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  • Alice in Borderland Season 3 Release Date, Teaser Trailer

    Alice in Borderland Season 3 Release Date, Teaser Trailer

    Netflix is heading back to the Borderland. The streamer revealed Tuesday that it has set a Sept. 25 launch for the third season of the Japanese live-action hit Alice in Borderland, while also unveiling the first teaser trailer, giving fans a glimpse at the high-stakes survival drama’s next twisted round.

    Directed once again by Shinsuke Sato and based on Haro Aso’s cult manga of the same name, the new season continues the story of Arisu and Usagi as they’re drawn back into the perilous limbo world known as the Borderland — a twisted realm that blurs the boundaries between life and death. The show has become one of Netflix’s top-performing Japanese originals, with Season 2 debuting at No. 1 on the streamer’s Global Top 10 list for non-English-language TV upon launch in 2022. 

    Returning stars Kento Yamazaki and Tao Tsuchiya reprise their roles as Arisu and Usagi, now living a seemingly peaceful married life — until haunting visions and a mysterious disappearance force them back into the Borderland. Also returning are Hayato Isomura, Ayaka Miyoshi, and Katsuya Maiguma. Season 3 adds a sizable roster of new cast members, including Koji Ohkura, Risa Sudou, Hiroyuki Ikeuchi, Tina Tamashiro and Kotaro Daigo and Hyunri. Kento Kaku (House of Ninjas, Amazon’s Like a Dragon: Yakuza) also joins the key cast as Ryuji, a man researching the afterlife who becomes Usagi’s guide back into the deadly game world.

    The show’s third installment is penned by Yasuko Kuramitsu and Sato, with a creative team that includes composer Yutaka Yamada, cinematographer Taro Kawazu, production designers Iwao Saito and Shin Nakayama, and VFX supervisor Atsushi Doi. The series is developed and produced by Robot, with production cooperation from Tokyo banner The Seven.

    Alice in Borderland has emerged as a flagship title for Netflix’s Japanese content ambitions — a slick genre spectacle with philosophical undertones and a growing global fandom. The streamer is increasingly ramping up its investment in Japanese live-action originals, capitalizing on both strong domestic growth potential and the rising international appeal of all things Japanese. Earlier this year, the streamer scored a hit with Bullet Train Explosion, a high-octane action reboot directed by Shin Godzilla’s Shinji Higuchi. Expectations are also high for Last Samurai Standing, a bloody battle-royale drama set to debut in November, with Junichi Okada leading a cast of nearly 300 samurai warriors in a survival contest during the Meiji era. Other recent entries include the supernatural action series YuYu Hakusho and the ninja-family thriller House of Ninjas, both of which cracked Netflix’s global non-English Top 10. 

    The company’s aggressive local production push comes as Japan, long seen as slow to embrace the streaming era, begins to shift. With connected TV penetration widening and younger viewers migrating away from traditional broadcasters, the country has emerged as one of the most strategically vital — lucrative, accessible and still underdeveloped — premium video markets in Asia.

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  • Cursor apologizes for unclear pricing changes that upset users

    Cursor apologizes for unclear pricing changes that upset users

    The CEO of Anysphere, the company behind the popular AI-powered coding environment Cursor, apologized Friday for a poorly communicated pricing change to its $20-per-month Pro plan. The changes resulted in some users complaining that they unexpectedly faced additional costs.

    “We recognize that we didn’t handle this pricing rollout well and we’re sorry,” said Anysphere CEO Michael Truell in a blog post. “Our communication was not clear enough and came as a surprise to many of you.”

    Truell is referring to a June 16 update to Cursor’s Pro plan. Instead of Pro users getting 500 fast responses on advanced AI models from OpenAI, Anthropic, and Google, and then unlimited responses at a slower rate, the company announced subscribers would now get $20 worth of usage per month, billed at API rates. The new plan allows users to run coding tasks in Cursor with their AI model of choice until they hit the $20 limit, and then users have to purchase additional credits to continue using it.

    However, Pro users took to social media to file their complaints in the weeks following the announcement.

