, Carl Bembridge and Krystal Dawn — we all work together on these looks and make sure each component complements the others!”


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  • His Life And Career, ‘Nip/Tuck’ To ‘Fantastic Four’ & More

    His Life And Career, ‘Nip/Tuck’ To ‘Fantastic Four’ & More

    Actor Julian McMahon has passed away at 56.

    While he’s best known for Nip/Tuck, McMahon’s decades-long career in film and television includes performances opposite everyone from Sandra Bullock to Jessica Alba to Nicolas Cage — and starring roles in two separate Marvel franchises.

    Scroll through the photos below to see a selection of moments from his work and life.

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  • Luna Blaise on ‘Jurassic World Rebirth’

    Luna Blaise on ‘Jurassic World Rebirth’

    Despite a busy schedule of globetrotting for Jurassic World Rebirth, actress Luna Blaise is all smiles.

    The 23-year-old, who joins the iconic franchise as almost-college student Teresa in the latest Jurassic installment, has been taking the entire experience in. “I felt like I was at the masterclass,” Blaise tells The Hollywood Reporter on a Friday morning Zoom weeks before the film’s release.

    The actress, whose past credits include a series regular role on NBC-turned-Netflix fan favorite Manifest, prides herself on having worked hard to get where she is, and she doesn’t plan to stop anytime soon.

    Below, Blaise speaks with THR about Jurassic World Rebirth, taking any opportunity she can to be onset, and where she sees herself going in the future.

    How do you feel about joining such a beloved and large franchise with Jurassic World Rebirth?

    Truly, it’s been an unbelievable experience from the beginning to getting the call all the way to now. It’s been a minute-by-minute, heart-pounding, eyes-widening, mind-melting situation. When you get the call to do this, it’s one you’ll never forget. Honestly, I have been so blessed. To be able to have this opportunity and work with the people that I did and just continue to go on this journey is so exciting. I’m just so excited now for the world to now see it.

    It has to be a little intimidating. Do you feel that you learned anything from other members of the cast?

    Beyond. Oh my gosh, yes. The whole thing was a learning experience. I felt like I was at the masterclass, literally. To be able to work with the people that I did — [the] actors, yes, but crew as well. It’s just not your everyday thing. Honestly, [it was] a college course for what I want to do — to have a captain of the ship, which was Scarlett [Johansson], and to be able to have her set the tone for everything. Really from the beginning, the tone was set, and we all knew that no matter what, we’re all going to be taken care of. We all have each other’s backs. This is a hard process, but we’re not going to be able to do it without each other. We stuck with that, which was so helpful and so amazing.

    What was it like getting to watch the film with audiences at the premieres? What were the reactions, particularly with your big T-Rex scene?

    It was completely surreal. I remember just sitting at the Odeon [Luxe in London], and I was just with all my cast, and finally we’re seeing and hearing it be received by others. You’re looking around, and you’re just like, oh my gosh, this is happening. To be able to have so many people invested and involved and vocal about everything, it made the experience so much more heightened and so much more memorable because it wasn’t just you experiencing this. You were in a room with everybody else experiencing it, and it was just so special.

    Did you always see this type of film for yourself, or do you feel it’s a departure for you?

    I think that for me, if I was writing the script of my acting career, I don’t think I know what I see at all. I have a vision of where I want to go and what I want to achieve, but anything that comes along with that is all part of the ride. It’s all part of the journey. I’ve been blessed to be able to work in this industry for the amount of time that I have and have been attached to projects that have truly changed my life. I’ve had just such a pleasure doing them. Having this come my way — it’s my biggest thing yet — it’s not that I didn’t ever see it for myself, but I almost thought that that was something just completely unimaginable. Being in a Jurassic movie, it’s like a dream. I’m still waiting to be woken up.

    You get that call, and you don’t think that that’s the actual call. I’m still waiting for that to simmer down in my brain because it’s just unbelievable. I guess if I were to close my eyes, look out and see what would be happening, it’s not that I wouldn’t not see this, but it was in an unimaginable sort of way. Now that it’s been able to happen, it’s even crazier.

    Are you someone who takes roles as they come, or do you have certain milestones you’re looking to hit at certain times?

