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  • Webb telescope offers a look at one of the universe’s most chaotic crashes

    Webb telescope offers a look at one of the universe’s most chaotic crashes

    The Bullet Cluster, named for its distinctive shape, has long been considered a smoking gun for the existence of dark matter in space

    (Sorry, couldn’t resist the pun.) 

    But the James Webb Space Telescope, a partnership of NASA and its European and Canadian counterparts, has now traced that hidden material with unprecedented precision. In new images, such as the one displayed at the top of this story, scientists have obtained the most detailed information yet on the notorious cosmic collision between two massive groups of galaxies, 3.8 billion light-years away in the Carina constellation. 

    What makes this cluster famous isn’t the violence of it all. It’s that the crash stripped the visible matter, such as hot gas, from the dark matter, a mysterious-yet-abundant substance that doesn’t shine or interact with light. This unseen material stealthily shapes galaxies. 

    “Webb’s images dramatically improve what we can measure in this scene — including pinpointing the position of invisible particles known as dark matter,” said Kyle Finner, a Caltech scientist involved in the research, in a statement.

    SEE ALSO:

    Rubin Observatory’s first images flaunt millions of galaxies. Take a look.

    With Webb, astronomers have discovered thousands of previously unknown faint and distant galaxies and used the data to map the region’s total weight.

    Long ago when the two galaxy groups slammed into each other at ultra high speeds, the visible gas clouds slowed down and got dragged behind, while the dark matter kept going. This separation was partly captured in earlier images by NASA’s Chandra X-ray Observatory, but the latest Webb data reveals more subtle details.

    Mashable Light Speed

    In the new study, published in The Astrophysical Journal Letters, researchers combined measurements of strong and weak “gravitational lensing” to create a high-resolution mass map. 

    When a massive object like a galaxy cluster sits in the foreground of a more distant galaxy, it bends and magnifies the background light in a process called gravitational lensing. NASA often uses the analogy of a bowling ball placed on a foam mattress or trampoline to illustrate how the fabric of spacetime bends: Light that would otherwise travel straight curves as it passes through the warped spacetime. The natural phenomenon creates a magnifying glass in the sky, allowing scientists to then see even more distant objects than would ordinarily be possible. 

    The new map doesn’t assume that light and mass must go hand in hand — a crucial consideration because dark matter doesn’t shine. It instead tracks how the background galaxies appear warped. 

    A new James Webb Space Telescope study of the Bullet Cluster has revealed unprecedented detail that could help scientists trace dark matter.
    Credit: NASA GSFC / CIL / Adriana Manrique Gutierrez illustration

    To understand gravitational lensing and dark matter, James Jee, a professor at Yonsei University, says to think of a pond filled with clear water and pebbles. The water, in this case, is dark matter, and the pebbles are background galaxies.

    “You cannot see the ‘water’ unless there is wind, which causes ripples,” he said. “Those ripples distort the shapes of the pebbles below, causing the water to act like a lens.” 

    The real surprise was seeing a faint trail of mass extending from the subcluster — a possible “bridge” of material that could tell a deeper story about the cluster’s past. In that trail, researchers also found what’s called intracluster light — stars that have been stripped from their home galaxies and now drift freely, bound only by the cluster’s gravity. 

    These stars seem to follow the dark matter closely. The researchers found the light and mass were aligned within just about 20,000 light-years. This means wandering stars could give scientists a new way to map invisible matter in future galaxy collisions.

    The findings hint that the Bullet Cluster’s history may be messier than scientists thought. Rather than a simple two-object collision, the evidence points to a more complex chain of events, with other previous smashups. And even with all this new detail, researchers still haven’t captured the whole picture — Webb’s field of view only includes the “head of the giant,” as one scientist put it. 

    “Webb’s initial images allow us to extrapolate how heavy the whole ‘giant’ is,” Jee said, “but we’ll need future observations of the giant’s whole ‘body’ for precise measurements.”