    Many users said they ran out of requests in Cursor rather quickly under the new plan, in some cases after just a few prompts when using Anthropic’s new Claude models, which are particularly popular for coding. Other users claimed they were unexpectedly charged additional costs, not fully understanding they’d be charged extra if they ran over the $20 usage limit and had not set a spend limit. In the new plan, only Cursor’s “auto mode,” which routes to AI models based on capacity, offers unlimited usage for Pro users.

    Anysphere says it plans to refund users that were unexpectedly charged, and aims to be more clear about pricing changes moving forward. The company declined TechCrunch’s request for comment beyond the blog post.

    Truell notes in the blog that Anysphere changed Cursor’s pricing because “new models can spend more tokens per request on longer-horizon tasks” — meaning that some of the latest AI models have become more expensive, spending a lot of time and computational resources to complete complicated, multi-step tasks. Cursor was eating those costs under its old Pro plan, but now, it’s passing them along to users.

    While many AI models have lowered in price, the cutting edge of performance continues to be expensive — in some cases, more pricey than ever. Anthropic’s recently launched Claude Opus 4 model is $15 per million input tokens (roughly 750,000 words, longer than the entire “Lord of The Rings” series) and $75 per million output tokens. That’s even more costly than Google’s launch of Gemini 2.5 Pro in April, which was its most expensive AI model ever.

    In recent months, OpenAI and Anthropic have also started charging enterprise customers for “priority” access to AI models — an additional premium on top of what AI models already cost that guarantees reliable, high speed performance.

    These expenses may be filtering their way down to AI coding tools, which seem to be getting more expensive across the industry. Users of another popular AI tool, Replit, were also caught off guard in recent weeks by pricing changes that made completing large tasks with AI more expensive.

    Cursor has become one of the most successful AI products on the market, reaching more than $500 million in ARR largely through subscriptions to its Pro plan. However, Cursor now faces intense competition from the AI providers it relies on, while simultaneously figuring out how to affordably serve their more expensive AI models.

    Anthropic’s recently launched AI coding tool Claude Code has been a hit with enterprises, reportedly boosting the company’s ARR to $4 billion, and likely taking some users from Cursor in the process. Last week, Cursor returned the favor by recruiting two Anthropic employees that led product development of Claude Code.

    But if Cursor intends to keep its market-leading position, it can’t stop working with the state-of-the-art model providers — at least, not until its own home-grown models are more reasonably competitive.

    So Anysphere recently struck multi-year deals with OpenAI, Anthropic, Google, and xAI to offer a $200-a-month Cursor Ultra plan with very high rate limits. Anthropic co-founder Jared Kaplan also told TechCrunch in June he plans to work with Cursor for a long time.

    However, it certainly feels as if the pressure between Cursor and AI model developers is building.

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  • Cristiano Ronaldo’s sister defends Portuguese superstar following criticism of his absence from Diogo Jota’s funeral

    Cristiano Ronaldo’s sister defends Portuguese superstar following criticism of his absence from Diogo Jota’s funeral

    Katia Aveiro and her brother Cristiano Ronaldo. Photo by Instagram/@katiaaveirooficial

    In a series of Instagram posts, Katia argued that Ronaldo made a thoughtful decision in not attending, suggesting his presence could have drawn media attention away from the funeral.

    She called the focus on his absence “regrettable,” urging the public and press to respect Jota’s family.

    Jota and his younger brother Andre died in a tragic car crash on July 3 on the A-52 highway in Zamora, Spain. Their vehicle reportedly suffered a tire bust, lost control, flipped multiple times and caught fire.

    Two days later, members of the Portugal national team gathered at the Igreja Matriz de Gondomar church to pay their respects. Ronaldo, however, did not attend, reportedly to avoid overshadowing the funeral in the small town of Gondomar.

    According to Record, Ronaldo had personally contacted Jota’s family to express his condolences and offer support.

    Despite this, some influencers labeled Ronaldo’s absence as “inexplicable,” and several fans expressed disappointment that the national team captain did not cut short his vacation to attend the funeral, Daily Mail reported.