    I’m just excited to be here. [I’m] just excited to be working in this industry, no matter what scale that’s at. It could be your Jurassic blockbuster, it could be a guerilla-style shoot for four days with one camera guy. It doesn’t matter. If I’m creating, and if I’m just continuing to just have my juices flow in that way and continue to work on my craft … I’m just excited for the opportunity. I think that whatever comes my way will come my way. If it’s something that I am intrigued about and something that resonates and sits with me, then 100 percent, I’ll take the opportunity to do anything on a set for sure. But then on the other hand, when those other projects do come, it’s like [you] jump at [them]. It’s an ebb-and-flow sort of situation but excited. Period.

    It’s obviously a busy time for you with several premieres and the movie coming out. What does self care look like for you?

    You can hear my lingering press sickness that’s happening right now. (Laughs.) It’s all fun. The stress of doing the 6 a.m. to this to going to the premiere and going to this and doing that and doing the press day; it’s like there’s so much, but you have to have fun. Because if you don’t, you’re just going to stress yourself out even more. I think for me, remembering to stay light, to stay positive. You’re tired, but it’s all part of the job, and you just have to get your work done. That’s it. It’s still work. You’re still working. The movie’s not over yet. It’s not over yet.

    For me, especially within this past week that I’ve had — hopping from three different countries and doing a premiere and coming back here and going to New York and doing the whole thing — I have had to at least take 20 to 30 minutes at the beginning of my day to just breathe, to just set my intentions, to just center myself. [I will] repeat strong words in my mind that are just going to continue to keep my brain positive. I think if I’m lucky enough to be in a hotel that has a spa, I will go to the sauna, and I will go to the steam [room], and I will meditate for a second. I have definitely been taking advantage of my spa privileges during this press run.

    Like you said, this is the biggest project you’ve ever done. What are you hoping to do next? Where’s your head at?

    The actual percentage of working actors in this industry is so small, so small. For me, Luna, if I’m in that percentage, I want to do anything. I just want to have the opportunity to be on a set and to do what I love, regardless of what that is. To just have that young excitement is so refreshing, and it’s so nice to have. I can’t write what I want to do next. It is not something that I know yet. Everything that’s coming my way right now, it’s super exciting, and I’m into everything. Honestly, it’s just [me] waiting to see what actually meshes and what clicks. Whatever that may be is going to be the next opportunity that I’m so unbelievable blessed to have.

    I think that I want to do something that is going to make me work even harder, something that I can fully invest my time and energy [into] and create a character. Because it’s also crazy for actors too. You spend so much time in a role, you have to let that go. Even after all the press and after everything, you’re like, OK, onto the next, let’s move on. That’s that. To be able to really immerse myself in another character and to do something that’s just completely different than anything I’ve ever done before, which Jurassic was for me at the time… I think that’s just what’s exciting for me, to be able to do something that I haven’t done, something that’s new and something that’s exciting for me in my life.

    How do you want people to view you as a performer?

    I think the no. 1 thing with actors that I personally get turned off on is you watch their films and you get this sense of light and you get this sense of character. Obviously, they’re playing something else, but then you watch the interviews and you watch everything else and you’re like, ‘Oh, that’s not who you are.’ I think that’s the worst. That’s the last thing I would want to happen to me. I want people to just see me. I hope you’ve seen talking to me, I’m excited to be here. I’m excited to have this opportunity. I’ve worked hard, and I am not going to stop working hard. I want people to see that. I want people to know that I am nowhere even near the top of where I want to go in my vision of life.

    I have had the same visions for so long, and I am going to continue to try and work and to do that. I want people to see the hard work. I want people to know that. I also want people to know that this isn’t my first rodeo that I’ve done. I’ve been doing this for a while, and I want that to come off when people see me. I want people to know that it’s not just a walk in the park and that you have to be a hard worker to be able to get here. Nothing’s been handed to me in that way. I just want people to see that this is something that I truly, truly love to do, and I haven’t been given anything straight off the bat. I’ve done the work, and I’ll continue to do the work — and if you don’t see that, then that’s on you.