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  • Today’s famous birthdays list for July 1, 2025 features celebrities Storm Reid, Tate McRae

    Today’s famous birthdays list for July 1, 2025 features celebrities Storm Reid, Tate McRae

    Birthday wishes go out to Storm Reid, Tate McRae and all the other celebrities with birthdays today. Check out our slideshow below to see photos of famous people turning a year older on July 1st and learn an interesting fact about each of them.

    Top celebrity birthdays on July 1, 2025

    Actress Loni Anderson and Actor Jamie Farr other members of the cast and crew of the Love Boat TV series appear on Princess Cruise’s 50th Anniversary christened the Regal Princess in Port Everglades, Monday, Nov 5, 2014 in Ft. Lauderdale, Fla. (AP Photo/Marc Serota)ASSOCIATED PRESS

    Actor Jamie Farr turns 91

    Fun fact: Portrayed The Sheik in the “Cannonball Run” films

    Dan Aykroyd, left, Annie Potts and Ernie Hudson

    Dan Aykroyd, left, Annie Potts and Ernie Hudson attend the premiere of “Ghostbusters: Frozen Empire” at the AMC Loews Lincoln Square on Thursday, March 14, 2024, in New York. (Photo by Evan Agostini/Invision/AP)Evan Agostini/Invision/AP

    Actor Dan Aykroyd turns 73

    Fun fact: His middle name is Edward

    Mireille Enos, left, and Alan Ruck

    Mireille Enos, left, and Alan Ruck arrive at the 30th annual Screen Actors Guild Awards on Saturday, Feb. 24, 2024, at the Shrine Auditorium in Los Angeles. (AP Photo/Chris Pizzello)Chris Pizzello/Invision/AP

    Actor Alan Ruck turns 69

    Fun fact: Played twin brothers in an episode of “Elsbeth” earlier this year

    Brandon Thomas Lee, left and Pamela Anderson

    Brandon Thomas Lee, left and Pamela Anderson attend The Metropolitan Museum of Art’s Costume Institute benefit gala celebrating the opening of the “Superfine: Tailoring Black Style” exhibition on Monday, May 5, 2025, in New York. (Photo by Evan Agostini/Invision/AP)Evan Agostini/Invision/AP

    Actress Pamela Anderson turns 58

    Fun fact: Received multiple nominations for her role in “The Last Showgirl”

    Missy Elliot

    FILE – Missy Elliott performs “Lose Control” at the 65th annual Grammy Awards on Sunday, Feb. 5, 2023, in Los Angeles. (AP Photo/Chris Pizzello, File)Invision

    Rapper Missy Elliott turns 54

    Fun fact: Has appeared in commercials for companies like Doritos and Walmart

    Liv Tyler

    Liv Tyler arrives at the premiere of “Captain America: Brave New World” on Tuesday, Feb. 11, 2025, at the TCL Chinese Theatre in Los Angeles. (AP Photo/Chris Pizzello)Chris Pizzello/Invision/AP

    Actress Liv Tyler turns 48

    Fun fact: Appeared briefly in the film “Captain America: Brave New World”

    Lea Seydoux, left, and Raphael Quenard

    Lea Seydoux, left, and Raphael Quenard pose for photographers at the photo call for the film ‘The Second Act’ at the 77th international film festival, Cannes, southern France, Wednesday, May 15, 2024. (Photo by Andreea Alexandru/Invision/AP)Andreea Alexandru/Invision/AP

    Actress Lea Seydoux turns 40

    Fun fact: Has a son named George

    Storm Reid

    Storm Reid arrives at the Essence Black Women in Hollywood Awards on Thursday, Feb. 27, 2025, in Los Angeles. (Photo by Jordan Strauss/Invision/AP)Jordan Strauss/Invision/AP

    Actress Storm Reid turns 22

    Fun fact: Was nominated for an Emmy for her guest appearance on “The Last of Us”

    Tate McRae

    Tate McRae performs at Q102’s iHeartRadio Jingle Ball on Monday, Dec. 16, 2024, at the Wells Fargo Center in Philadelphia. (Photo by Owen Sweeney/Invision/AP)Owen Sweeney/Invision/AP

    Singer Tate McRae turns 22

    Fun fact: Born in Calgary, Alberta

    Check out other celebrities who were born in Canada.