    Ronaldo, 40, was 11 years older than Jota. The two shared the pitch in 32 matches for Portugal, contributing seven goals, and most recently helped the team secure the 2025 UEFA Nations League title in June.

    Katia recalled a painful personal moment in 2005, when their father, Dinis Aveiro, died in London. At the time, Ronaldo was with the national team in Russia preparing for World Cup qualifiers.

    “When my father died. In addition to the pain of loss we had to deal with a flood of cameras and curious onlookers at the cemetery and everywhere we went,” she wrote. “And attention was not what it is today in terms of access… At no time were we able to leave the chapel; it was only possible at the time of the burial, such was the commotion.”

    Katia, who has been vocal in defending her brother online, warned that she would block any message that criticizes him.

    “About pain/family and real support… You will never know what it means until you go through it. If someone sends me a message criticizing anything my brother does, I will block it, that is, they will only do it once.

    “It’s getting tiring. The fanaticism. The criticism for nothing, I repeat nothing… Sick society… We all have families. It is absurdly shameful to watch TV emphasizing an absence rather than respectfully honoring the pain of a mutilated family destroyed by the loss of two brothers. I am even ashamed to watch. Regrettable.”

    Born in 1977, Katia is eight years older than Ronaldo and has been active as a pop singer since 2005. She is known as the most outspoken member of the Ronaldo family on social media, often coming to her brother’s defense.

    In August 2022, she called Real Madrid President Florentino Perez an “old man” after he declined to sign Ronaldo again. Later that year, following Portugal’s World Cup elimination and Argentina’s title win, she branded the 2022 World Cup as “the worst in history.”

    Katia has also taken shots at other players, including Gerard Pique, Luka Modric, Virgil van Dijk and even Ronaldo’s former club, Juventus.

    Ronaldo has two other siblings, brother Hugo and sister Elma.


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  • UN limits fuel stock in Gaza to life-saving efforts, urges Israel to allow fuel in without delay-Xinhua

    UN limits fuel stock in Gaza to life-saving efforts, urges Israel to allow fuel in without delay-Xinhua

    Palestinians flee the al-Tuffah neighborhood in eastern Gaza City on June 29, 2025. (Photo by Rizek Abdeljawad/Xinhua)

    “Service providers such as hospitals have been rationing supplies. But this cannot sustain critical operations for much longer,” the UN Office for the Coordination of Humanitarian Affairs (OCHA) said.

    UNITED NATIONS, July 7 (Xinhua) — Four months into an Israeli blockade on Gaza, virtually all the United Nations’ remaining fuel stock in Gaza has been allocated to just life-saving efforts, UN humanitarians said on Monday.

    “Service providers such as hospitals have been rationing supplies. But this cannot sustain critical operations for much longer,” the UN Office for the Coordination of Humanitarian Affairs (OCHA) said. “The absence of accessible fuel means no ambulances, no electricity for hospitals, and no clean water.”

    OCHA said Israeli authorities must allow fuel to enter Gaza without delay.

    The office said its telecommunications partners warned that Gaza could imminently suffer an internet blackout due to the fuel shortage.

    This latest crisis, the humanitarians said, comes as civilians in Gaza face deadly violence not only from the continuing hostilities but also, reportedly, while going to retrieve food aid in the face of starvation.

    OCHA said more Palestinians were reportedly killed over the weekend while attempting to access food.

    The World Food Programme (WFP) reported that a recent survey showed nearly one in three people go without eating for days, placing more people at risk of starvation.

    WFP Deputy Executive Director Carl Skau, who visited Gaza City last week, described the situation as the worst he has ever seen, according to the food agency.

    “It’s hard to find words to describe the level of desperation I have witnessed,” Skau was quoted as saying. “People are dying just trying to get food.”

    Skau said that a mother told him she had gone to a kitchen hoping to find a hot meal, but fainted. There were no meals. She later went home without anything for her children. Skau said he also met a father who had lost 25 kilos in the past two months due to the scarcity of meals.

    OCHA said that with the ever-increasing, massive humanitarian needs, the Israeli authorities must open all available crossings into Gaza, fully facilitate humanitarian access within the strip, and protect civilians in line with their obligations under international humanitarian law.