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  • Naseeruddin Shah says post backing Diljit Dosanjh not deleted

    Naseeruddin Shah says post backing Diljit Dosanjh not deleted

    Veteran actor Naseeruddin Shah claimed that he has not deleted his post supporting Diljit Dosanjh. He added that he “does not care about any backlash”. Taking to his FB account, Naseeruddin wrote: “I have NOT deleted my post about Diljit Dosanjh. I don’t care a fiddler’s fart for backlash.” Quoting German scientist and philosopher Georg Christoph Lichtenberg, the ‘Ishqiya’ actor penned, “It is almost impossible to carry the torch of truth through a crowd without singeing somebody’s beard – Georg Christoph Lichtenberg, scientist and philosopher.” Naseeruddin had made remarks against those criticising Diljit for working with Pakistani actress Hania Aamir in “Sardaar Ji 3.” Stating that Diljit played no part in casting Hania in the film, the ‘A Wednesday’ actor posted on FB, “I stand firmly with Diljit. The dirty tricks deptt of Jumla Party has been awaiting a chance to attack him. They think they’ve got it at last. He was not responsible for the casting of the film, the director was. But no one knows who he is whereas Diljit is known the world over and he agreed to the cast because his mind is not poisoned.”


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  • Megyn Kelly Criticizes Charlize Theron For Sleeping With 26-Year-Old Man

    Megyn Kelly Criticizes Charlize Theron For Sleeping With 26-Year-Old Man

    Megyn Kelly has criticized Charlize Theron after the actress recently revealed that she had a one-night stand with a man nearly half her age while appearing on Alex Cooper’s “Call Her Daddy” podcast.

    “She decided to go on a podcast tour for some reason,” Kelly said during Thursday’s episode of “The Megyn Kelly Show.” “[She] sat down with ‘Call Her Daddy,’ the sex podcaster who interviewed Kamala Harris — all about how much they love abortions.”

    The right-wing political commentator went on to accuse the “Mad Max” star of trying to act like a “super cool girl.”

    During the July 2 episode of the “Call Her Daddy” podcast, Theron, 49, shared that she had slept with a 26-year-old man after Cooper asked the South African film producer for her best sex advice.

    “I’ve probably had three one-night stands in my entire life, but I did just recently fuck a 26-year-old and it was really fucking amazing and I’ve never done that and I was like, ‘Oh, this is great, OK,’” she said during the episode. “When I do [have a one-night stand], I’m like, ‘Oh, fuck yeah, I should have done this in my 20s.’”

    Later in the episode, Theron encouraged women to be more vocal about their desires in the bedroom.

    “Women who come across as confident, women who come across as outspoken, ones that wouldn’t speak up for themselves tend to also be, in bed, people who want to please males,” Theron told Cooper.

    Megyn Kelly and Charlize Theron.

    She added: “Like, and I have found this in my experiences with talking to other women about this. Isn’t it strange? We should be the ones that are like, ‘Fuck you. I’m gonna have an orgasm.’”

    Kelly went on to call Theron’s appearance on the podcast “weird” and “shockingly inappropriate.”

    “She’s 49 years old, she’s trying to sound like she’s 26 years old … It feels weird. She’s one of our biggest stars, that’s true. Act like it. Have some class,” the former Fox News host declared.

    “It’s a very strange thing to see one of our best-known actresses sit down, like, that with the crossed legs with this sex podcaster talking about their orgasms and who they f-ed,” she continued. “It’s really off-putting … it’s a turn-off.”

    Elsewhere in the episode, Kelly took another jab at Theron, who ironically played her in the 2019 film “Bombshell,” which was based on the sexual harassment scandal at Fox News that led to the ousting of Roger Ailes.

    “People can make their own minds up, [but] this is not how I would like to see our biggest stars behave,” Kelly said. “She’s on the opposite side of the aisle than we are politically, but you never see Julia Roberts do this kind of thing.”

    Watch a clip from “The Megyn Kelly Show” below.


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  • 11 Ways to Style Summer’s Matching Sets

    11 Ways to Style Summer’s Matching Sets

    Summertime living is supposed to be easy–so the dressing should be too. That’s why we’re all about matching sets. It’s all in the name–they match– taking the guesswork out of getting dressed, and getting you out of the house and into the sunshine. After all, is a summer spent inside picking outfits really a summer at all?

    Vogue’s Favorite Matching Sets:

    • The Striped Set: Suzie Kondi Capri striped T-shirt, $195 and flare pant, $355
    • The Paisley Set: Nili Lotan Audrey bandana-print silk halterneck top, $450 and Frances silk twill shorts, $490
    • The Checked Set: Dôen Jonie top, $198 and Morgan pant, $228
    • The Crochet Set: Zimmermann Rhiannon cropped crocheted tank, $ and midi skirt, $
    • The Linen Set: Alex Mill Jo shirt, $165 and Riley pant, $175
    • The Printed Set: Mango printed crop shirt with knot detail, $60 and printed culotte pants, $60
    • The Bright Red Set: Matteau organic cotton poplin shirt, $360 and short, $290
    • The Floral Set: Hill House Adelaide top, $168 and Indra shorts, $150

    Luckily the retail gods are on our side this summer–the (virtual) shelves are packed with sets of all shapes and sizes. For the down-to-earth dresser, striped pajama sets from The Row or With Nothing Underneath will carry you from the beach to the street, while the more festive summer stylite may opt to go for something printed or crochet. Either way, sets leave little to think about aside from accessories and attitude. Shop some of our favorites, styled out, right below.