    More celebrities with birthdays today

    Actor Leslie Caron is 94. Dancer Twyla Tharp is 84. Actor Genevieve Bujold is 83. Singer Deborah Harry of Blondie is 80. Actor Daryl Anderson (“Lou Grant”) is 74. Actor Trevor Eve is 74. Stage actor Terrence Mann is 74. Singer Fred Schneider of The B-52’s is 74. Singer Victor Willis of the Village People is 74. Actor Lorna Patterson (“Airplane!”) is 69. Singer Evelyn “Champagne” King is 65. Singer Michelle Wright is 64. Actor Dominic Keating (“Star Trek: Enterprise”) is 63. Bassist Mark Pirro of Polyphonic Spree is 55. Actor Henry Simmons (“Marvel’s Agents of S.H.I.E.L.D.,” ″NYPD Blue”) is 55. Actor Julianne Nicholson (“Law & Order: Criminal Intent,” ″Ally McBeal”) is 54. Actor Melissa Peterman (“Young Sheldon,” “Reba”) is 54. Actor and writer Jill Kargman (“Odd Mom Out”) is 51. Drummer Bryan Devendorf of The National is 50. Singer-songwriter Sufjan Stevens is 50. Actor Thomas Sadoski (“Life in Pieces”) is 49. Actor Hilarie Burton (“One Tree Hill”) is 43. Actors Steven and Andrew Cavarno (“Party of Five”) are 33. Singer Chloe Bailey of Chloe X Halle is 27.

    Other popular or historical birthdays on July 1st

    Estee Lauder, cosmetics mogul

    Diana Spencer, Princess of Wales

    Carl Lewis, Olympic sprinter (63)

    with The Associated Press

    Celebrity fun facts

    Recent lists: Drew Barrymore fun facts | Kaley Cuoco fun facts | Margot Robbie fun facts | Kevin Costner fun facts | Tom Cruise fun facts | Gal Gadot fun facts | Dwayne ‘The Rock’ Johnson fun facts | Reese Witherspoon fun facts

    Popular lists: Robert Downey Jr. fun facts | Emma Watson fun facts | Jason Momoa fun facts | Miley Cyrus fun facts

    Check out our full list of more than 40 celebrity fun facts.

    Movie and TV fun facts & more

    Recent lists: 19 actors recast in the MCU | ‘How I Met Your Mother’ guest stars | ‘Groundhog Day’ fun facts | ‘Yellowstone’ trivia

    Popular lists: Canadian celebrities | ‘Friends’ guest stars | Celebs on ‘The Office’

    Check out our rundown of more than 30 posts featuring trivia and fun facts about movies and TV shows.

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  • Europe swelters under a punishing heat wave with Paris forecast to hit 104 F

    Europe swelters under a punishing heat wave with Paris forecast to hit 104 F

    PARIS — France and the rest of Europe were still in the grips of the first major heat wave this summer with health warnings in effect Tuesday, even as conditions began to improve in some parts of the region.

    Punishing temperatures were forecast to reach 40 degrees Celsius (104 degrees Fahrenheit) in Paris and to stay unusually high in Belgium and the Netherlands. In contrast, temperatures were falling in Portugal, where no red heat warnings were issued.

    In France, the national weather agency Météo-France placed several departments under the highest red alert, with the Paris region particularly hard hit. The heat wave — defined as consecutive days of very high temperature — is expected to intensify Tuesday and more than 1,300 schools were expected to be partially or fully closed, the Education Ministry said.

    Visitors to the Eiffel Tower without tickets were told to postpone their visits, and the summit of the city’s landmark was closed until Thursday.

    Farther south, 17 of Italy’s 27 major cities were experiencing a heat wave, according to the Health Ministry.

    Météo-France also warned of the heightened risk of wildfires due to the drought-stricken soil, compounded by a lack of rain in June and the recent surge in temperature.