    The office also said the Israeli authorities issued another displacement order on Sunday for parts of Khan Younis. It was the second time in two days. More than 50,000 people were estimated to be in the areas slated for displacement.

    “Since the ceasefire ended in March, more than 700,000 people have been displaced, often more than once, with no safe place to go,” OCHA said. “Overcrowding is particularly acute in Al-Mawasi and other coastal areas.”

    The UN Population Fund reported that amid food scarcity and soaring malnutrition, women continue to bear an immense burden of finding food to feed their families. Most women report depression or suffer from nightmares and anxiety.

    Humanitarian teams reported continued efforts to coordinate movements in Gaza with the Israeli authorities. On Sunday, three out of eight coordination attempts were denied, hindering the ability to carry out critical operations.

    “The UN calls for immediate, unimpeded humanitarian access so that aid can reach people across Gaza, including in the north,” OCHA said.

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  • Samsung Electronics Announces Earnings Guidance for Second Quarter 2025 – Samsung Global Newsroom

    Samsung Electronics Announces Earnings Guidance for Second Quarter 2025 – Samsung Global Newsroom

    Samsung Electronics today announced its earnings guidance for the second quarter of 2025.

     

    • Consolidated Sales: Approximately 74 trillion Korean won
    • Consolidated Operating Profit: Approximately 4.6 trillion Korean won

     

    The above estimates are based on K-IFRS. Please note that Korean disclosure regulations do not allow earnings estimates to be offered as a range. To comply with such regulations, the above figures represent the median of the estimate ranges provided below.

     

    • Sales: 73 trillion to 75 trillion Korean won
    • Operating Profit: 4.5 trillion to 4.7 trillion Korean won

     

     2025 1Q and 2024 2Q consolidated figures based on K-IFRS are as follows

    (in trillion won) 2025.1Q 2024.2Q
    Sales 79.14 74.07
    Operating profit 6.69 10.44

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  • Lula tells Trump that world does not want ’emperor’ after U.S. threatens BRICS tariff

    Lula tells Trump that world does not want ’emperor’ after U.S. threatens BRICS tariff

    Brazilian President Luiz Inacio Lula da Silva speaks during a press conference at the 17th annual BRICS summit in Rio de Janeiro, Monday, July 7, 2025.
    | Photo Credit: AP

    Developing nations at the BRICS summit on Monday (July 7, 2025) brushed away an accusation from President Donald Trump that they are “anti-American,” with Brazil’s President saying the world does not need an emperor after the U.S. leader threatened extra tariffs on the bloc.

    Trump’s threat on Sunday (July 6, 2025) night came as the U.S. government prepared to finalize dozens of trade deals with a range of countries before his July 9 deadline for the imposition of significant “retaliatory tariffs.”

    The Trump administration does not intend to immediately impose an additional 10% tariff against BRICS nations, as threatened, but will proceed if individual countries take policies his administration deems “anti-American,” according to a source familiar with the matter.

    Lula on Trump tariff

    At the end of the BRICS summit in Rio de Janeiro, Mr. Lula was defiant when asked by journalists about Trump’s tariff threat: “The world has changed. We don’t want an emperor.”

    “This is a set of countries that wants to find another way of organizing the world from the economic perspective,” he said of the bloc. “I think that’s why the BRICS are making people uncomfortable.”

    In February, Mr. Trump warned the BRICS would face “100% tariffs” if they tried to undermine the role of the U.S. dollar in global trade. Brazil’s BRICS presidency had already backed off efforts to advance a common currency for the group that some members proposed last year.

    But Mr. Lula repeated on Monday (July 7, 2025) his view that global trade needs alternatives to the U.S. dollar.

    “The world needs to find a way that our trade relations don’t have to pass through the dollar,” Mr. Lula told journalists at the end of the BRICS summit in Rio de Janeiro.

    “Obviously, we have to be responsible about doing that carefully. Our central banks have to discuss it with central banks from other countries,” he added. “That’s something that happens gradually until it’s consolidated.”

    Other BRICS members also pushed back against Trump’s threats more subtly.