    The Striped Set With Sporty Extras

    The Row’s relaxed stripe set pairs nicely with suede retro sneakers and Lemaire’s netted crossbody—perfect for weekend errands and a Saturday lunch, or a city trip when you’re out and about exploring.

    Miu Miu

    suede bicolor retro trainer sneakers

    Lemaire

    x FILT Fortune Croissant bag

    The Crochet Set With Elegant Accessories

    You’re spent but oh-so relaxed after a day soaking up the sun. What to wear for dinner on vacation? Zimmermann’s crochet set brings style to a no-fuss formula. Loewe’s Pebble slides are a nice break from daytime flip-flops.

    Zimmermann

    Rhiannon cropped crocheted tank

    Zimmermann

    Rhiannon crocheted midi skirt

    Loewe

    Pebble embellished leather slides

    Toteme

    gold-tone, crystal and onyx earrings

    The Checked Set With a Roomy Tote and Flip-Flops

    A pajama-inspired set is integral to a well-rounded summer-in-the-city uniform. Dôen’s checks all the boxes with its sweet print and relaxed (but still shapely) silhouette. Leather accents make the ensemble feel intentional, even if you indeed just rolled out of bed.

    Massimo Dutti

    Nappa leather maxi tote bag

    The Striped Set With Playful Extras

    Add whimsy to a more preppy striped short set with raffia ballet flats and a campy beaded choker.

    The Flirty Skirt Set With Elegant Finishing Touches

    Pearls and a tiny kitten heel are subtle but necessary supporting characters to this ruffled skirt set.

    Valentino Garavani

    cropped ruffled polka-dot top

    Valentino Garavani

    ruffled wrap-effect polka-dot midi skirt

    Cos

    crossover-strap kitten-heel sandals

    The Striped Set With Sleek Slippers

    Four hours plus on the road means one thing: lightweight fabrics and effortless silhouettes. Suzie Kondi’s striped set with velvet slippers is a reliable, and travel-friendly formula for laidback polish.

    Vibi Venezia

    suede easy loafer slippers

    The Paisley Set With Boho Accessories

    Nili Lotan’s halter top and mini short set is the fashion girl way into wearing bandana print. Stay on theme with a roomy shoulder bag and embellished leather sandals.

    Nili Lotan

    Audrey bandana-print halterneck top

    Nili Lotan

    Frances bandana-print shorts

    Zimmermann

    Wild embellished leather sandals

    The Linen Set With Nautical Notes

    Ground an airy white linen set with structured accents—boat shoes and a drawstring bucket bag bridge coastal ease with city polish.

    The Printed Set With a Little Black Bikini and Mesh Flats

    When in doubt, a matching printed set thrown over a little black bikini is an easy style win for hanging on a friend’s rooftop or backyard.

    The Bright Red Set With a Leather Slides and a Roomy Tote

    Matteau’s bright red set offers a vibrant take on summer minimalism. Add in a canvas tote for practicality and you’re weekend look is sorted.

    Matteau

    organic cotton-poplin shirt

    Matteau

    organic cotton-poplin shorts

    The Floral Set With Sweet Accessories

    Mary Janes and tortoiseshell sunglasses play up the femininity of this sweet floral set.

    Le Monde Béryl

    leather mary jane ballet flats

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  • There’s gentleness and food for thought in an often violent ’40 Acres’

    AILSA CHANG, HOST:

    When people talk about family farms being endangered, they usually mean that farmers are struggling with the economics of modern agribusiness. But the movie thriller “40 Acres” imagines a more physical danger. The film is set in a world of famine, violence and lots of guns. You will hear the guns in critic Bob Mondello’s review, but he says the film also provides food for thought.