    Climate experts warn that future summers are likely to be hotter than any recorded to date. By 2100, France could be up to 4 C (39 F) warmer, with temperatures exceeding 40 C expected every year and extreme heat spikes potentially reaching 50 C (122 F). According to Météo-France, the country may face a tenfold increase in the number of heat wave days by 2100.

    In Portugal, Lisbon was forecast to reach 33 C (91 F), typical for this time of the year, though some inland areas could still see peaks of 43 C (109 F), according to the national weather agency. June temperature records were broken in two locations in Portugal on June 29.

    ___

    Associated Press writers Barry Hatton in Lisbon, Portugal, and David Billier contributed to this report.

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  • Circular economy investment has surged since 2018, but high-impact solutions remain underfunded

    Circular economy investment has surged since 2018, but high-impact solutions remain underfunded

    The Circularity Gap Report Finance is the first empirical global study that quantifies and explains the global financial streams to circular business models, such as resale and repair, which allows for estimating the ‘gap’ in finance for a circular economy. It was authored by the Amsterdam-based impact organisation Circle Economy in collaboration with KPMG International, with support from the International Finance Corporation (IFC).

    The report highlights that circular economy investments can deliver risk-adjusted returns. Circular business models generate additional revenue, unlock new markets, and deliver greater value from fewer resources. In addition, circularity is emerging as a key strategy for the financial sector to manage resource risks from supply chain disruptions and material scarcity—risks that are now more relevant than ever, considering trade wars and geopolitical instability.

    The sector increasingly recognises these benefits: investment in the circular economy has grown from US$ 10 billion in 2018 to US$ 28 billion in 2023, peaking at US$ 42 billion in 2021. While this upward trend signals a strengthening business case for circularity, the failure to surpass the 2021 peak suggests waning momentum. Banks account for the majority of these investments in the form of debt. Nevertheless, circular investments still represent just 2% of all tracked capital (in the scope of this report), suggesting a vast unrealised potential.

    Investments mainly go to conventional applications of circularity, like rental and repair, which have existed for decades. High-impact solutions and innovations in design and production received just 4.7% of all investment, despite their potential to eliminate waste and pollution at the source.

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  • meet Maeving’s cool new motorbike

    meet Maeving’s cool new motorbike

    Challenger brands have become the norm these days, with the disruptor playgrounds of fintech, artificial intelligence and computing fuelling significant changes in traditional industries. Transport is a perfect example, and while the electric car world is grabbing all the headlines, especially with Elon Musk’s Tesla and his ill-fated bromance with the president of the United States, there is also a more dignified, quiet revolution occurring in the electric motorcycle market.

    This article contains affiliate links that can earn us revenue

    It’s an industry filled with several well-established brands that date back over a century. T en years ago no motorcycle aficionado would have even heard the name Maeving. Today, however, this small British firm founded by a couple of university friends is at the forefront of electric motorcycle sales in the UK and is expanding its reach globally.

    The Maeving philosophy appears relatively straightforward but is undoubtedly challenging to execute, especially when competing against industry titans. The product proposition is clearly electric-only, emissions-free power first. Yet right behind that is a handsome design aesthetic that nods to traditional motorcycle building while embracing the future optimism of the new tech. The Maeving RM1 that came out a few years ago epitomises this approach. Within a year of its launch it was the bestselling electric motorcycle in the UK. Maeving’s latest creation, the RM1S, leverages the company’s early learnings and public goodwill to create a bike that retains all the charm of the RM1 but with some notable upgrades.

    First, power and, inevitably, performance have been increased, given the RM1S a top speed of 70mph, compared to the 45mph of the RM1. Second, the batteries have been placed lower down in the engine casing, which is crucial for a low centre of gravity. This also handily frees up space in the faux fuel tank, which is very useful for storing mobile phones, gloves or that essential pack of Haribos for a longer road trip.

    Removable batteries make charging simple on a charging pad wired to a standard three-pin plug — or, new to the RM1S, the ability to charge in situ while still on the bike, allowing you to take advantage of public charging points en route. The heightened top speed should be as fast as you’d ever need to go, and a full charge will get you 80 miles of range — again, enough for a bike that will mostly appeal to commuters or weekend pleasure seekers. The RM1S also provides an accessible entry point into motorcycle riding, requiring only a Compulsory Basic Training (CBT) certificate. However, it is worth noting that to ride on a motorway in the UK you will need at least an A1 license.