    South African President Cyril Ramaphosa told reporters that the group does not seek to compete with any other power and expressed confidence in reaching a trade deal with the U.S.

    “Tariffs should not be used as a tool for coercion and pressuring,” Mao Ning, the Chinese foreign ministry spokesperson said in Beijing. The BRICS advocates for “win-win cooperation,” she added, and “does not target any country.”

    A Kremlin spokesperson said Russia’s cooperation with the BRICS was based on a “common world view” and “will never be directed against third countries.”

    India did not immediately provide an official response to Mr. Trump.

    Many BRICS members and many of the group’s partner nations are highly dependent on trade with the United States. New member Indonesia’s senior economic minister, Airlangga Hartarto, who is in Brazil for the BRICS summit, is scheduled to go to the U.S. on Monday (July 7, 2025) to oversee tariff talks, an official told Reuters. Malaysia, which was attending as a partner country and was slapped with 24% tariffs that were later suspended, said that it maintains independent economic policies and is not focused on ideological alignment.

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  • ‘Anthem’ Is the Latest Video Game Casualty. What Should End-of-Life Care Look Like for Games?

    ‘Anthem’ Is the Latest Video Game Casualty. What Should End-of-Life Care Look Like for Games?

    Electronic Arts and BioWare will sunset their online multiplayer game Anthem on January 12, effectively making it obsolete. “Anthem was designed to be an online-only title so once the servers go offline, the game will no longer be playable,” BioWare wrote in the announcement. On August 15, the game will disappear from EA Play’s playlist.

    Right now, players can’t buy in-game currency, but they will be able to spend what they have until servers are offline. Developers at BioWare who have been working on Anthem will not be laid off as a result of the game’s end. News of the game’s shutdown comes as the industry, already going through an upheaval, faces increased pressure from players to create “end of life” plans for service games.

    Anthem’s development lasted almost seven years, during which the game struggled through major redirections. Its 2019 launch was widely panned by critics, who described it as uneven in its execution, riddled with bugs, and tedious. While BioWare and EA had initially planned to overhaul the game after launch—an undertaking known as Anthem Next—BioWare canceled the project in 2021, citing Covid-19, to shift focus to other games. Its live service continued to run.

    Online, fans on places like EA’s official forums are asking for an “offline mode” that would allow them to play Anthem even without the servers. “To shut down and completely remove a game people have put money into (especially without refunds) is a worrying and dangerous precedent,” one player wrote. “If you bought a game you should be able to play it.” Another player wrote that “letting games like Anthem disappear completely also sends a dangerous message: that live-service games are disposable, no matter how much time or money players invested.”

    Video games disappear for many reasons, whether it’s licensing issues, code being lost, or physical media becoming unplayable. The developer’s decision to end Anthem’s server support speaks to a problem specifically being combated by Stop Killing Games, a consumer movement out of the European Union that argues this practice is destroying some titles unnecessarily. “An increasing number of video games are sold effectively as goods—with no stated expiration date—but designed to be completely unplayable as soon as support from the publisher ends,” the campaign’s website reads. This practice, the movement’s organizers claim, “is not only detrimental to customers but makes preservation effectively impossible.”

    Stop Killing Games won’t be able to do anything to stop the demise of Anthem. The organization relies on petitions and tries to seek government intervention—actions that couldn’t achieve outcomes before January. Still, says founder Ross Scott, the sunsetting is “exactly the sort we’re trying to prevent.” The goal is to “break the cycle so this doesn’t keep happening for future games.”

    For Scott and the other adherents of Stop Killing Games, destroying a video game—much like destroying every copy of a book, album, or film—is tantamount to “a cultural loss for society,” according to the group’s website. “While a less recognized medium, video games still deserve to have basic protections against the complete and willful destruction of many of its works.” What they want is for companies to have backup plans that allow games to live on in a playable format even if they have to be taken offline.

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  • ‘Harry Potter’ star slams ‘racist’ criticism of Paapa Essiedu casting

    ‘Harry Potter’ star slams ‘racist’ criticism of Paapa Essiedu casting

    Jason Isaacs isn’t here for all the muggle back talk.