    BOB MONDELLO, BYLINE: The first images are of heavily armed intruders penetrating the perimeter of the Freeman family farm. Words onscreen tell us that it’s 14 years since a fungal pandemic wiped out 98% of the world’s animals, 12 years since a war caused by food chain disruption. The world’s population has plummeted due to famine, but this little plot of land in rural Canada owned by a Black family that moved here after the American Civil War is an oasis of plenty, hence the intruders. A few approach the front of the house openly…

    (SOUNDBITE OF FILM, “40 ACRES”)

    UNIDENTIFIED ACTOR #1: (As character) Greetings. It’s a nice little farm you’ve got on this piece of land.

    MONDELLO: …While others sneak around the barn into the cornfield and discover the Freeman family, mostly women and children, is ready with knives…

    (SOUNDBITE OF STABBING)

    MONDELLO: …And hatchets…

    (SOUNDBITE OF AXE SPINNING)

    MONDELLO: …And finally gunfire.

    (SOUNDBITE OF GUNFIRE)

    MONDELLO: They were ready because Hailey Freeman, played with steely resolve by Danielle Deadwyler, and her partner Galen, played by Michael Greyeyes, have brought them up to be. Hailey’s a former soldier, still in radio contact with others.

    (SOUNDBITE OF FILM, “40 ACRES”)

    DANIELLE DEADWYLER: (As Hailey Freeman) Freeman 1 to Augusta 24, do you copy?

    MONDELLO: But the news is rarely good.

    (SOUNDBITE OF FILM, “40 ACRES”)

    UNIDENTIFIED ACTOR #2: (As character) You’ve heard about the attacks by now?

    DEADWYLER: (As Hailey Freeman) Thought your Union Army was going to come and take care of that.

    UNIDENTIFIED ACTOR #2: (As character) They’re not. They’re dead.

    MONDELLO: So Hailey runs the farm as if she were its commanding officer, her kids cadets.

    (SOUNDBITE OF FILM, “40 ACRES”)

    DEADWYLER: (As Hailey Freeman) Everybody carries a sidearm and a radio at all times – in the fields, when you sleep, everywhere.

    UNIDENTIFIED ACTOR #3: (As character) Some of these people are posing as Union soldiers and workers trying to get information. We can’t trust what anyone says.

    MONDELLO: It is no accident that first-time feature filmmaker R.T. Thorne framed this story around a family that is Black and Indigenous. The older generation doesn’t trust outsiders because they’ve learned from experience that they can’t.

    (SOUNDBITE OF FILM, “40 ACRES”)

    DEADWYLER: (As Hailey Freeman) You see anybody, double back, do not engage. These folks’ll kill you for the boots on your feet.

    MONDELLO: But the youngsters who have never known anything but the farm are chafing at their isolation. Seventeen-year-old Manny wonders if the sacrifice they make by being so cut off from the world is worth the safety it ensures.

    (SOUNDBITE OF FILM, “40 ACRES”)

    KATAEM O’CONNOR: (As Manny Freeman) If we brought in some help.

    UNIDENTIFIED ACTOR #3: (As character) From where?

    KATAEM O’CONNOR: (As Manny Freeman) The network. Other farms. I don’t know.

    UNIDENTIFIED ACTOR #3: (As character) Exactly, you don’t know. You got no idea what these people are like out there.

    KATAEM O’CONNOR: (As Manny Freeman) Have you even tried talking to them?

    DEADWYLER: (As Hailey Freeman) Boy, who the hell you think you’re talking to? You got a roof over your head, food in your belly while half the world’s starving, and you got the nerve to complain about that?

    MONDELLO: But Manny, played by Kataem O’Connor, has ventured outside the farm a few times to trade food for supplies, also to swim in the river. And one day, he sees a young woman there and starts to think, maybe there’s another way to live. The farm’s generational divide is designed to hark back to civil rights and other social movements – veterans deeply skeptical of engagement, a younger cohort convinced that isolation is ultimately limiting. Director Thorne has said in interviews he was putting a dystopian frame on current concerns like food insecurity, an age of Black Lives Matter, indigenous land rights disputes. Though his film is often violent, he’s had the good sense to use a gentler narrative framework to give “40 Acres” its punch – a mother and a son with different ideas on how best to face the end of the world. I’m Bob Mondello.

    (SOUNDBITE OF SONG, “SLOW UP”)

    JACOB BANKS: (Singing) What I’ve learned from a soldier, every man is assigned to a daughter. Transcript provided by NPR, Copyright NPR.

    NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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  • Pure joy: the Australian pub choirmaster who flipped the script on America’s Got Talent | Brisbane

    Pure joy: the Australian pub choirmaster who flipped the script on America’s Got Talent | Brisbane

    Viewed from the outside, at least, far from united, the states of America appear irreconcilably divided.

    Which may explain why Astrid Jorgensen, a 35-year-old choir director from Brisbane who honed her skills at the pub, has just toured the States to sold out shows and seen her US reality TV appearance go viral.

    “When I stand on the stage, I would like to prove to you that, in 90 minutes, we can agree on something,” Jorgensen says.

    “And I think that that’s a really important message anywhere but, for sure, I’m drawing the conclusion [that] in America … it feels like an antidote to whatever’s happening in their own communities.”

    While it might take an hour and a half in her travelling Pub Choir shows – in which she coaches the audience to sing along to pop and rock classics in harmony – Jorgensen made her point in a matter of minutes when she flipped the script of America’s Got Talent in her televised appearance last month.

    Instead of seeking their adulation for her own vocal prowess, the former high school music teacher got her audience to stand up and sing themselves. Yes, the cameras follow Jorgensen’s dynamic conduction on stage. But, for the two-minute rendition of Toto’s Africa, they mainly focus on the faces of the crowd. People of all ages, genders and colours, singing their little hearts out. Bemused, at first, before exuding the kind of pure and silly joy one only experiences belting out an 80s yacht rock anthem with a bunch of mates.

    “If you bring some, like, cerebral, I dunno, indie thing, people are going to feel afraid and that they’re going to do a bad job,” Jorgensen says of her song selection. “I just want people to feel like they’re winning – because it’s just singing. It’s not that big a deal. We’ve been overthinking it. Just give them a win and let them feel good.”

    The people must have done. Cajoled by judge Simon Cowell and by an adoring crowd, Jorgensen was voted through to the show’s next round. Tens of millions of people have watched, shared and commented on the clip online.

    Astrid Jorgensen: ‘I tell people to put their phones away.’ Photograph: Kristina Wild

    Jorgensen is Zooming in from her bedroom in Brisbane, trying to keep an angry chihuahua called Penny quiet. Penny is never angry with Jorgensen – only with those who seek to steal Jorgensen away from her dog. Penny is frequently angry.

    Jorgensen’s not long back from a hectic tour of the US. Yesterday, the ABC’s Australian Story team was filming hers. Pub Choir will tour Singapore, Tokyo, the UK and Ireland in August. Jorgensen is launching her memoir, Average At Best, in September. She will tour Australia and News Zealand in October and November. Her computer pings with Slack messages from her media team.

    Unsure how to mute the notifications, Jorgensen takes a moment to message her handlers and kindly asks them to shush. The quiet brings oxygen back into the conversation.

    Jorgensen takes a similar approach to her Pub Choir shows.

    “I try to play into, and really appeal to, an analogue experience,” she says. “I tell people to put their phones away. And that is really hard for a lot of people.”

    But choir, she says, is a unique act of communion in which the audience is transformed into artists. It is a sensation she experienced growing up Catholic, something that almost convinced Jorgensen to become a nun – until she realised that the “beautiful, hopeful, optimistic, spiritual feeling” that its services gave her came not from the word of God, but from the music of the church.

    Running Up That Hill: Watch Brisbane choir’s rendition of Kate Bush classic – video

    This is an experience Jorgensen wants for her audience, but she wants them to decide for themselves how they feel about it, with their own brain, ears and eyes – not through a screen. Even after the show she asks that they keep phones in pockets.

    “And I think that’s really freeing for people,” Jorgensen says. “It’s really a lovely invitation for people to just experience, just to feel anything, to feel something at the show with others and to look around, to look eyes up, look at the board, look at each other, hold someone’s hand.

    “I feel like it’s such a nice, rare opportunity to agree with other people just in such a low-key way.”

    Jorgensen describes singing together as a “beautiful fast track to community” – something that, ironically, she alone is not part of at her own shows, standing as she does on stage. So after the final show of her US tour, at a nightclub in Honolulu, Jorgensen invited everyone in the audience to come and say hello.

    “People were relaying to me that this felt like the opposite of the way they’d been feeling for … years even. And that it felt important for them to remind that humanity and, like, connecting on a level outside of politics is possible,” she says.

    “That’s a special thing to be able to facilitate.”

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