    NINTCHDBPICT001003378807

    Electric power has undergone significant development over the past few years. Apart from the all-important zero emissions, the silent delivery of clean power offers a unique contrast to the time-honoured image of a roaring motorbike. The liberty of a motorbike ride becomes more of a peaceful freedom on an electric version, which has often been seen as an expression of rebellion or a symbol of the free spirit. The Maeving brand ambassador Ashley Walters is a passionate exponent of these virtues. The actor and director talks enthusiastically about being “drawn to the silence” on his Maeving — something you wouldn’t always have associated with motorcycle riding. He describes how this adds a refreshing dimension to the joy of riding and escaping the daily grind. In his Maeving “rider story” he reflects on his motorbike journeys, stating, “I’m riding for peace in the moment.”

    The Maeving RM1S is a handsome, convenient, emissions-free commuting tool, but more than that, and of interest to most potential purchasers, it achieves all this in a stylish and silent manner.

    Discover Maeving’s full range and Ashley Walters’s rider story at maeving.com

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  • Canyon overhauls the Grizl gravel bike and gives it a crazy new handlebar

    Canyon overhauls the Grizl gravel bike and gives it a crazy new handlebar

    Canyon has released a brand new version of its Grizl gravel bike today, and it has received quite an update.

    The Grizl, Canyon’s more relaxed, adventure-focused gravel bike, which sits alongside the racier Grail model, was first launched in 2021. This marks its third iteration.

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  • Campedelli returns to ERC driven by nature

    Campedelli returns to ERC driven by nature

    Orange1 Rally, the rally division of Orange1 Racing, Campedelli’s long-term partner, is underlining its concrete commitment to sustainability by supporting the Piantando organisation’s Silva Project.

    Developed in Abruzzo in the municipality of Tollo, in the Valle del Foro, this, according to Orange1 Rally, is “an area identified as at risk of hydrogeological instability by the Ministry of the Environment, which is now the focus of a forest regeneration project”.

    An Orange1 Rally communication read: “Silva’s objective is the ecological restoration of land abandoned or damaged by years of intensive agriculture. Through active reforestation, balance, life and biodiversity are restored to ecosystems that have been put to the test.

    Melting glaciers are depicted on the co-driver’s side

    © ERC

    “For this event, Orange1 Rally pledges to adopt 100 adult trees, a concrete symbol of the desire to compensate for the CO2 emissions produced during the Rally di Roma Capitale super special stage. The contribution is not just limited to planting, but brings direct environmental and social benefits, including improvement of the soil, regulation of water resources, restoration of local biodiversity, involvement and awareness-raising of local communities”.

    To highlight Orange1 Rally’s Natures Drives Us initiative, the Škoda Fabia Rally2 Evo piloted by Campedelli and co-driven by Tania Canton will carry a special livery “designed to visually portray the message of sustainability that we want to carry throughout each stage.

    “The two sides of the car represent two faces of the same reality: on one side, melting glaciers. A clear and direct reminder of the visible effects of climate change. On the other, a lush green forest, a symbol of rebirth and hope, inspired by the project we are running in collaboration with Piantando. On the roof of the car, the two worlds meet: the skies of the landscapes on the two opposite sides of the car merge into one, a clear, serene, pollution-free sky. It is the horizon we aspire to, the one we want to race towards.

    A lush green forest is a symbol of rebirth and hope

    A lush green forest is a symbol of rebirth and hope

    © ERC

    “Simone will wear a blue racesuit, in reference to the side of the car that represents the melting glaciers; Tania will wear a green racesuit that recalls the wooded side of the car. This livery best represents our commitment, reminding us that rallying and motorsport can also be witnesses of messages of responsibility”.

    Orange1’s Nature Drives Us initiative follows the Orange1 For Women campaign launched ahead of last season’s Rally di Roma Capitale, which shone a spotlight on female empowerment.