    The “Harry Potter” alum, who played Lucius Malfoy in the wizarding drama franchise, weighed in on the controversy surrounding Paapa Essiedu’s casting in the upcoming HBO series adaptation of the films. Essiedu, 35, is set to portray Hogwarts professor and Slytherin head Severus Snape, originally played by Emmy-winning actor Alan Rickman.

    Isaacs, 62, took aim at the racially charged criticism against Essiedu, whose dark complexion differs from that of the original Snape. The British actor, born and raised in London, is of Ghanaian descent.

    “Paapa Essiedu is one of the best actors I’ve ever seen in my life,” Isaacs said during a July 5 panel discussion at Fan Expo Denver moderated by Collider. “I’ve seen some people online who are being rude about him. What they’re being is racist.”

    HBO’s “Harry Potter” series, which does not yet have a release date, will be a new adaptation of the bestselling children’s book series by J.K. Rowling, which was made into a hit film series in the 2000s that starred Daniel Radcliffe, Rupert Grint and Emma Watson. Rowling serves as executive producer on the show.

    Dominic McLaughlin is set to play orphan-turned-boy-wizard Harry Potter, while Arabella Stanton will play Hermione Granger and Alastair Stout will play Ron Weasley.

    “All the cast of the new Harry Potter TV series are amazing,” Isaacs told Collider. Critics “will be swallowing their tongues, hopefully — you know, their digital tongues — when they see what (Paapa) does on screen.”

    Essiedu, known for his roles in “I May Destroy You,” “Black Mirror” and “The Outrun,” shared his excitement at joining the magical world of “Harry Potter” in an April Instagram post announcing his casting. The actor affectionately signed off the post’s caption as “Professor Snape.”

    “An honor and a privilege to be going on this journey with these legends,” Essiedu wrote at the time. “We shall eat, and we shall leave no crumbs. See you at Hogwarts.”

    Contributing: Brendan Morrow, USA TODAY


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  • Johnny Depp finally says goodbye to grudges after split from Amber Heard

    Johnny Depp finally says goodbye to grudges after split from Amber Heard



    Johnny Depp finally says goodbye to grudges after split from Amber Heard

    Johnny Depp has chosen not to carry hate in his heart, even after everything that happened between him and Amber Heard.

    The former couple broke up in 2016, but the real storm came later when Heard wrote about being abused.

    Although the actress didn’t name the actor, the damage was done. 

    However, Depp took her to court for what she wrote, and their fight became public. Still, he says he’s not stuck in the past and doesn’t feel the need to stay angry.

    Depp shared with The Telegraph newspaper: “This sounds like horses*** but one can simply hold hate [until it] inspires some species of malice in your skull.

    “Makes you think of revenge. But hating someone is a great big responsibility to hang on to.

    “The real truth of it, that I won’t allow, is that in order for me to hate, I have to care first. And I don’t care. What should I care about? That I got done wrong to [by others]? Plenty of people get done wrong.”

    While talking about the reason why he took the matter to court, Depp said he couldn’t just sit back and watch a lie ruin his chances in Hollywood. He made it clear he wasn’t going to let a false story decide his worth in the industry.

    However, the Hollywood icon continued saying that he’s learned a lot from the last few years.

    He added: “Going through all that in real time amounted to seven or eight years,” he says. “It was a harsh, painful internal journey. Would I rather not have gone through something like that? Absolutely. But I learnt far more than I ever dreamed I could.”

    Depp once said that being pushed out of Hollywood during his legal battles felt like being lost with no direction. But even after all that, he says he doesn’t feel bitter toward anyone.

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  • Apple's top AI executive Ruoming Pang leaves for Meta, Bloomberg News reports – Reuters

    1. Apple’s top AI executive Ruoming Pang leaves for Meta, Bloomberg News reports  Reuters
    2. Meta Hires Researcher from Apple  The Information
    3. Apple Loses Key AI Executive to Meta’s Multimillion-Dollar Hiring Spree  MacRumors
    4. Meta poaches Apple’s top AI models executive, Bloomberg reports  TipRanks
    5. Meta just hired Apple’s head of foundation models  9to5Mac

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