    Rally di Roma Capitale hosts round five of the 2025 ERC season from 4 – 6 July.

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  • Sectoral numerical targets in terms of the Employment Equity Act, 1998

    The Amendments to the Employment Equity Act, 1998, came into effect on 1 January 2025 and the Employment Equity Regulations (Regulations) were published on 15 April 2025 by the Minister of Employment and Labour.

    The Regulations establish five-year numerical targets for designated employers (ie employers who employ more than 50 employees) across 18 economic sectors: accommodation and food service activities; administrative and support activities; agriculture, forestry & fishing; arts, entertainment and recreation; construction; education; electricity, gas, steam and air conditioning supply; financial and insurance activities; human health and social work activities; information and communication; manufacturing; mining and quarrying; professional, scientific and technical activities; public administration and defence; compulsory social security; real estate activities; transportation and storage; water supply, sewerage, waste management and remediation activities; wholesale and retail trade; and repair of motor vehicles and motorcycles.

    In terms of the Regulations designated employers must adopt a five-year employment equity plan based on the sectoral targets which include a 3% disability employment goal.

    Going forward designated employers will only be able to obtain a certificate of compliance to do work for government if they have met the applicable sectoral targets or have a reasonable ground for non-compliance; and provided that there have been no complaints of unfair discrimination in relation to that employer.

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  • Pakistan beat Maldives to book semifinal spot at Asian Youth Netball Championship 2025

    Pakistan beat Maldives to book semifinal spot at Asian Youth Netball Championship 2025



    Pakistan and Maldives netball players in action during their fifth group-stage match in Jeonju-si, South Korea on July 01, 2025. — Reporter

    Pakistan on Tuesday advanced to the semifinals of the Asian Youth Girls Netball Championship 2025 with a hard-fought 49-39 victory over Maldives in their final group fixture at the Jeonju Hwasan Gymnasium in Jeonju-si, South Korea.

    In a closely contested match, Pakistan led 14-12 after the first quarter but fell behind 24-26 at halftime. They bounced back to regain the lead at 35-32 by the end of the third quarter and finished strong to close out the win.

    Players including Leya Raza Shah, Alisha Naveed, Sumayya Kouser, Haleema, Jasmine Farooq and Farah Rasheed delivered outstanding performances and were instrumental in the team’s success.

    Chairman of the Pakistan Netball Federation Mudassar Arian, President Sameen Malik, and Secretary General Muhammad Riaz congratulated the team on their impressive performance and progression to the next stage.

    With this victory, Pakistan topped Group B and will face Japan in the semifinal on Thursday, July 3.

    As per the Asian Netball Federation’s new format, the semifinals will be contested between the top four teams from both divisions—Group A (Gold Cup Division) and Group B (Plate Cup Division)—with the top-ranked team facing the fourth, and the second playing against the third.

    The championship, featuring eleven nations, is being held from June 27 to July 4, 2025, under the auspices of the Asian Netball Federation.

    Group A includes Malaysia, Singapore, Sri Lanka, Hong Kong, and India, while Group B comprises Chinese Taipei, Japan, Korea, Pakistan, Maldives, and Saudi Arabia.

    Pakistan began their campaign in dominant fashion, outclassing Saudi Arabia with a 71-15 victory. In their second match, the Green Shirts continued their impressive run by securing a 56-32 win over Chinese Taipei.

    In the third group-stage match, Pakistan overwhelmed South Korea with a commanding 91-6 scoreline. They followed it up with a dominant 79-39 victory over Japan in the fourth match.

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  • Paris Fashion Week: Highlights from the Spring-Summer 2026 menswear shows

    Paris Fashion Week: Highlights from the Spring-Summer 2026 menswear shows


    Paris
    CNN
     — 

    Against the backdrop of a scorching heatwave in Europe that has not spared the French capital, the menswear edition of Paris Fashion Week wrapped up on Sunday.

    The sweltering conditions were perhaps an incidental metaphor for the pressure the industry is feeling as the global luxury industry experiences a troubling slowdown. To this end, the Spring-Summer 2026 collections felt restrained. In a climate of uncertainty, designers proposed modular, adaptable wardrobes attuned to a global consumer, and the attention shifted away from slogans and theatrics toward refined construction and nuance, with block colors, versatile garments and an eye towards utility. That said, when it came to show production, the bar remained high, with runways once again staged at major Parisian landmarks, attended by a bevy of A-List guests.

    The week’s most anticipated event took place at the famed Hôtel des Invalides, where Dior presented its first show by Jonathan Anderson, the founder of London label J.W. Anderson, who stepped down from Loewe after transforming the luxury brand over the past 11 years. Pop royalty and industry titans, including Rihanna, Sabrina Carpenter, Donatella Versace and Robert Pattinson, all sat front row for his highly anticipated debut, which was set in a room mimicking interiors of Berlin’s Gemäldegalerie museum featuring 18th-century artworks.

    Off the heels of Dior Men’s era of Kim Jones, who offered elegant twists on menswear in theatrical runway shows, Anderson ushered in a playful, everyday sense of luxury, delving into the house’s heritage by reintroducing classic silhouettes morphed in new ways. The Bar jacket, cinched at the waist and introduced in the 1950s, was presented oversized — with a skirt-suit version simultaneously showcased by Carpenter in the front row — while cargo pants featured trailing panels that echoed the 1949 Dior Delft ball gown. Flowers, central to Christian Dior and his garden in Granville, featured as minute embroideries and a handbag that replicated a cover of the 1857 book “Les Fleurs du Mal” by French poet Charles Baudelaire.

    At another Parisian cultural landmark, in front of the Centre Pompidou, Pharrell Williams presented a majestic show for Louis Vuitton with Beyoncé and Jay-Z arriving last before the sunset event. But the collection proved more understated than its presentation, despite its focus on India’s sartorial influence on contemporary fashion. The set, by architect Bijoy Jain of Studio Mumbai, was a life-sized take on the ancient Indian board game of Snakes and Ladders. Tailoring came with an air of effortless dandyism, with indigo overcoats and mustard pleated shorts before moving toward hiking chic, with windbreakers and climbing boots complete with bejeweled socks. The eccentric show felt spun off from a Wes Anderson set, and that was intentional — with jacket motifs paying homage to the Louis Vuitton trunks featured in Anderson’s 2007 train-journey film “The Darjeeling Limited,” set in India.

    Louis Vuitton considered India’s influence on menswear through its latest collection.
    The show included a direct nod to Anderson’s vivid fictional journey through India, the 2007 film “The Darjeeling Limited.”

    Rather than a museum setting, the British-born designer Grace Wales Bonner celebrated the 10th anniversary of her eponymous label by going back to school. Titled “Jewel,” the collection took the stage at the prestigious Lycée Henri-IV secondary school in the city’s Latin Quarter and explored the idea of inheritance.

    The garments’ layered, preppy lines drew on British know-how through collaborations with Savile Row tailors Anderson & Sheppard and milliner Stephen Jones for berets. Staying true to her signature fusion of genres, Bonner also partnered with streetwear brand Y-3. In addition to sporty, paper-thin knits and sheer bejeweled shirting, Bonner paired flared silhouettes with patent opera pumps, and elevated tailcoats with baobab brooches and pops of colors on lapels and collars.

    Block colors and bold messages

    At several shows, bright colors snuck onto the runway, sometimes paired with equally subversive messaging, and, at other times, a playful new take on tradition.

    For his second presentation in Paris, American designer Willy Chavarria opened with a bold performance — in collaboration with the American Civil Liberties Union (ACLU) — directly referencing the Trump administration’s contested deportations of Venezuelan migrants to prisons in El Salvador. The sequence included 35 men in white t-shirts kneeling on the runway floor, appearing to echo images taken inside the Cecot megaprison; it was a declaration against “people being profiled and persecuted with no due process,” per the show notes.

    From this emotional beginning, Chavarria, who often weaves Latino sartorial codes into direct political statements and messages of inclusion, revisited retro inspirations: zoot suits and film noir-inspired silhouettes in baby pink, lavender and brass satin dress coats, complete with a collaboration with classic shoemaker Charles Jourdan.

    Willy Chavarria’s sharp bolero hats contrasted the collection’s slouchy suiting.
    Shimmering silks and summery pastels added dimension to neutrals.

    At Saint Laurent, creative director Anthony Vaccarello’s inspiration came from the queer communities of 1970s Fire Island in New York. That summer vibrancy translated into clothing through splashes of mustard, lime, and tangerine hues, with strong suiting softened by silk shirts topped by ton-sur-ton skinny ties or airy chiffon blouses with pussy bows.

    And, at Dries Van Noten, newly appointed creative director Julian Klausner unveiled his first menswear collection for the Belgian brand. Titled “Just a Perfect Day,” the modular wardrobe shifted and loosened up over the course of an imagined night out, playing with both the hybridity of formal and casual as well as masculine and feminine. The collection featured sarongs layered over trousers, silk waistcoats paired with boxing shorts, and traditional cummerbunds — in mint or hot pink — added to more casual silhouettes.

    On the last day of menswear fashion week, Jacquemus, led by Simon Porte Jacquemus, hosted its closing duties. The label has become known for translating Provençal traditions into exuberant womenswear, menswear, and viral accessories.

    The grand show at Versailles drew a sparkling front row including actors Matthew McConaughey, Gillian Anderson and Laura Harrier. Known for weaving his own biography into his work, Jacquemus once again looked to his South of France childhood, but this time bringing his rural upbringing to the court of the king, at the palace’s maze-like Orangery.

    Jacquemus closed out the week with a meditation on childhood memories and rural France, brought to the palatial setting of Versailles.

    The collection featured a milky palette of white, eggshell and soft pinks, constructed as ruffled aprons and corseted blouses. Tablecloth-inspired embroideries, and playful tassels referenced traditional Southern France — as did trompe-l’œil leather accessories shaped like garlic, strawberries, and leeks. Memory and myth intertwined in the show, from Marcel Pagnol films to the designer’s great-grandmother and the English tourists of his childhood, he explained backstage.

    He used the French term “endimanché,” or dressing up on Sunday, to describe the crisp, opaline feel of the collection, “almost like a nurse, very minimal… my grandmother was always in white with bijoux, very pure.” Provence, he added, “is always a dream… a very important cliché.”

    Scroll for the highlights from the Paris Fashion Week men’s shows.

    A$AP Rocky and Rihanna at Dior.
    Saint Laurent creative director Anthony Vaccarello turned back time, looking at the iconic queer summer hotspot Fire Island in the 1970s for his inspiration.
    Wales Bonner celebrated its 10th anniversary this season with a twist on prep in a school setting.
    Beyoncé took a break from the Cowboy Carter tour to sit at Louis Vuitton.
    Jonathan Anderson’s debut collection for Dior featured classic silhouettes from the archives given a new twist.
    Classic elegance mixed with contemporary styles, as well as florals introduced in subtle ways.
    Robert Pattinson and LaKeith Stanfield at Dior.
    Models in poker prints, backstage at A$AP Rocky's second show for AWGE.
    Harnesses were a key element of Rick Owens' Spring-Summer 2026 collection.
    Backstage at the Rick Owens show.
    A jewel-toned cumberbund over a low-cut polo at Dries Van Noten.
    Julian Klausner’s debut for the Belgian label took models from day to night.
    Camila Alves McConaughey, Matthew McConaughey and Gillian Anderson at Jacquemus.
    A model wears a fabric wig at the Yohji Yamamoto show. The Japanese designer offered a closing statement after taking his bow at the end of the catwalk: “Human beings,” he said, need to come together “without making war. And politicians need to be more clever. Otherwise, the world will end too soon.”
    At Études, the collection featured washed denim, exposed zippers, with textures that appeared faded, bleached and cracked.
    At Kiko Kostadinov, silhouettes were inspired by Bulgarian military pyjamas.
    At Juun.J, creative director Jung Wook-jun was inspired by early dressing

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